Publications

Yousefzadeh, Mahnaz. "Shafii al-Sharif’s Subhat-al-Akhbar in the Medici Collection: Visualizing Royal Genealogy in the Persico-Islamic and the Medici Courts." I Tatti Studies in the Italian Renaissance 21, no. 1 (2018): 159-183.

Karmani, Sohail, Islam and English in the Post-9/11 Era: Introduction. Journal of Language, Identity and Education, 4(2), 85-86 (2005).

Karmani, Sohail,  “Religion”. The Encyclopedia of Applied Linguistics, Chapelle, C.A. (ed). Oxford, UK: Wiley-Blackwell (2013).

Karmani, Sohail, On Perceptions of the Socialising Effects of English-Medium Education on Students at a Gulf Arab University with Particular Reference to the United Arab Emirates (Doctoral Thesis). University of Exeter, Exeter, UK (2010).

Karmani, Sohail and R. Phillipson,  ‘Linguistic imperialism’ 10 years on. ELT Journal, 59(3), 244–249 (2005)..

Karmani, Sohail,  Petro-Linguistics: The Emerging Nexus Between Oil, English, and Islam. Journal of Language, Identity and Education, 4(2), 87-102 2005.

Karmani, Sohail,  An Overview of Approaches to Educational Research. Educational Awakening: Journal of the Educational Sciences, 4(2), 115-163 (2007).

Karmani, Sohail, The Monolingual Fallacy: The Case of Arabic in ESL Education. Educational Awakening: Journal of the Educational Sciences, 3(2), 85-116 (2006).

Karmani, Sohail, Language Teachers' Beliefs about Teaching English to Gulf Arab Students. Educational Awakening: Journal of the Educational Sciences, 5(1), 31-79 (2008).

Karmani, Sohail,  TESOL in a Time of Terror: Toward an Islamic Perspective on Applied Linguistics. TESOL Quarterly, 39(4), 738-744 (2005).

Karmani, Sohail,  English, ‘Terror’, and Islam. Applied Linguistics, 26(2), 262-267 (2005).

Karmani, Sohail,  “Good Muslims Speak English”. Critical Discourse Studies, 2(1), 103-105 (2006).

Karmani, Sohail & A. Pennycook, A.   Islam, English, and 9/11. Journal of Language, Identity and Education, 4(2), 157-172 (2005).

Karmani, Sohail. Book review of ‘Language Contact and Language Conflict in Arabic: Variations on a Sociolinguistic Theme’, Aleya Rouchdy (Ed.) (2002). Estudios de Sociolingüística, 2006, Volume 7(1).

Karmani, Sohail & S.Makoni (Eds.). Islam and English in the Post-9/11 Era. [Special Issue] Journal of Language, Identity, and Education, 4(2) (2005).

Betts, A., V. N. Yagodin, F. Grenet, F. Kidd, M. Minardi, M. Bonnat, S. Khashimov, . “The Akchakhan-kala wall paintings: new perspectives on kingship and religion in ancient Chorasmia”. Journal of Inner Asian Art and Archaeology 7, 2012 [2017], 125-165.

Minsky, Amir. “Feeling Free? The Sentimental Foundations of Political Liberty in the German Enlightenment”, in Guillaume Ansart, Raphaël Ehrsam, Catriona Seth, and Yasmin Solomonescu (eds.), Enlightenment Liberties/Libertés des Lumières (Paris: Éditions Honoré Champion, 2018), 37-72.

Minsky, Amir. Review of Karen Hagemann, Revisiting Prussia’s Wars against Napoleon. History, Culture, and Memory. Cambridge: Cambridge University Press, 2015. German Studies Review, vol. 40, no. 3 (October 2017): 638-640.

Minsky, Amir. Review of Harold Mah, Enlightenment Phantasies: Cultural Identity in France and Germany, 1750-1914 (Ithaca: Cornell University Press, 2004). H-Net Reviews, March 2005.

Minsky, Amir. “The French Revolution and the German Chimera: Theatricality, Emotions, and the Untransferability of Revolution in J.H. Campe’s Briefe aus Paris”, in Julia Douthwaite, Antoinette Sol, and Catriona Seth (eds.), Teaching Representations of the French Revolution (MLA, forthcoming 2019).

Minsky, Amir. “The Affective Revolution: German Sentimental Travels in Post-Revolutionary France”, in Zmanim: A Historical Quarterly, no. 100 (December, 2007): 100-111 [Hebrew]

Minsky, Amir. “Dorsch’s Complaint: The Exigencies of French Administration in the Roerdépartement”, in Frederick C. Schneid and Denise Davidson (eds.), Consortium on the Revolutionary Era 1750-1850, Selected Papers 2006 (High Point University, 2007), 226-239

Zamir, Shamoon,  The Cambridge Companion to W. E. B Du Bois, Cambridge University Press, 2008.

Duncan, Robert Edward, Eric Mottram, Amy Evans, and Shamoon Zamir. The Unruly Garden, Robert Duncan and Eric Mottram Letters and Essays Vol. 6. Peter Lang, 2007.

De Bello, Patrizia, Colette Wilson, and Shamoon Zamir, eds. The Photo Book from Talbot to Ruscha and Beyond. IB Tauris, 2012.

Noor, Ronny. "The East Wind and Other Short Stories." World Literature Today 78, no. 1 Shamoon Zamir, tr. (2004): 79-79.

Zamir, Shamoon. Dark Voices, W. E. B. Du Bois and American Thought, 1888-1903. University of Chicago Press, 1995.

Zamir, Shamoon. The Gift of the Face, Portraiture and Time in Edward S. Curtis's The North American Indian UNC Press Books, 2014.

Boisen, Camilla. 'Hugo Grotius', in David Boucher and Paul Kelly (eds) Political Thinkers - From Socrates to the Present OUP, 3rd. edition, (2017), pp. 196 - 213

Boisen, Camilla. "From land dispossession to land restitution: European land rights in South Africa." Settler Colonial Studies 7, no. 3 (2017): 321-339.

Boisen, Camilla., and D. Boucher. "The Medieval and Early Modern Legacy of Rights: The Rights to Punish and to Property." in William Bain (ed.), Medieval Foundations of International Relations NY: Routledge, (2016), pp. 148 - 165 (co-authored with David Boucher)

Boisen, Camilla "Grotius and Empire: On Andrew Fitzmaurice 'Sovereignty, Property and Empire 1500 – 2000'', Grotiana 36 (2015), pp. 28 - 39

Allsobrook, Christopher, and Camilla Boisen. "Two Types of Trusteeship in South Africa: From Subjugation to Separate Development." Politikon 44, no. 2 (2017): 265-285.

Boisen, Camilla. "The changing moral justification of empire: from the right to colonise to the obligation to civilise." History of European Ideas 39, no. 3 (2013): 335-353.

Boisen, Camilla, and Matthew C. Murray, eds. Distributive Justice Debates in Political and Social Thought Perspectives on Finding a Fair Share. Vol. 105. Routledge, 2015.

Boisen, Camilla. "Triumphing over evil: Edmund Burke and the idea of humanitarian intervention." Journal of International Political Theory 12, no. 3 (2016): 276-298.

Boisen, Camilla, and Matthew C. Murray. "Apartheid of Thought: The Power Dynamics of Knowledge Production in Political Thought." Theoria 64, no. 150 (2017): 41-55.

Boisen, C.amilla "Recognising the Historical Foundations of Humanitarian Intervention–The Case of the Spanish Theologians and the Discovery of the New World." Science et Esprit 62 (2010): 255-74.

Kalantzakos, Sophia, “EU and China: New Partnership for the Anthropocene”, in Energy and Environmental Transformations in a Globalizing World: An Interdisciplinary Dialogue (co-editor with N. Farantouris) Nomiki Vivliothiki, 2015, pp. 66-78.

Kalantzakos, Sophia, Φυσικό Αέριο: μια επικίνδυνη μέθοδος, OpEd, ΤΟ ΒΗΜΑ, 30 Οκτωβρίου 2013.

Javeri, Sabyn. 2019. Hijabistan. Harper Collins Javeri, Sabyn. 2017. "Nobody Killed Her". Harper Collins Ed. Javeri, S. 2018 Arzu Anthology: Vol I. HUP Ed. Javeri, S. 2019 Arzu Anthology: Vol II. HUP

Martin, Carol. “The Politics of Telling and Workers' Rights: The Case of Mike Daisey” in Theatre and Human Rights after 1945: Thing Unspeakable edited by Mary Luckhurst and Emilie Morin, Palgrave, 2015.

Martin, Carol. “Brecht, Feminism and Chinese Theatre,” in Brecht Sourcebook edited by Carol Martin and Henry Bial, Routledge, 2000.

Martin, Carol. “After Paradise: The Open Theatre’s The Serpent, Terminal, and The Mutation Show,” in Restaging the Sixties: Radical Theatres and Legacies edited by James Harding and Cindy Rosenthal, University of Michigan Press, 2006.

Martin, Carol. “Living Simulations: The Use of Media in Documentary in the UK, Lebanon, and Israel” in Get Real edited by Alison Forsyth and Chris Megson, Palgrave/Macmillan, 2009.

Martin, Carol. “History and Politics Onstage: The Theatre of the Real” in Not Just a Mirror. Looking for the Political Theatre of Today edited by Florian Malzacher, Alexander Verlag, Berlin & Live Arts Development Agency, London, 2015.

Martin, Carol. “The Theatrical Life of Documents” in Dokument in den Künsten edited by Daniela Hahn, Wilhelm Fink publishers, Berlin, 2016.

Martin, Carol. “Table on Stage: The Rise of the Messenger” in Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century edited by Sharon Aaronson-Lehavi, Atay Citron and David Zerbib, Methuen, 2014.

Martin, Carol. “Reality Dance: American Dance Marathons” in Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader edited by Julie Malnig, University of Illinois Press, 2009.

Martin, Carol. “Divine Memory and Abject Reality: Miyagi Satoshi’s Tenshu Monogatari and Simizu Shinjin’s Bye Bye: The New Primitive,” in Modern Japanese Theatre and Performance edited by David Jortner, Keiko Iwai McDonald, and Kevin J. Wetmore, Jr., Lanham MD: Lexington Press, 2006.

Martin, Carol. “Tables and the Offstage World: Stage Objects and Theatre of the Real” in Les théâtres documentaires edited by Beatrice Picon-Vallin, L’entretemps press (in French) 2017.

Martin, Carol, ed. A sourcebook on feminist theatre and performance: on and beyond the stage. Routledge, 2002.

Bial, Henry, and Carol Martin, eds. Brecht sourcebook. Routledge, 2005.

Martin, Carol J. Dance Marathons: Performing American Culture in the 1920s and 1930s. Univ. Press of Mississippi, 1994.

Martin, Carol, ed. Dramaturgy of the Real on the World Stage. Springer, 2010.

Al Khalil, Muhamed, Nizar Habash, and Zhengyang Jiang. "A Large-Scale Leveled Readability Lexicon for Standard Arabic." In Proceedings of The 12th Language Resources and Evaluation Conference, pp. 3053-3062. 2020.

Al Khalil, Muhamed, Hind Saddiki, Nizar Habash, and Latifa Alfalasi. "A leveled reading corpus of modern standard Arabic." In Proceedings of the Eleventh International Conference on Language Resources and Evaluation (LREC 2018). 2018.

Al Khalil, Muhamed, Nizar Habash, and Hind Saddiki. "Simplification of Arabic masterpieces for extensive reading: A project overview." Procedia Computer Science 117 (2017): 192-198.

Al Obeidli, Noura. "Unmasking Patriarchy: Emirati Women's Battle in the Newsroom." In Gulf Women’s Lives: Voice, Space, Place, eds. E. Buscemi, S. Alshammari, I. Kaposi. University of Exeter Press, 2024.

Al Obeidli, Noura. Emirati Women Journalists: Bargaining with Patriarchy in Search of Equality. Routledge: UK. (2025).

Ali, Saleem H., Sophia Kalantzakos, Roderick Eggert, Roland Gauss, Constantine Karayannopoulos, Julie Klinger, Xiaoyu Pu, Kristin Vekasi, and Robert K. Perrons. "Closing the Infrastructure Gap for Decarbonization: The Case for an Integrated Mineral Supply Agreement." Environmental Science & Technology 56, no. 22 (2022): 15280-15289.

Amkpa, Awam, and Gunja SenGupta, "History in Ousmane Sembène’s Guelwaar and Ceddo." Nka Journal of Contemporary African Art 2010, no. 27 (2010): 14-21.

Gunja SenGupta, "The Blackamoor as Voyager: Re-Significations in Transit from Old Worlds to Estevanico, Abraham Lincoln, Bayou Ballads, and William Attaway," in ReSignifications: European Blackamoors, Africana Readings, ed Amkpa, Awam. (Rome: Postcart, 2016), 75-93.

Amkpa, Awam, and Gunja SenGupta, "Picturing Homes and Border Crossings: The Slavery Trope in Films of the Black Atlantic." Paths of the Atlantic Slave Trade: Interactions, Identities, and Images, ed Ana-Lucia Araujo (New York: Cambria Press, 2011), 359-387

Anderson, Samuel Mark. 2016. Review of Visions from the Forests: The Art of Liberia and Sierra Leone, eds. Jan-Lodewijk Grootaers and Alexander Bortolot. caa.reviews (May 5). http://www.caareviews.org/reviews/2695.

Anderson, Samuel Mark. 2016. Review of Harmattan: A Philosophical Fiction, Michael Jackson. American Ethnologist 43, no. 2 (May): 384–5. https://doi.org/10.1111/amet.12320.

Anderson, Samuel Mark. 2019. “Sierra Leone: History, Culture, and Geography of Music” and “Sierra Leone: Modern and Contemporary Performance Practice.” In The SAGE International Encyclopedia of Music and Culture, edited by Janet Sturman, 1946-51. Thousand Oaks: SAGE Publishing. https://doi.org/10.4135/9781483317731.n645 and https://doi.org/10.4135/9781483317731.n646.

Anderson, Samuel Mark. “Times Past Under Fire: Accounting for the Efficacy of Reconciliation Rituals in Postwar Sierra Leone.” In The Art of Emergency: Aesthetics and Aid in African Crises, edited by Chérie Rivers Ndaliko and Samuel Mark Anderson, 249–79. New York: Oxford University Press, 2020.

Anderson, Samuel Mark. 2009. “Inherent Vice: Contagion and the Archive in The Times Square Show.” e-misférica: Performance and Politics in the Americas 6.1.

Anderson, Samuel Mark. 2019. “A Disarmament Program for Witches: The Prospective Politics of Antiwitchcraft, Postwarcraft, and Rebrandcraft in Sierra Leone.” Cultural Anthropology 34, no. 2 (May): 240-71. https://doi.org/10.14506/ca34.2.04.

Anderson, Samuel Mark. 2018. “Letting the Mask Slip: The Shameless Fame of Sierra Leone’s Gongoli.” Africa 88, no. 4 (November): 718-43. https://doi.org/10.1017/s000197201800044x.

Arfara, Katia. “Teatro en estado latente: Crítica radical de las lecciones performativas de Rabih Mroué”. Investigación Teatral, Cuerpo Académico Consolidado – Teatro de la Universidad Veracruzana, vol. 4, no 6: 43-54, 2014.

Arfara, Katia. “Aspects of a new dramaturgy of the spectator: Rimini Protokoll’s Breaking news”, Performance Research, special issue “On dramaturgy”, 14. 3 (September): 112-118, 2009.

 

Arfara, Katia. “Le naturalisme détourné: Le Wooster Group face au répertoire classique”. L'Annuaire Théâtral. Revue québécoise d'études théâtrales, no 53-54 (Spring/Autumn): 105-117, 2013.

 

 

Arfara, Katia. “Reframing the Real: The Blitz Theatre Group and the Awareness of Time”. The Geographies of Contemporary Greek Theatre: About Utopias, Dystopias and Heterotopias. GRAMMA. Journal of Theory and Criticism, vol. 22 (2): 147-161, 2014.

 

 

Arfara, Katia.“Denaturalizing Time: On Kris Verdonck’s Performative Installation End”. Theatre Research International, Cambridge University Press, vol. 39, no 1 (March): 47-56,  2014.

 

Arfara, Katia. "Scènes en transition: Balkans et Grèce." Special issue. Théâtre/Public, n° 222, October /December (2016).

Arfara, Katia, Aneta Mancewicz, and Ralf Remshardt, eds. Intermedial Performance and Politics in the Public Sphere. New York and London: Palgrave Macmillan 2018.

 

Arfara, Katia. “The Politics of the Digital Public Sphere: On Rabih Mroué’s The Pixelated Revolution”. In Intermedial Performance and Politics in the Public Sphere, edited by Katia Arfara, Aneta Mancewicz and Ralf Remshardt, 173-189. Avant-Gardes in Performance. New York and London: Palgrave Macmillan 2018.

 

Arfara, Katia. “La Socìetas Raffaello Sanzio, Purgatory (2008)”. In Mapping Intermediality in Performance, edited by Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender, Robin Nelson, 109-114. Amsterdam: Amsterdam University Press, Media Matters 2010.

Arfara, Katia. “The Work of Art in the Age of its Intermedial Reproducibility: Rimini Protokoll’s Mnemopark”. In Bastard or Playmate? On Adapting Theatre, Mutating Media and the Contemporary Performing Arts, edited by Robrecht Vanderbeeken, Christel Stalpaert, Boris Debackere and David Depestel, 144-152. Theater Topics 5. Amsterdam: Amsterdam University Press  2012.

 

Arfara, Katia. “Shared Spaces: X Apartments and the Precarious Condition of Togetherness”. In Being-With in Contemporary Performance Art, edited by Eliane Beaufils and Eva Holling, 17-32. Berlin: Neofelis Verlag GmbH, 2018.

Arfara, Katia. Théâtralités contemporaines: entre les arts plastiques et les arts de la scène. Bern: Peter Lang 2011.

Assaf, Laure. “Autour d’un café: sociabilité des jeunes à Abou Dhabi.” In Jeunesses arabes. Du Maroc au Yémen : loisirs, cultures et politiques, edited by Laurent Bonnefoy and Myriam Catusse, 53–62. Paris: La Découverte, 2013.

Assaf, Laure. "" Voir le futur, créer le futur". Les Émirats arabes unis face à la fin du pétrole." In La Composition du temps. Prédictions, événements, narrations historiques. De Boccard Edition-Diffusion, 2018.

Assaf, Laure, and Sylvaine Camelin, eds. “Shopping malls : l’avènement de la modernité?” (Shopping malls: the advent of modernity?). Ateliers d’anthropologie, no. 44 (2017).

Assaf, Laure, and Clémence Montagne. "Urban Images and Imaginaries: Gulf cities through their representations." Arabian Humanities. Revue internationale d’archéologie et de sciences sociales sur la péninsule Arabique/International Journal of Archaeology and Social Sciences in the Arabian Peninsula 11 (2019).

Assaf, Laure. "‘Abu Dhabi is my sweet home’ Arab youth, interstitial spaces, and the building of a cosmopolitan locality." City (2020): 1-12.

Assaf, Laure. “Espaces vécus et imaginés des rencontres amoureuses aux Émirats arabes unis.” EchoGéo, no. 25 (2013).

Assaf, Laure. “La Corniche d’Abu Dhabi : espace public et intimités à ciel ouvert.” Arabian Humanities, no. 2 (2013).

A. Al Attar with D. Hudson (forthcoming, 2023). “Interview with Ammar Al Attar on the Cinemas in the UAE Exhibition.” In Reorienting the Middle East: Film and Digital Media Where the Persian Gulf, Arabian Sea, and Indian Ocean Meet. Ed. D. Hudson and A. Yunis. Bloomington: Indiana University Press: in press.

Ba, Selly, Camille Evrard, and Erin Pettigrew. "«La loi ne suffit pas». Comment aborder les inégalités hommes femmes au sénégal?." LOuest Saharien 16, no. 1 (2022): 165-178.

Baltazar, André, Carlos Guedes, Bruce Pennycook, and Fabien Gouyon. A real-time human body skeletonization algorithm for max/msp/Jitter. Proceedings of International Computer Music Conference (ICMC 2010), Stony Brook, NY 2010.

Banakou, Domna, and Mel Slater. “Embodiment in a Virtual Body That Speaks Produces Agency over the Speaking but Does Not Necessarily Influence Subsequent Real Speaking.” Scientific Reports 7, no. 1 (2017): 1–10. https://doi.org/10.1038/s41598-017-14620-5

Banakou, Domna, and Mel Slater. "Body ownership causes illusory self-attribution of speaking and influences subsequent real speaking." Proceedings of the National Academy of Sciences 111, no. 49 (2014): 17678-17683. https://doi.org/10.1073/pnas.1414936111

Banakou, Domna, Sameer Kishore, and Mel Slater. "Virtually being Einstein results in an improvement in cognitive task performance and a decrease in age bias." Frontiers in Psychology (2018): 917. https://doi.org/10.3389/fpsyg.2018.00917

Banakou, Domna, Raphaela Groten, and Mel Slater. “Illusory Ownership of a Virtual Child Body Causes Overestimation of Object Sizes and Implicit Attitude Changes.” Proceedings of the National Academy of Sciences 110, no. 31 (2013): 12846–12851.  https://doi.org/10.1073/pnas.1306779110

Banakou, Domna, Dora H Parasuram, and Mel Slater. “Virtual Embodiment of White People in a Black Virtual Body Leads to a Sustained Reduction in Their Implicit Racial Bias.” Frontiers in Human Neuroscience 10 (2016): 601. https://doi.org/10.3389/FNHUM.2016.00601

Bastaki, Jinan. "Reading History into Law: Who Is Worthy of Reparations? Observations on Spain and Portugal's Return Laws and the Implications for Reparations." Islamophobia Studies Journal 4, no. 1 (2017): 115-128.

Bastaki, Jinan. "Temporary protection regimes and refugees: What works? comparing the Kuwaiti, Bosnian, and Syrian refugee protection regimes." Refuge: Canada's Journal on Refugees/Refuge: revue canadienne sur les réfugiés 34, no. 2 (2018): 73-84.

Bastaki, Jinan. "“Not Without My Daughter”: EU Asylum Law, Gender, and the Separation of Refugee Families." Refugee Survey Quarterly 38, no. 3 (2019): 266-289.

Bastaki, Jinan. "The Legacy of the 1951 Refugee Convention and Palestinian Refugees: Multiple Displacements, Multiple Exclusions." Berkeley J. Middle E. & Islamic L. 8 (2017): 1.

Bastaki, Jinan. "The meanings of citizenship between resettlement and return: the case of displaced palestinians." Citizenship Studies 24, no. 2 (2020): 154-175.

Bastaki, Jinan. "Labour migration and the Gulf Arab states: Some observations on the potential of the GCR." Journal of Refugee Studies 34, no. 3 (2021): 2912-2932.

Bastaki, Jinan, and Lorraine Charles. "The privilege to work: Syrian refugees in Jordan, Technical and Vocational Education Training, and the remote work loophole." Refugee Survey Quarterly 41, no. 4 (2022): 625-644.

Bastaki, Jinan. 2025. The Best Muslims are the Ones Who Leave: Neoliberalism and the Limits of Accommodation, in Secularism, Race, and the Politics of Islamophobia. Alberta: University of Alberta Press.

Christoph Becker-Schaum, Philipp Gassert, Martin Klimke, Wilfried Mausbach, and Marianne Zepp. The Nuclear Crisis, NATO's Double-Track Decision, and the German Peace Movement of the 1980s,  New York/Oxford: Berghahn Books (2016).

Becker-Schaum, Christoph, Philipp Gassert, Martin Klimke, Wilfried Mausbach, and Marianne Zepp. Die Nuklearkrise: Der NATO-Doppelbeschluss und die Friedensbewegung der 1980er Jahre, Paderborn: Schöningh Verlag (2012).

Bedder, Rachel L., Daniel Bush, Domna Banakou, Tabitha Peck, Mel Slater, and Neil Burgess. “A Mechanistic Account of Bodily Resonance and Implicit Bias.” Cognition 184, no. January 2018 (2019): 1–10.

Bello, Juan P., Robert Rowe, Carlos Guedes, and Godfried Toussaint. "Five perspectives on musical rhythm." Journal of New Music Research Special Issue: “Cross-Disciplinary and Multi-Cultural Perspectives on Musical Rhythm” 44, no. 1 (2015): 1-2.

Bello, Juan P., Rowe Rowe, Carlos Guedes, and Godfried Toussaint. (Eds). "Cross-disciplinary and Multi-cultural Perspectives on Musical Rhythm", Special Issue of the Journal for New Music Research 2015, 44/1

Bernardes, Gilberto, Guedes, Carlos and Bruce Pennycook. EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data. in From Sounds to Music and Emotions. Lecture Notes in Computer Science (7900) 2013, pp.110-129. New York: Springer.

Bernardes, Gilberto,  Carlos Guedes, and Bruce Pennycook. Style emulation of drum patterns by means of evolutionary methods and statistical analysis. Proceedings of the Sound and Music Computing Conference (SMC 2010). Barcelona, Spain 2010.

Bernardes, Gilberto, Carlos Guedes, and Bruce Pennycook. EarGram: an Application for Interactive Exploration of Large Databases of Audio Snippets for Creative Purposes. Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2012), London, England 2012.

Bernardes, G., M. Davies, and C. Guedes. Automatic musical key estimation with adaptive mode bias. Proceedings of the 42nd IEEE International Conference on Acoustics, Speech and Signal Processing. (2017).

Bernardes, Gilberto, Diogo Cocharro, Marcelo Caetano, Carlos Guedes, and Matthew EP Davies. "A multi-level tonal interval space for modelling pitch relatedness and musical consonance." Journal of New Music Research 45, no. 4 (2016): 281-294.

Bernardes, Gilberto, Diogo Cocharro, Carlos Guedes, and Matthew EP Davies. "Harmony generation driven by a perceptually motivated tonal interval space." Computers in Entertainment (CIE) 14, no. 2 (2016): 1-21.

Betts, A. , M. Bonnat, F. Kidd, F. Grenet, S. Khashimov, G. Khodzhaniyazov and M. Minardi. “Des divinités avestique sur les peintures murals d’Akchakhan-kala, Ouzbékistan”, Comptes Rendus des Seances de l'Academie des Inscriptions et Belles Lettres, 2015 1369-1396.

Bowen, Martin. “El proyecto sociocultural de la Unidad Popular en Chile: crítica, verdad e inmunología política”, Nuevo Mundo – Mundos Nuevos, N° 8 ( 2008)

Bowen, Martin.  “¿El pueblo como límite de la modernidad? Proyecto ilustrado y educación primaria popular en Chile. 1830-1841”, in Nicolás Cruz and Iván Jaksic (eds.), Seminario Simon Collier 2005, Santiago, Instituto de Historia de la Universidad Católica de Chile.

Bowen, Martin.  “La lógica de la representación: discursos sobre teatro y sociedad en el Santiago republicano, 1818-1842”, in Revista Apuntes de Teatro, 125, Santiago, Escuela de Teatro de la Universidad Católica de Chile (2004)

Bowen, Martin. “Las ‘risas satánicas’: desprecio aristocrático y representación de lo popular en el teatro de Santiago, 1810-1842”, in Martín Lara and Rafael Gaune (eds.), Historias de racismo y discriminación en Chile, Santiago, Uqbar  ( 2009).

Bowen, Martin. “An Archive of Sins: Experimenting with the Body and Building a Knowledge of the ‘Low’ in José Ignacio Eyzaguirre’s General Confession (1799-1804)", in: Epistemocritique (March 30, 2013).

Bowen, Martin.  “Construyendo nuevas patrias. El proyecto sociocultural de la izquierda chilena durante la Unidad Popular”, in Martín Bowen, et. al, Seminario Simon Collier 2006, Santiago, Instituto de Historia de la Universidad Católica de Chile.

Bowen, Martin ,  Experimentar el cuerpo y escribir los pecados. La confesión general de José Ignacio Eyzaguirre, 1799-1804. Institut français d'études andines; Instituto de estudios peruanos (2014).

Bowen Silva, Martín. "Distraer y gobernar: teatro y diversiones públicas en Santiago de Chile durante la era de las revoluciones (1780-1836)." Historia (Santiago) 49, no. 1 (2016): 27-56.

Bowen, Martín. "Luis Ambrosio Morante,” in Dictionary of Caribbean and Afro-Latin American Biography, edited by Franklin W. Knight & Henry Louis Gates, Jr. (New York: Oxford University Press) 2016.

Bowen, Martín. "Experimenting with nature: José ignacio eyzaguirre’s general confession and the knowledge of the body (1799-1804)." In Sexuality and the Unnatural in Colonial Latin America, pp. 95-119. University of California Press, 2016.

Bowen, Martín. The Age of Dissent: Revolution and the Power of Communication in Chile, 1780–1833. University of New Mexico Press, 2023.

Bravo, Gwyneth. Requiems to ‘Memory Spaces’: Music, Trauma, and Commemoration, Post 1945.
This book examines symphonic and choral works commemorating traumas of the 20th and 21st centuries, as a framework for exploring the complex interplay between memory and history in the analysis of several works. 
(in discussion with press - prospectus and first chapter submitted in 2024.)

Bravo, Gwyneth.  “Hilda Klestadt-Jonas” in Arbeitsgruppe Exilmusik am Musikwissenschaftlichen Institut (ed.) in: Lebenswege von Musikerrinen im Dritten Reich und im Exil"  (Hamburg: von Bockel Verlag, 2000), pp. 254-280.

Bravo, Gwyneth and Brian S. Locke. “Mortal Encounters, Immortal Rendezvous: Literary-Musical Counterpointsbetween Erwin Schulhoff’s Flammen and Karel Josef Beneš’s Don Juan” (co-author Brian Locke) in New Paths in Opera: Martinů, Burian, Hába, Schulhoff, Ullmann, edited by Kelly St. Pierre and Helena Spurná, 127-173. Vienna: Hollitzer Wissenschaftsverlag, 2022. [30,000 words] Publication August 2022. https://www.hollitzer.at/buch/new-paths-in-opera.

Radio Interview, Abu Dhabi Classics FM, Radio Interview with Gwyneth Bravo, Anniversary Edition of the Birth of Leonard Bernstein (Abu Dhabi, UAE, August 25, 2016)

Radio Interview, Abu Dhabi Classic FM, Radio Interview with Gwyneth Bravo and Narek Hakhnazyaran (Abu Dhabi, UAE, December 9, 2015)

Bravo, Gwyneth. “Recovered Voices” in NYUAD Arts and Humanities Year in Review, 2018 [200 words]

Bravo, Gwyneth. "(Re)orchestrating Histories: An Interview with Cambodian Composer Him Sophy” in Music in Times of Crisis: Conflicts and Wars, Swiss Journal for Musicology, New Series 39 (2022-12-29): [4,500 words], DOI: 10.36950/sjm.39.8 Universität Bern Open Publishing, 2022. DOI: 10.36950/sjm.39 ISBN (elektronische Version) 978-3-03917-063-0. e-ISSN: 2235-7475. Edited by Margret Scharrer, Vincenzina C. Ottomano, Laura Moeckli, and Lea Hagmann. Production and typesetting: Helen Gebhart.

Co-producer, The Promise. 
Collaboratively produced a video emphasizing the 17 sustainable development goals. Worked alongside Paul Sidlo and in association with EMN8 Media Productions. Location: Abu Dhabi, May 2023. https://www.youtube.com/watch?v=G1BIWjpGvLI

Bravo, Gwyneth.  Staging Death: Opera’s Mortal Imagination in Works from Prague to Theresienstadt (In contract: 31 May 2024; forthcoming 2025).

Bravo, Gwyneth,  “"Viktor Ullmann.” Viktor Ullmann:” Orel Foundation (2010) [3275 words] Press on publication

Bravo, Gwyneth. “Pratt, Awadagin.” Grove Music Online. [450 words]:  In contract December 2023; completed May 2024; forthcoming September, 2024.
https://www.oxfordmusiconline.com/grovemusic/

Fire Dance. Compact disco of cello and Celtic harp music with Christine Bonner, harp (Rainbow Music, 2001)

An Evening in Spain and Latin America. Compact disc of cello and guitar music with David Chapman, guitar (Sacramento, 1997)

Bravo, Gwyneth. "‘Sites of Memory’ - Memory from Darkness: Him Sophy’s Piano Trio as Autobiography and History of the Cambodian Genocide and the Khmer Rouge." Oxford Handbook of Music, Sound, and Trauma Studies, edited by Erin Brooks, Jill Rogers, Michelle Meinhart. Oxford Handbook on Music and Trauma My abstract was submitted as part of proposal; series now In Contract with Oxford University Press (April 2024); submission (October 2024), expected publication: 2027.

Bravo, Gwyneth. "Him, Sophy." Grove Music Online. 24 Jan. 2024. [450 words]: published: January 24, 2024. 
https://www.oxfordmusiconline.com/grovemusic/
https://doi.org/10.1093/omo/9781561592630.013.90000382064

Brennan, Sara; Chun, Elaine; Dlaske, Kati; Karrebæk, Martha Sif; Rambukwella, Harshana. “Authentic problems: Critical reflections on theorizing authenticity." in Critical sociolinguistic dialogues: The constitution of a field (book in honor of Monica Heller), ed., Mi-Cha Flubacher and Alfonso Del Percio, London: Bloomsbury. (2024, forthcoming).

E. Brite, F. Kidd, A. Betts and M. Negus Cleary. “Millet cultivation in Central Asia: a response to Miller et al”. The Holocene, 2017 1-8.

E. Brite, G. Khozhaniyazov, J. M. Marston, M. Negus Cleary and F. J. Kidd. “Kara-tepe, Karakalpakstan: Agropastoral Continuity and Change in a Central Eurasian Oasis in the 4th/5th century A.D.” Journal of Field Archaeology 2017 42.6, 514-529

Bsumek, Erika, Amy Hay, Sophia Kalantzakos, and Tania Katzschner. "A collaborative approach to environmental humanities: pedagogy and the radical hope syllabus project." In Toward an eco-social transition: transatlantic environmental humanities, pp. 197-203. Instituto Universitario de Investigación en Estudios Norteamericanos Benjamín Franklin, 2021.

A. Burke and W. Zimmerle, “A Prospectus on the Study of Warfare in the Ancient Near East,” Annual Meeting of the American Schools of Oriental Research. Session Chairs: Warfare and Empire and their Impact on the Ancient Near East. ASOR Conference Paper (Published online). Atlanta, Georgia, 2012: 1-13.

Capela, Artur, Jaime Cardoso, , Ana Rebelo, and Carlos Guedes. Integrated Recognition System for Music Scores. Proceedings of the International Computer Music Conference 2008 (ICMC 2008), Belfast, Ireland.

Cardoso, Jaime, Artur Capela, Ana Rebelo, and Carlos Guedes. A Connected Path Approach for Staff Detection on a Music Score. Proceedings from the 2008 IEEE International Conference on Image Processing (ICIP 2008), San Diego, USA

Shan Chou, Eva, and Lee GK Singh. "Archives of the Dance (27), The Establishment of Beijing Dance School in the First-Hand Report of Soviet Specialist OA Il'ina: Introduction, Translation, Notes." Dance Research 40, no. 1 (2022): 11-40.

Coffey, Kevin. "Theoretical Equivalence as Interpretative Equivalence" The British Journal for the Philosophy of Science 65, no. 4 (2014): 821-844.

Conze, Eckart, Martin Klimke, and Jeremy Varon, eds. Nuclear Threats, Nuclear Fear and the Cold War of the 1980s. Cambridge University Press, 2016.

Coughlin, J. J., Common Sense in Formation of the Common Good – Justice White's Dissents in the ParochialSchool Aid Cases: Patron of Lost Causes or Precursor of Good News. 66 St. John’s L.Rev. 261-327  (1992).

Coughlin, J. J.,  Tradition And Development In The Catholic Church’s Teaching On Marriage: A Response To Cardinal Trujillo, 4 Ave Maria L. Rev. 567-580 (2006).

Coughlin, J. J., Foreword, Law As Vocation, 20 Notre Dame J. Of L., Ethics & Pub. Pol. 1-10 (2006).

Coughlin, J. J. , The Clergy Sexual Abuse Crisis and the Spirit of Canon Law. BCL Rev., 44, 977 (2002).

Coughlin, J. J., Natural Law, Marriage, and the Thought of Karol Wojtyla. Fordham Urb. LJ, 28, 1771 (2000).

Coughlin, J. J.,  Marriage and Mulieris Dignitatem. Ave Maria L. Rev., 8, 349 (2009).

Coughlin, J. J.  God Bless America, Introduction To September 11th Issue, 76 St. John’s L. Rev. 1-4 (2002).    

Coughlin, J. J., The Practical Impact of the Common Good in Catholic Social Thought. St. John's Law Review, 75(2), 14 (2012).

Coughlin, J. J., A Comparison of the Administrative Law of the Catholic Church and the United States. Loy. LAL Rev., 34, 81 (2000).

Coughlin, J. J., Pope John Paul II and the dignity of the human being. Harv. JL & Pub. Pol'y, 27, 65 (2003).

Coughlin, J. J., Catholic Health Care and the Diocesan Bishop. 40 Cath. Law. 85-95 (2000).

Coughlin, J. J.,  Sacrifice, the Common Good, and the Catholic Lawyer. U. St. Thomas LJ, 3, 6 (2005).

Coughlin, J. J.,  Law and theology: Reflections on what it means to be human from a Franciscan perspective.  John's L. Rev., 74, 609 (2000).

Coughlin, J. J., The Historical Development Of Administrative Law And The Future Of Regulatory Governance, 38 Idaho L. Rev. 89-133  (2001).

Coughlin, J.J., The Seven Fruits Of The Eucharist, Today’s Catholic May 29,, At 8-9, Also In Advocate Nostra, April, At 10-11 (2005).  

Coughlin, J.J. (1998).  Intervention Of The Holy See To The Plenary Session Of The Treaty Conference For The International Criminal Court, L'osservatore Romano July 16, At 2;

Coughlin, J.J., Religion, Education, And The First Amendment, America May 15, 12-15 (1993).

Coughlin, J.J. , Op-ed, Restoring The Faith, Responding To Clergy Sexual Abuse Through Justice, Redemption And Reconciliation, Jurist Nov. 11, At 1 Jurist.Law.Pitt.Edu (2002).     

Coughlin, J.J. (Fall 1996).  The Franciscan Theology Of The Sistine Chapel, 7 Friar Lines 1-9 (Spring 1996); Also In French: La Theologie Franciscaine De La Chapelle Sixtine, 3 Pierre D'angle 127-137 (Fall 1997).      

Coughlin, J.J.,  The Church And The Media, Today’s Catholic July 1, At 16 (2007).  

Coughlin, J.J., Reprinted L'osservator Romano, Eng.Weekly Edition July 22, At 2 (1998).  

Coughlin, J.J., The Perennial Value Of The Traditional Confessional, 9 Sacred Architecture Journal 9-10 ( 2011).  

Coughlin, John, Family Law: Natural Law, Marriage, and the Thought of Karol Wojtyla, in RECOVERING SELF EVIDENT TRUTHS: CATHOLIC PERSPECTIVES ON AMERICAN LAW (Michael A. Scaperlanda & Teresa Stanton Collett eds., Catholic University Press 2007); originally in 28 FORDHAM URBAN L. J. 1771-1786 (2001).

Coughlin, John, Evangelical and Franciscan Poverty, PROCEEDINGS OF THE 1996 NATIONAL ASSEMBLY OF THE COUNCIL OF MAJOR SUPERIORS OF WOMEN RELIGIOUS 57-77 (St. Louis, MO, Oct. 11-13, 1996).

Coughlin, John, Lawyers and Cooperation with Evil: Divorce Cases, in THE CATHOLIC CITIZEN, DEBATING THE ISSUES OF JUSTICE, ANNUAL PROCEEDINGS OF THE FELLOWSHIP OF CATHOLIC SCHOLARS 151-64 (K. D. Whitehead ed., 2004).

Coughlin, John, Introduction, In Saint Paul And The Law (Robert Fastiggi Ed., Lexington Press 2011), Vii-xiv. The Foundation Of Human Rights And Canon Law, In Intractable Disputes About The Natural Law: Alasdair Macintyre And His Critics.

Coughlin, J.J., Review Of Before Dallas: The U.S. Bishops’ Response To Clergy Sexual Abuse Of Children, By Nicolas P. Cafardi, First Things 50-52 ( June/July 2008). 

Coughlin, J.J., Review Of The Battle For Rights In The United States, By Kevin E. Mckenna, America January 21, 35-36 (2008).

Coughlin, J.J.,  Student Book Note, The New Science And Ethics Of Reproduction, 21 Harv. C.R.-c.L. L. Rev. 742-745 (1986).

Coughlin, J.J. , Review Of A Sip From The Well Of Grace: Medieval Texts From The Apostolic Penitentiary, By Kirsi Salonen & Ludwig Schmugge, 102 Archivium Franciscanum Historicum 569-570 (2010).

Coughlin, J.J., Review Of L’esorcista, Gli Ossessi E L’esorcismo, Nel Canone 1172 De Codice Di Diritto Canonico Fonti E Legislatione Vigente, By Maurizio Bogetti, 72 The Jurist 313-314 (2013).

Coughlin, J.J., Review Of Ministerium Justitiae Jurisprudence Of The Supreme Tribunal Of The Apostolic Signatura, Official Latin With English Translation, Translated By William L. Daniel, 72 The Jurist 314-315 (2013).  

Coughlin, J. J., Divorce and the Catholic Lawyer. Jurist, 61, 290 (2001).

Coughlin, J. J., The Human Being, Catholic Social Teaching, and the Law. Journal of Catholic Social Thought, 1(2), 313-333 (2004).

Coughlin, J. J., Canon Law and the Human Person. Journal of Law and Religion, 19(1), 1-58 (2004).

Coughlin, J.J.,  The historical development and current procedural norms of administrative recourse to the Apostolica Signatura. II. Periodica de re canonica, 90(4), 661-690 (2001).

Coughlin, J. J.,  The historical development and current procedural norms of administrative recourse to the Apostolic Signatura. Periodica de re canonica, 90(3), 455-496 (2001).

Coughlin, J.J. Communio And Administrative Justice, 78 Apollinaris 715-43 (2002).      

Coughlin, J. J., Separation, Cooperation, and Human Dignity in Church-State Relations. Jurist, 73, 539 (2013).

Coughlin, J. J., Canonical equity. Studia canonica, 30(2), 403-435 (1996).

Coughlin, J. J.  Goods Of Marriage, (Available At Ssrn).    

Coughlin, J. J. Apostolic Signatura (Available At Ssrn).    

Coughlin, J. J.,  Responsa Ad Dubia, 6.  Diccinario General De Derecho Canónico 945-946 (Universidad De Navarra) (2013).

Coughlin, J. J., Maguire, Charles Bonaventure, The Encyclopedia Of American Catholic History (The Liturgical Press), 833 (1997).

Coughlin, J. J.,  Woywod, Stanislaus, The Encyclopedia Of American Catholic History (The Liturgical Press), 1523 (1997).

Coughlin, J. J., Raymond Leo Cardinal Burke, 3.  Encyclopedia Of Catholic Social Thought, Social Science, And Social Policy 38-39 (Scarecrow Press) (2011).

Coughlin, J. J.,  Responsa Ad Dubia, 6 Stylus Curiae, 7. Diccinario General De Derecho Canónico 399-400 (Universidad De Navarra) (2013). 

Coughlin, J. J. Administrative Recourse (Available At Ssrn).    

Coughlin, J. J. Canon Law (Available At Ssrn).    

Coughlin, J. J., Matrimonio Legítimo, 5. Diccinario General De Derecho Canónico 316-319 (Universidad De Navarra) (2013).

Coughlin, John,  Canon Law: a comparative study with Anglo-American legal theory. Oxford University Press (2011).

Coughlin, John. Administrative Justice At The Apostolic Signatura And The United States Supreme Court: A Comparative Study.  Rome: Gregorian University Doctoral Dissertation. (2014)

Coughlin, John,  LAW, PERSON, AND COMMUNITY, Theological, Philosophical, and Comparative Perspectives on   Canon Law. Oxford University Press (2012).

Katalin Cseh-Varga, Martin Klimke, Burcu Peksevgen, Rolf Werenskjold and Marko Zubak, eds., “Creative Dissent: Alternative Cultures During Socialism and Beyond, 1945-1991” (in progress)

Davis, B., Mausbach, W., Klimke, M., & MacDougall, C. (Eds.). (2013). Changing the world, changing oneself: Political protest and collective identities in West Germany and the US in the 1960s and 1970s Vol. 3. Berghahn Books. Ebook

De Beukelaer, Christiaan, and Andrew J Eisenberg. 2018. “Mobilising African Music: How Mobile Telecommunications and Technology Firms Are Transforming African Music Sectors.” Journal of African Cultural Studies. Published online 26 Nov. 2018. DOI: 10.1080/13696815.2018.1546569.

De Genova, Nicholas. and Nathalie Peutz, eds.  The Deportation Regime: Sovereignty, Space, and the Freedom of Movement. Durham: Duke University Press, 2010. Winner: 2011 Bronze Award, The Association for Borderlands Studies.

Dias, Rui and Carlos Guedes. A Contour-based Jazz Walking Bass Generator. Proceedings of the Sound and Music Computing Conference (SMC 2013). Stockholm, Sweden 2013.

Dias, Rui, Telmo Marques, George Sioros, and Carlos Guedes. GimmeDaBlues: An intelligent Jazz/Blues player and comping generator for iOS.” Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2012), London, England 2012.

Dias, Rui, Carlos Guedes, and Telmo Marques. A computer-mediated interface for Jazz piano comping. Proceedings of the Joint International Computer Music and Sound and Music Computing Conference  (ICMC 2014-SMC 2014). 2014.

Dias, Rui, Telmpo Marques, George Sioros,  and Carlos Guedes. Gimme 'Da Blues: A Jazz/Blues Player and Automatic Comping Generator For iOS Multitouch Devices.” Simpósio de Informática (INFORUM 2011), Coimbra, Portugal 2011.

Doshi, Tishani. "How to write an elegy in the year of dying: Poet-novelist Tishani Doshi on the death of her dog" Scrol.in, December 31, 2020.

Doshi, Tishani. "We Will Not Kill You. We'll Just Shoot You in the Vagina." Virginia Quarterly Review 95, no. 1 (2019): 56-57.

Doshi, Tishani. "Baby - Short Works (Radio)", BBC Sounds, December 18, 2020.

Doshi, Tishani. A God at the Door - poems. HarperCollins India, Bloodaxe UK, Copper Canyon Press USA (2021)

Huang, Mingchaun featuring Tishani Doshi in "Deepest Uprising" film. November 14, 2020
Part of 20 Asian women poets / and has been screened at the Taipei Poetry festival and will be shown at future festivals and tv release. (Tishani Doshi features at 4:20)

Doshi, Tishani. The Pleasure Seekers: A Novel. Bloomsbury Publishing USA, 2010.

Doshi, Tishani. "Out of Breath", Onion, May 13, 2021 

Doshi, Tishani. "Breast or Tooth", GRANTA, May 18, 2021. 

Doshi, T.  "Leaping, Fierce, Arrows: Tishani Doshi writes about a fresh reanimation of the Ramayana." The Poetry Review, (spring) 2022..

Eisenberg, Andrew J. and Bill Odidi. 2018. “The Mombasa Years of Andrew ‘Madebe’ Burchell” [two-part blog post for Afropop Worldwide]. Oct. 23/24.

Eisenberg, Andrew J. 2016. “A Tribute to Kenyan Taarab Legend Zein l’Abdin” [blog post], Music in Africa. July 26.

Music in Africa. 2016. “Digital Technology and the Music Recording Industry in Kenya” [blog post], Music in Africa. July 11. 

Eisenberg, Andrew J. 2018. “The Kenyan Song You Need to Know,” Explore Parts Unknown [website for CNN’s “Anthony Bourdain Parts Unknown”]. Sept. 26.

Eisenberg, Andrew J. 2016. “Zein l’Abdin Ahmed is the Coastal Lute Player Who Popularised Taarab” [obituary], Daily Nation (Kenya), November 4.

Eisenberg, Andrew J. 2017. “Taarab.” In Shades of Benga: The Story of Popular Music in Kenya, edited by Ketebul Music, 287–307. Nairobi, Kenya: Ketebul Music.

Eisenberg, Andrew J. 2017. “The Swahili Art of Indian Taarab: A Poetics of Vocality and Ethnicity on the Kenyan Coast.” Comparative Studies of South Asia, Africa and the Middle East 37 (2): 336–54.

Eisenberg, Andrew J., Alex Perullo, Ryan Skinner, and Gavin Steingo. 2017. “Popular Music,” In Oxford Bibliographies in African Studies, ed. Thomas Spear. New York: Oxford University Press.

Eisenberg, Andrew J. 2015. “Traditional Music,” In Oxford Bibliographies in African Studies, ed. Thomas Spear. New York: Oxford University Press.

Eisenberg, Andrew J. 2013. “Islam, Sound, and Space: Acoustemology and Muslim Citizenship on the Kenyan Coast.” In Music, Sound, and Space: Transformations of Public and Private Experience, edited by Georgina Born, 186–202. Cambridge: Cambridge University Press.

Eisenberg, Andrew J. 2010. “Toward an Acoustemology of Muslim Citizenship in Kenya.” Anthropology News Dec. 51 (9): 6.

Eisenberg, Andrew J. 2015. “Space.” In Keywords in Sound, edited by David Novak, and Matt Sakakeeny, 193–207. Durham: Duke University Press.

Eisenberg, Andrew J. "A Feeling for the Boundaries." Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape (2023): 54.

Eisenberg, Andrew J. "Hip-Hop and Cultural Citizenship on Kenya's ‘Swahili Coast’." Africa 82, no. 4 (2012): 556-578.

Eisenberg, Andrew J. 2024. Sounds of Other Shores: The Musical Poetics of Identity on Kenya's Swahili Coast. Middletown, CT: Wesleyan University Press.

El Khatib, Randa, Julia El Zini, David Wrisley, Mohamad Jaber, and Shady Elbassuoni. "TopoText: Interactive Digital Mapping of Literary Text." In COLING 2016, 26th International Conference on Computational Linguistics, Proceedings of the Conference System Demonstrations, pp. 189-193. 2016.

Eleftheriadis, Pavlos.  A Union of Peoples: Europe as a Community of Principle.  Oxford University Press, 2020.

Eleftheriadis, Pavlos. Legal Rights. Oxford: Oxford University Press, 2008.

Eleftheriadis, Pavlos. "Legal Judgment as Self‐Mastery." Ratio Juris 36, no. 2 (2023): 113-135.

Eleftheriadis, Pavlos. "Cosmopolitanism" in Elgar Encyclopedia of Comparative Law, edited by Jan M. Smits, Jaakko Husa, Catherine Valcke, and Madalena Narciso. pp, 445–452. London: Elgar, 2023. 

Eleftheriadis, Pavlos. "Can that be law for me?." Jurisprudence (2023): 1-16.

Eleftheriadis, Pavlos. "Citizenship and Obligation." THE PHILOSOPHICAL FOUNDATIONS OF EUROPEAN UNION LAW, Julie Dickson & Pavlos Eleftheriadis, eds., Oxford University Press, Forthcoming, Oxford Legal Studies Research Paper 45 (2011).

Eleftheriadis, Pavlos. "Hart on sovereignty." Forthcoming in Andrea Dolcetti, Luís Duarte d’Almeida and James Edwards (eds), Reading HLA Hart's' The Concept of Law'(Hart Publishing 2013)., Oxford Legal Studies Research Paper 85 (2013).

Eleftheriadis, Pavlos. "Constitutional change through deliberation." The Cambridge handbook of deliberative constitutionalism. Cambridge University Press, Cambridge (2018): 191-202.

Eleftheriadis, Pavlos. "Global Rights and the Sanctity of Life." (2013).

Eleftheriadis, Pavlos. "Constitutional rights as moral judgments." In The Quest for Rights, pp. 64-87. Edward Elgar Publishing, 2019.

Eleftheriadis, P., "A right to health care." Journal of Law, Medicine & Ethics 40, no. 2 (2012): 268-285.

Eleftheriadis, Pavlos. "Law and sovereignty." Law and Philosophy 29, no. 5 (2010): 535-569.

Eleftheriadis, Pavlos. "The analysis of property rights." Oxford Journal of Legal Studies 16, no. 1 (1996): 31-54.

Eleftheriadis, Pavlos. "Pluralism and integrity." Ratio Juris 23, no. 3 (2010): 365-389.

Eleftheriadis, Pavlos. "Rights in the Balance," Ius Cogens 4 (2022): 181.

Eleftheriadis, Pavlos. "Parliamentary Sovereignty and the Constitution." Canadian Journal of Law & Jurisprudence 22, no. 2 (2009): 267-290.

Eleftheriadis, Pavlos. "The Law of Laws." Transnational Legal Theory 1, no. 4 (2010): 597-618.

Eleftheriadis, Pavlos. "The Primacy of EU Law: Interpretive, not Structural." European Papers-A Journal on Law and Integration 2023, no. 3 (2024): 1255-1291.

Eleftheriadis, Pavlos. "The European constitution and cosmopolitan ideals." King's Law Journal 12, no. 1 (2001): 17-38.

Eleftheriadis, Pavlos. "Natural Reason and the Ethical Foundations of European Law." RED 2, no. 1 (2021): 14-19.

Eleftheriadis, Pavlos. "The idea of a European Constitution." Oxford Journal of Legal Studies 27, no. 1 (2007): 1-21.

Eleftheriadis, Pavlos. "In Defence of Constitutional Law." Mod. L. Rev. 81 (2018): 154.

Eleftheriadis, Pavlos. "The Structure of European Union Law." Cambridge Yearbook of European Legal Studies 12 (2010): 121-150.

Eleftheriadis, Pavlos. "Power and principle in constitutional law." Neth. J. Legal. Phil. 45 (2016): 37.

Eleftheriadis, Pavlos. "Legality and Reciprocity: A Discussion of Lon Fuller’s The Morality of Law." Jerusalem Review of Legal Studies 10, no. 1 (2014): 1-17.

Eleftheriadis P. "Two Doctrines of the Unwritten Constitution." European Constitutional Law Review. 2017;13(3):525-550.

Evrard, Camille, and Erin Pettigrew. "Encore une nouvelle victime... Le long chemin d’une législation à l’égard des femmes en Mauritanie." L’Année du Maghreb 23 (2020): 271-302.

Evrard, Camille, and Erin Pettigrew. "Femmes du Sahara-Sahel: transformations sociales et conditions de vie." LOuest Saharien 16, no. 1 (2022): 13-31.

Fahlenbrach, Kathrin, Martin Klimke, and Joachim Scharloth, eds. Protest Cultures: A Companion. Vol. 17. Berghahn Books, 2016.

Kathrin Fahlenbrach, Martin Klimke, Joachim Scharloth, and Laura Wong. The Establishment Responds: Power, Protest and Politics since 1945,  New York/London: Palgrave Macmillan (2012). Ebook

Familiar, Laila and Tanit Assaf (editors). Saud al-Sanousi’s Saaq al-Bamboo: The Authorized Abridged Edition for Students of Arabic, Georgetown University Press (2016).

Familiar, Laila (translator). Baha Taher’s خالتي صفيّة والدير (La Tía Safeyya y el Monasterio), Barcelona: Ediciones del Bronce (2000). 

Familiar, Laila (editor). Hoda Barakat’s Sayyidi wa Habibi: The Authorized Abridged Edition for Students of Arabic, Georgetown University Press (2013).   

Familiar, Laila. Contemporary Arabic Fiction: A Frequency Dictionary. Routledge (Taylor & Francis). Forthcoming spring 2019.

Life Worlds of Middle Eastern Oil: Histories and Ethnographies of Black Gold (Edinburgh: Edinburgh University Press, 2023) with Mandana E. Limbert, eds

Violence and the City in the Modern Middle East (Stanford: Stanford University Press, 2016) N. Fuccaro, ed.

The Middle East in London / Oil - Past, Present and Future (London: The London Middle East Institute, SOAS, 2014) with H. Hakimian, eds

The Middle East in London / Iraq: People and Heritage (London: The London Middle East Institute, SOAS, 2015) Nelida Fuccaro, ed.

‘Histories of Oil and Urban Modernity in the Middle East’ Thematic issue in Comparative Studies of South Asia, Africa and the Middle East, 33/1 (2013). N. Fuccaro, ed.

Urban Violence in the Middle East: Changing Cityscapes in the Transition from Empire to Nation State (Oxford; New York: Berghahn, 2015) with U. Freitag, C. Ghrawi and N. Lafi, eds

The Other Kurds: Yazidis in Colonial Iraq (London: I.B.Tauris, 1999)

      (Turkish Translation) Öteki Kürtler. Sömürge Irak’inda Yazidiler (Istanbul: Boğaziçi Gösteri Sanatları Topluluğu, 2011)

Histories of City and State in the Persian Gulf: Manama since 1800 (Cambridge Middle East Studies, n. 30. Cambridge: CUP, 2009) Paperback 2011

‘Scouting for Oil in the Middle East’ with Mandana E. Limbert in N. Fuccaro and Mandana E. Limbert (eds), Life Worlds of Middle Eastern Oil: Histories and Ethnographies of Black Gold (Edinburgh: Edinburgh University Press, 2023), pp. 3-27.

‘The Oil Company’s Fields of Vision: Public Relations and Labour Images in the Arab World’ in N. Fuccaro and Mandana E. Limbert (eds), Life Worlds of Middle Eastern Oil: Histories and Ethnographies of Black Gold (Edinburgh: Edinburgh University Press, 2023), pp. 87-119.

Ganguli, Kaustuv, Gautam Lali, Akshay Anantapadmanabhan, and Carlos Guedes. A passive approach to evaluating Mridangam transcription via perceptual experiment. In International Conference of Music Perception and Cognition (ICMPC-ESCOM), Hyderabad, India. 2021.

Ganguli, Kaustuv, Oscar Gomez, Leonid Kuzmenko, and Carlos Guedes. Developing immersive VR experience for visualizing cross-cultural relationships in music. In 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW) (pp. 401-406). IEEE. 2020.

Ganguli, Kautuv, Sertan Sentürk, Aandrew Eisenberg, and Carlos Guedes. Computational approaches to aid ethnographic research on Maqam melodies. Accepted for publication in First (1st) Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS), Stockholm, Sweden. 2020.

Ganguli, Kaustuv, Christos Plachouras, Sertan Sentürk, Andrew Eisenberg, and Carlos Guedes. Mapping Timbre Space in Regional Music Collections using Harmonic-Percussive Source Separation (HPSS) Decomposition. Proceedings of the 2nd International Conference on Timbre (Timbre 2020), Thessaloniki, Greece. 2020.

Ganguli, Kaustuv, Akshay Anantapadmanabhan, and Carlos Guedes. Fractal Modeling of Carnatic Rhythm Sequence: Case-study on a Generative Model. Proceedings of the International Society of Music Information Retrieval Conference (ISMIR 2019), Delft, The Netherlands. 2019.

Ganguli, Kaustuv, Akashay Anantapadmanabhan, and Carlos Guedes. Questioning the fundamental problem-definition of mridangam transcription. Proceedings of the 2nd International Conference on Timbre (Timbre 2020), Thessaloniki, Greece 2020.

Ganguli, Kaustuv, Akshay Anantapadmanabhan, and Carlos Guedes.  An approach to adding knowledge constraints by fractal analysis on a generative model of Carnatic rhythm sequence. Accepted for publication in Analytical Approaches to World Music Conference (AAWM), Paris, France 2021.

Ganguli, Kaustuv, Sertan Sentürk, and Carlos Guedes. Critiquing task- versus goal-oriented approaches: a case for makam recognition. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2022). Bengaloru, India.

Ganguli, Kaustuv, and Carlos Guedes. "An approach to adding knowledge constraints to a data-driven generative model for Carnatic rhythm sequence." Trends in Electrical Engineering 9, no. 3 (2019): 11-17.

‘Oilmen, Petroleum Arabism and OPEC: New Political and Public Cultures of Oil in the Arab World, 1959-1964’ in G. Garavini and D. H. Claes (eds), Handbook of OPEC and the Global Energy Order: Past, Present and Future Challenges (Routledge, 2020), pp. 15-30.

Gascoigne, A., D. Thomas and F. Kidd,  "In the Trenches: Rescue Archaeology at the Bala Hissar, Kabul". Iran 51, (2013) 151-196.

Gassert, Philipp, and Martin Klimke, eds. 1968: memories and legacies of a global revolt. Vol. 6. German historical institute, 2009.

Philipp Gassert and Martin Klimke, eds., “1968: On the Edge of World Revolution,” 2nd edition (Black Rose Press/University of Chicago Press, 2018)

Gershenson, O. and D. Hudson (2008). “Влюбленные по собственному желанию: иммиграция, гендер, кино” (Vlyublennyye po sobstvennomu zhelaniyu: immigratsiya, gender, kino) [“In Love Voluntarily: Immigration, Gender, Cinema”].

• Russian translation by P. Barskova. In: Израиль через “русских”: кулътypа и идентичностъ (Izrail’ cherez “russkikh”: kul’tura i identichnost) [Israel through “Russians”: Culture and Identity]. Ed. E.E. Nosenko. Moscow: Institute of Oriental Studies and Russian Academy of Sciences: 377–398. [link]

Gershenson, O. and D. Hudson (2019). “Nightmares of a Nation: Israeli Horror-Satires: Rabies and Big Bad Wolves.” Journal of Cinema and Media Studies 59(1): 44–65. [link]

O. Gershenson and D. Hudson (2008). “New Immigrant, Old Story: Framing Russians on the Israeli Screen.” Journal of Film and Video 60(3–4): 25–41.[link]

O. Gershenson and D. Hudson (2007). “Absorbed by Love: Russian Immigrant Women in Israeli Film.” Journal of Modern Jewish Studies 6(3): 301–315. [link]

Gomez, Oscar, Kaustuv Ganguli, Leonid Kuzmenko, and Carlos Guedes. Exploring Music Collections: An Interactive, Dimensionality Reduction Approach to Visualizing Songbanks. Proceedings of the 25th International Conference on Intelligent User Interfaces Companion. IUI 2020. Association for Computing Machinery, p. 138-139 2 p. (International Conference on Intelligent User Interfaces, Proceedings IUI), Cagliary, Italy. 2020.

Guedes, Carlos. Composing and improvising. In real time. in Music Technology with Swing. Lecture Notes in Computer Science (11265) (2018), pp. 445-453. New York: Springer.

Guedes, Carlos (2015). Canon a 4 con uccelli obbligati in Disposifónicos: Acumuladores de objectos sonantes. (2019) [LP]. Porto: Sonoscopia

SSS-Q + Carlos Guedes. (2017). SSS- Q+Carlos Guedes [LP]. Porto: Wasserbassin.

Guedes, Carlos (2015). Happy Miso 25! In Cadavres Exquis: Portuguese Composers of the 21st century [CD].  Lisbon: Miso records

Guedes, Carlos (2019). Unsolvable problems [CD]. [music for big band and for big bang and string quartet]. Porto: Improbable Records

Guedes, Carlos (2017). Phobia robotica. Piece for dysfunctional robotic orquestra in Disposifónicos: Acumuladores de objectos sonantes. (2019) [LP]. Porto: Sonoscopia

SSS-Q + Carlos Guedes. (2021). Becoming space [online edition].  

Chess. (2021). Shadows and reflections [CD]. [Nikolaj Hess: piano; Carlos Guedes: live electronics]. Copenhagen: Gateway records

Guedes, Carlos and Rui Dias. The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco. Proceedings from the Sound and Music Computing 2007(SMC 2007). pp. 378-381 and Proceedings of  The International Computer Music Conference (ICMC 2007) Copenhagen, Denmark. 2007.

Guedes, Carlos. Translating Dance Movement into Musical Rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance. Proceedings of The International Computer Music Conference (ICMC 2007) Copenhagen, Denmark 2007.

Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan.  Challenges in computational modelling and generation of Carnatic percussion music. Challenges in Carnatic Music generation. Proceedings of the 5th International Conference of Analytical Approaches to World Music, Thessaloniki, Greece. 2018.

Guedes, Carlos. The m-objects: A Small Library for Musical Rhythm Generation and Musical Tempo Control from Dance Movement in Real Time.” Proceedings from the International Computer Music Conference, International Computer Music Association, 2005, pp. 794-797 (2005)

Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan. Modeling Carnatic Rhythm Generation: A Data-Driven approach based on Rhythmic Analysis. Proceedings of the 15th Sound & Music Computing Conference, Limassol, Cyprus, 2018

Guedes, Carlos. Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance. Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME07), New York, NY, USA pp. 417-418 2007.

Bernardes, Gilberto, Diogo Cocharro, Carlos Guedes, and Matthew Davies. Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space. Proceedings of the International Symposium of Computer Music Multidisciplinary Research 2015 (CMMR 2015) 2015.

Guedes, Carlos and Kirk Woolford. Controlling Aural and Visual Particle Systems through Human Movement. Proceedings from the Sound and Music Computing 2007(SMC 2007), Lefkada, Greece. pp. 200-203 and Proceedings of The International Computer Music Conference (ICMC 2007), Copenhagen, Denmark 2007.

Guedes, Carlos. Real-Time Composition, why it still matters?: A look at recent developments and potentially new and interesting applications. Proceedings of the 2017 International Computer Music Conference. 2017.

Guedes, Carlos. Extracting Musically-Relevant Rhythmic Information from Dance Movement by Applying Pitch-Tracking Techniques to a Video Signal. Sound and Music Computing Conference 2006 Proceedings, pp. 25-33 (2006).

Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan. CAMeL: Carnatic Percussion Music Generation Using N-Gram and Clustering Approaches. Abstract of presentation at the 16th Rhythm Production and Perception Workshop. 2017.

Guedes, Carlos.  Controlling Musical Tempo from Dance Movement in Real-Time: A Possible Approach.” Proceedings from the International Computer Music Conference, International Computer Music Association, 2003, pp. 453-457 (2003)

Guedes, Carlos, and Pedro Rebelo. "Reflections on music programming for conferences: The case of smc 2009." Computer Music Journal 34, no. 3 (2010): 10-19.

Guedes, Carlos. "Real-time composition: Its applications and educational potential." Journal of Power Electronics 9, no. 2 (2019): 33-40.

Hamilton-Giachritsis, Catherine, Domna Banakou, Manuela Garcia Quiroga, Christos Giachritsis, and Mel Slater. "Reducing risk and improving maternal perspective-taking and empathy using virtual embodiment." Scientific Reports 8, no. 1 (2018): 1-10. https://doi.org/10.1038/s41598-018-21036-2

‘Oil Towns and Petro-Histories’ in C. Hein (ed.) The Global Petroleumscape: Multidisciplinary Perspectives on the Spaces and Imaginaries of Oil (Routledge, 2021), pp. 129-144.

Honeck, Mischa, Martin Klimke, and Anne Kuhlmann, eds. Germany and the Black diaspora: points of contact, 1250-1914. Vol. 15. Berghahn Books, 2013.

Horta, Paulo Lemos , Marvellous Thieves: Secret Authors of the Arabian Nights, Harvard University Press (2017).

Hudson, D. (2017). Review of i-docs: The Evolving Practice of Interactive Media, ed. J. Aston, S. Gaudenzi, and M. Rose (Wallflower, 2018). Post-Script 36(2–3): 126–129.

Hudson, D. (2008). “Migrations and Mediations.” Report on The Age of Migration, 54th annual Robert Flaherty Film Seminar, Colgate University. Afterimage 36(2): 2. [link]

Hudson, D. (2005). “Privileged Play Spaces.” Review of Interactive Realism: The Poetics of Cyberspace by D. Downes (McGill-Queen’s UP, 2005). Afterimage 33(3): 53–54.

Hudson, D. (2009). “Digital Performances.” Review of Lossless: Rebecca Baron and Doug Goodwin at the Carpenter Center for the Visual Arts, Harvard University. Afterimage 36(5): 22–23. [link]

Hudson, D. (2010). “Review of African Film and Literature: Adapting Violence to the Screen by L. Dovey (Columbia UP, 2009).” African Studies Review 53(1): 235–237.

Hudson, D. (2010). Report on 5^o Congreso Internacional de Teoría y Análisis Cinematográfico, Morelia, Michoacán, México. Scope: An Online Journal of Film & TV Studies 16.[link]

Hudson, D. (2006).  “Grounding Internet Theory.” Review of Who Controls the Internet?: Illusions of a Borderless World by J. Goldsmith and T. Wu (Oxford UP, 2006). Afterimage 34(3): 48–49.

Hudson, D. (2007). “Deterritorializing Cinema Studies.” Report on South of the Other, the 53rd annual Robert Flaherty Film Seminar, Vassar College. Afterimage web version. [link]

Hudson, D. (2013). Review of Lamma Shoftak/When I Saw You (Jordan-Palestine-UAE-Greece 2012;  dir. Annemarie Jacir). Jadaliyya;[link] republished in Ahram Online [link].

Hudson, D. (2015). Report on Transnational Cinema/Media Studies Conference, NYUAD Institute, United Arab Emirates. Transnational Cinemas 6(1): 84–96. [link]

Hudson, D. (2005). “Future Perfection.” Report on Future Perfect: Contemporary Chinese Art and the Question of the Archive, an international workshop on art and curating at Cornell University. Afterimage 33(3): 7–8.

Hudson, D. (2015). “Leila Sansour’s Open Bethlehem: Making Palestine Legible and Bethlehem Accessible.” Review of Open Bethlehem (Palestine 2014; dir. Leila Sansour). Jadaliyya. [link]

Hudson, D. (2017). “Locating Emirati Filmmaking within Globalizing Media Ecologies.” In: Media in the Middle East: Activism, Politics, and Culture. Ed. N. Lenze, C. Schriwer, and Z.B.A. Jalil. New York: Palgrave Macmillan: 165–202. [link]

Hudson, D. (2020). “Post-utopian Interventions by Students: Interactive Documentary and Micro-revolutions.” In: Utopia and Reality: Documentary, Activism and Imagined Worlds. Ed. S. Spiegel, A. Reiter, and M. Goldberg. Cardiff: Wales University Press: 207–232.  [link}]

Hudson, D., C.C. Pederson, and P.R. Zimmermann (2016). “Iterações Ambientais: Habitats Digitais e a Construção de Mundos de Telas Múltiplas”. Portuguese translation by L.O. Nicolo. In: Cinemas em redes: Tecnologia, estética e política na era digital. Ed. G.Al. Sobrinho. São Paulo: Papirus Editora/SOCINE: Sociedade Brasileira de estudos de cinema e audiovisual: 31–50. [link]

Hudson, D. (2021). “Patty Sent Me.” In Flash Flaherty: Tales from the Film Seminar. Ed. S. MacDonald and P. R. Zimmermann. Bloomington: Indiana University Press: 275–278; originally published as (2017). “My First Flaherty.” In Flaherty Stories: Voices from the Robert Flaherty Film Seminar. [Link]

Hudson, D. (2014). “Vampires and Transnational Horror.” In: A Companion to the Horror Film. Ed. H.M. Benshoff. West Sussex: Wiley-Blackwell: 463–482. [link]

Hudson, D. and P.R. Zimmermann (2019). “Writing about Digital and Interactive Media.” In: Writing About Screen Media. Ed. L. Patti. New York: Routledge: 131–136. [link]

Hudson, D. (2009). “Modernity as Crisis: Goeng si and Vampires in Hong Kong Cinema.” In: Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race, and Culture. Ed. J.E. Browning and C.J. (Kay) Picart. Lanham. Scarecrow Press: 203–233. [link]

Russian translation. (2021). “Модерность как кризис: кён-си и вампиры в гонконгском кино” (Modernost’ kak krizis: kon-si i vampiry v gonkongskom kino) Corpus Mundi 2(4): 112-142. https://doi.org/10.46539/cmj.v2i4.55

Hudson, D. and P.R. Zimmermann (2020). “An Archive of Small Media during First-Wave COVID-19: Productive Memories of the Global Trauma.” In Memory and Aesthetic Experience. Ed. F. Martins. Porto: Faculty of Arts, University of Porto: 143–170. [link]

Hudson, D. (2013). “Horrors of Anthropocentrism: ‘Improved Animals’ on the Islands of Dr. Moreau.” In: Transnational Horror across Visual Media: Fragmented Bodies. Ed. D. Och and K. Strayer. New York: Routledge: 209–227. [link]

Hudson, D. (2007). “Vampires of Color and the Performance of Multicultural Whiteness.” In: The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Ed. D. Bernardi. New York: Routledge: 127–156. [link]

Hudson, D. and A. Yunis (2020). “Bahrain,” “Emirates Film Competition,” “Film Festivals,” “Jordan,” “Qatar,” “Saudi Arabia,” “United Arab Emirates”, “Yemen,” “Nawaf Al Janahi,” “Nujoom Alghanem,” “Haifaa Al-Mansour,” “Bassam Al-Thawdi,” “Ali F. Mostafa,” and “Khalifa Shaheen.” In Historical Dictionary of Middle Eastern Cinema, second edition. Ed. T. Ginsberg and C. Lippard. Lanham: Rowman & Littlefield: 75–76, 170–171, 191–196, 274–277, 397–398, 430–433, 490–493, 517–519, 34, 44¬–45, 49, 50, 348, 438–439 [link]

Hudson, D. (2011). “Race and Labor, Unplugged: Alex Rivera’s Sleep Dealer.” Flow 15(04). [link]

Hudson, D. and P.R. Zimmermann (2020). “First Wave COVID-19 Playlist: Music.” Media Playlists, Centre for Screen Cultures, University of St. Andrews [link]

Hudson, D. (2013). Supplementary web materials for “Beyond the Page” related to article for American Quarterly special issue on Species/Race/Sex. Eds. C. Feccero and C.J. Kim. [link]

Hudson, D. (2012). “Surveillance and Disinformation, Hacked: Nadia El Fani’s Bedwin Hacker.” Flow 15(12). [link]

Hudson, D. (2018). “What is Open Space New Media Documentary?: A Conversation with Authors Helen De Michiel and Patricia R. Zimmermann.” Immerse 19, lead story. [link]

Hudson, D. and P.R. Zimmermann (2020). “First Wave COVID-19 Playlist: Information.” Media Playlists, Centre for Screen Cultures, University of St. Andrews [link]

Hudson, D. and P.R. Zimmermann (2020). “Digital and Interactive Media Projects that Think Through the Environment.” Media Playlists, Centre for Screen Cultures, University of St. Andrews [link]

Hudson, D. and C.C. Pederson (2017). “New Media, Collaboration, and the Anthropocene.” 20 on 20: Essays in Celebration of FLEFF. Ed. S. Tropiano and P.R. Zimmermann. Twentieth Anniversary Finger Lakes Environmental Film Festival.

Hudson, D. and P.R. Zimmermann (2015). “Precious Images,” expanded essay on Chuck Workman’s Precious Images (USA 1986). National Film Preservation Board of the National Film Registry, Library of Congress. [link] [index]

Hudson, D. (2012). “Biometrics and Machinima, Reanimated: Jacqueline Goss’s Stranger Comes to Town.” Flow 15(07). [link]

Hudson, D. and S.L. Tay (2009–2010). “Digital Spaces: Speculations on Digital Art and Viral Spaces.” Blog posts on new media art and environmentalism. Finger Lakes Environmental Film Festival.

Hudson, D. and P.R. Zimmermann (2015). Thinking through Digital Media: Transnational Environments and Locative Places. New York: Palgrave Macmillan. [link]

• chapter “Tactical Engagement through Gaming and Narrowcasting” deposited Public Health Emergency COVID-19 Initiative by United States Office for Science and Technology Policy and National Science and Technology Advisors (March 2020)
  
• review in Film Quarterly (2016)

Hudson, D. (2017). Vampires, Race, and Transnational Hollywoods. Traditions in American Cinema Series. Ed. L. Badley and R.B. Palmer. Edinburgh: Edinburgh University Press. [link]   

• chapter “Blood, Bodies, and Borders” reprinted in Global Horror Hybridity and Alterity in Transnational Horror Film. Ed. S. Alkassim and Z. El-Bayoumi Foty. San Diego: Cognella, 2023: 20–50.
• conclusion “History and Hollywood, Mashed-up” included in Black Liberation Reading List, an open library by JSTOR and the Schomburg Center for Research in Black Culture (February 2021)
• review in Journal of Film and Video (2020)
  
• review in The Journal of Popular Culture (2018)
  
• review in The Year’s Work in Critical and Cultural Theory (2018)
  
• profiled in Abu Dhabi Weekly (2017)
  
• profiled in The Page 99 Test (2017)
  

Hudson, D. (2020). “UAE Filmmaking beyond Arabization, Cosmopolitanism, and Exceptionalism.” Arabian Humanities 14 special issue “La culture pop dans la péninsule Arabique,” Ed. F. Lagrange and C. Chaveneau: 1–27. [link]

Hudson, D. and P. R. Zimmermann (2019). “States of Environmentalist Media.” States of Media and Environment. Media and Environment 1(1) inaugural issue. [link]

Hudson, D. (2019). “Songs from India and Zanzibar: Documenting the Gulf in Migration.” Studies in South Asian Film and Media 10(2): 91–112. [link]

Hudson, D. (2021). “Mapping Palestine/Israel through Interactive Documentary,” Journal of Palestine Studies 50(1): 51–76. [link]

Hudson, D. (2008). “Undisclosed Recipients: Database Documentaries and the Internet,” an essay in dialogue with S.L. Tay, “Undisclosed Recipients: Documentary in an Era of Digital Convergence.” Studies in Documentary Film 2(1), ed. C. Hight: 79–98. [link]

Hudson, D. and P. R. Zimmermann (2021). “Media during the COVID-19 Pandemic: Big and High, Small and Low.” Jump Cut 60. [link]

Hudson, D. (2006). “‘Just Play Yourself, “Maggie Cheung”’: Irma Vep, Unthinking National Cinemas, and Rethinking Transnational Stardom.” Screen 47(2): 213–232. [link]

Hudson, D. (2009). “Undesirable Bodies and Desirable Labor: Documenting the Globalization and Digitization of Transnational American Dreams in Indian Call Centers.” Cinema Journal 49(1): 82–102. [link]

Hudson, D. (2004). “Between Consumerism, Resistance, and Outreach: Online Vampire Subcultures.” Refractory: A Journal of Entertainment Media 6, “Fandom and Space.”

Hudson D. and P.R. Zimmermann (2009). “Cinephilia, Technophilia, and Collaborative Remix Zones.” Screen 50(1), “Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary,” ed. A. Kuhn: 135–146. [link]

Hudson, D. and P. R. Zimmermann (2019). “Insurgent Habitats: On Media and Environment.” Film Quarterly 72(3), special issue on Cinema of Urgency: 38–41. [link]

Hudson, D. (2020). “Toward a Cinema of Contact Zones: Intersecting Globalizations, Dubai, and City of Life.” Afterimage 47(4): 26–49. [link]

Hudson, D. (2020). “Interactive Documentary at the Intersection of Performance and Mediation: Navigating ‘Invisible’ Histories and ‘Inaudible’ Stories in the United States.” Studies in Documentary Film 14(2): 128–146. [link]

Hudson D. and P.R. Zimmermann (2009). “Taking Things Apart: Migratory Archives, Locative Media, and Micropublics.” Afterimage 36(4): 14–19. [link]

Hudson, D. (2013). “‘Of Course There Are Werewolves and Vampires’: True Blood and the Right to Rights for Other Species.” American Quarterly 65(3), special issue on Species/Race/Sex, Ed. C. Feccero and C.J. Kim: 661–683. [link]

Hudson, D. (2011). “Transpolitical Spaces within Transnational French Cinemas: Vampires and the Illusions of National Borders and Universal Citizenship.” French Cultural Studies 22(2): 111–126. [link]

Hudson, D. and P.R. Zimmermann (2021). Review of Swampscapes (USA, 2018; Elizabeth Miller, Kim Grinfelder, and Juan Carlos Zaldivar). Afterimage 48(4): 43–60 [link]

Hudson, D. (2022), review of Annie Dell’Aria, The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment (Palgrave Macmillan, 2021). Afterimage 49(2): 114–116 [link]

Hudson, D. (2021). “Interactive Documentary: Reactivating the Past to Claim a Future in the Postcolonial/Transnational United States.” Chinese trans. In Frontiers in Documentary Theory and Practice. Ed. Bao F. Beijing: China International Broadcasting Press: 223–240.

Hudson, D. and A. Yunis (forthcoming, 2023). “Introduction: Interconnecting Histories and Migrating Cultures.” In Reorienting the Middle East: Film and Digital Media Where the Persian Gulf, Arabian Sea, and Indian Ocean Meet. Ed. D. Hudson and A. Yunis. Bloomington: Indiana University Press: in press.

Hudson, D. and P.R. Zimmermann (2022). “Ten Propositions.” In Labour in a Single Shot: Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project. Ed. R. Grundemann, P. Schwartz, and G.H. Williams. Amsterdam: Amsterdam University Press: 207–234. [link]

Yunis, A. and D. Hudson (2021). eds. (2021), “Film and Visual Media in the Gulf: Historical and Contemporary Perspectives,” special double issue of Middle East Journal of Culture and Communication 14(1–2): 10 articles plus editors’ introduction. [link]

Hudson, D. (2022). “The World Is Burning, and Whatever Tops the BFI’s ‘Best Films of All Time’ Isn’t Going to Help Us.” The Edge (December 06). [link]

Hudson, D. (2022). “How Aquariums and Conventional Nature Films Greenwash Animal Pain.” The Edge (July 22). [link]

Hudson, D. (2022). “Value-added Cinema,” in 25 for 25: Celebrating FLEFF’s Transformative Vision, Finger Lakes Environmental Film Festival. [link]

Hudson, D. and P.R. Zimmermann (2020). “The Urgency of Participatory Small Media during the COVID-19 Pandemic.” Park Center for Independent Media, Ithaca College. [link]

Hudson, D. (2022). “Black Pain and Punishment at the Oscar.” CounterPunch (April 15). [link]

Hudson, D. and P.R. Zimmermann (2020). “First Wave COVID-19 Playlist: Satire.” Media Playlists, Centre for Screen Cultures, University of St. Andrews. [link]

Hudson, D. (2021). “Listening to What Is Shared: From Gulf to Gulf to Gulf as Documentary Co-creation.” Visible Evidence Forum. [link]

Hudson, D. and P.R. Zimmermann (2022). “Bablyon’13: Small Media of Urgent Utility.” Docologue (May 01).  [link]

Hudson, D. and A. Yunis, eds. (forthcoming 2023). Reorienting the Middle East: Film and Digital Media Where the Persian Gulf, Arabian Sea, and Indian Ocean Meet. Bloomington: Indiana University Press.

Hudson, D. (2022). “Untangling Fact, Fiction, Fantasy—and Outright Lies: Compilation Films as Archival Piracy.” Social Research 89(4) special issue on Photography and Film as Evidence, ed. P. Kottman, 1055–1083 [link]

Hudson, D. (2022). “#OscarMustFall: On Refusing to Give Power to Unjust Definitions of ‘Merit’.” Jump Cut 61 [link]

Hudson, D. (2023). “U.S. Education Needs Land Acknowledgements; Forget McCarthy’s ‘Woke Indoctrination’.” The Edge (10 January).

‘Situating the Gulf in Critical Area Studies’ D. Hudson and A. Younis (eds), Film and Visual Media in the Gulf (Indiana University Press: 2023)

Höhn, Maria, and Martin Klimke. Ein Hauch von Freiheit? Afroamerikanische GIs, die US-Bürgerrechtsbewegung und Deutschland, (Bielefeld: transcript) (2016).

Höhn, Maria, and Martin Klimke. A breath of freedom: the civil rights struggle, African American GIs, and Germany. New York: Palgrave Macmillan (2010).

Isleem, Nasser M., and  Ghazi Abu Hakemah. Teachers Guide, Kalima Wa Nagham with Audio, Textbook for beginner learners of Arabic with DVD, volume 1 (UT press, 2016).

Isleem, Nasser M. Yalla Narmis: The Top 2,000+ Words and Expressions for Understanding Emirati Dialect (Arabic Edition). CreateSpace Independent Publishing Platform; 1 edition (May 30, 2018)

Isleem, Nasser M. Colloquial Palestinian Arabic: An Introduction to the Spoken Dialect, with DVD. Norwell, MA: Alucen Learning, 2010.

Isleem, Nasser M. Popular Proverbs: An Entrance to Palestinian Culture, with DVD. Norwell, MA: Alucen Learning, 2008; revised and reprinted, 2009

Isleem, Nasser M., and  Ghazi Abu Hakemah. Kalima wa nagham, Textbook for beginner/Intermediate learners of Arabic with DVD and answer key, volume 2 (UT press, 2016).

Isleem, Nasser M. Popular Proverbs: An Entrance to Emirati Culture, (Amazon, 2017)

Isleem, Nasser M., and Hajer Madhi. Arabic Language in Emirati Films, Linguistic and Cultural Window on Emirati Films (Amazon, 2016)

Isleem, Nasser M., Ghazi Abu Hakemah and Raed Qasem. Kalima wa nagham, Textbook for beginner learners of Arabic with DVD and answer key, volume 1 (UT press, 2014).

Isleem, Nasser M., and Ayesha Al Hashemi. Ramsah with Audio, An Entrance to Learning Emirati Dialect and Culture (Kuttab Publishing House) 2015.

Isleem, Nasser M., and  Zainab Alwani and Mbarek Sryfi. Perspectives: Arabic Language and Culture in Film, Norwell, MA: Alucen Learning, 2009.

Isleem, Nasser M., Ghazi Abu Hakemah and Raed Qasem. Hakini Arabi, Palestinian and Jordanian Colloquial Arabic for beginners with Audio, (Amazon, 2015).

Isleem, Nasser M., and Ayesha Al Hashemi. Ramsah with Audio, An Entrance to Learning Emirati Dialect and Culture (Second Edition, Amazon) 2018.

Isleem, Nasser M.  Popular Proverbs: An Entrance to Palestinian Culture. USA: Alucen Learning, 2009.

Jian, Chen, Masha Kirasirova, Martin, Klimke, Mary Nolan, Marilyn Young, Joanna Waley-Cohen. The Routledge Handbook of the Global Sixties: Between Protest and Nation-Building (Abingdon, Oxon: Routledge, 2018). 

Jian, Chen, Masha Kirasirova, Martin Klimke, Mary Nolan, Marilyn Young, Joanna Waley-Cohen. The Routledge Handbook of the Global Sixties: Between Protest and Nation-Building (Abingdon, Oxon: Routledge (2018).

Jänicke, Stefan, and David Joseph Wrisley. "Visualizing Mouvance: Toward a visual analysis of variant medieval text traditions." Digital Scholarship in the Humanities 32, no. suppl_2 (2017): ii106-ii123.

Kalantzakos, Sophia,  Η Ενεργειακή Σκακιέρα το 2016, OpEd, ΒΗΜΑ της Κυριακής, 17 Ιανουαρίου 2016.

Kalantzakos, Sophia,  Ας αλλάξουμε αφήγημα για το δημογραφικό, Καθημερινή, 5 Ιανουαρίου, 2020 (με την Αλεξάνδρα Τραγάκη)

Kalantzakos, Sophia,  Νέες Προοπτικές Οταν οι Κοινωνίες Αλλάζουν, Καθημερινή, 12 Αυγούστου 2019.

Kalantzakos, Sophia. Αστέρης Χουλιάρας και Σοφία Καλαντζάκου, «Οι Σχέσεις ΕΕ-Αφρικής», στο Σ. Μπλαβούκος, Δ. Μπουραντώνης και Π. Τσάκωνας, επιμ. Εξωτερικές Σχέσεις της ΕΕ, Αθήνα: Ι. Σιδέρης, 2019, σελ. 195-210.

Kalantzakos, Sophia, After Arab Spring, an EU Winter? CNN.com, November 18, 2011.

Huliaras, Asteris, and Sophia Kalantzakos. "Looking for an Oasis of Support: Greece and the Gulf states." In Foreign Policy Under Austerity, pp. 49-76. Palgrave Macmillan UK, 2017.

Kalantzakos, Sophia, “Introduction to Energy and Environmental Transformations in a Globalizing World: An Interdisciplinary Dialogue” (co-editor with N. Farantouris) Nomiki Vivliothiki, 2015, pp. xi-xv.

Kalantzakos, Sophia, and Asteris Huliaras, "The Gulf States and the Horn of Africa: A New Hinterland?”.  Middle East Policy, December 2017.

Kalantzakos, Sophia, and Asteris Huliaras, Rethinking the Collapse of the first East African Community (1967-1977): Lessons for the EU,”, Jean Monnet Centre of Excellence of the University of the Peloponnese, The Jean Monnet Papers on Political Economy, 19/2019.

Kalantzakos, Sophia. "The Geopolitics of Critical Minerals." IAI Papers 19/27 -December 2019.

Kalantzakos, Sophia , Energy & Environmental Transformation in a Globalizing World, 2017

Kalantzakos, Sophia, “Greece and the GCC: Looking for an Oasis of Support” with A. Huliaras, GreeSE Paper No.96, Hellenic Observatory Papers on Greece and Southeast Europe (January, 2016) pp. 1-34.

Kalantzakos, Sophia, Energy and Environmental Transformations in a Globalizing World: An Interdisciplinary Dialogue (co-editor with N. Farantouris) Nomiki Vivliothiki, 2015.

Kalantzakos, Sophia, The EU, US, and China Tackling Climate Change: Policies and Alliances for the Anthropocene , Routledge, 2017.

Kalantzakos, Sophia, China and the Geopolitics of Rare Earths (New York: Oxford University Press, 2018; rev. 2021). Translations: Kína és a ritkaföldfémek geopolitikája (Budapest, Hungary: Pallas Athéné, 2018); Terre Rare: La Cina e la geopolitica dei minerali strategici (Milan, Italy: Bocconi University Press, 2021).

Kalantzakos, Sophia. “China's Ecological Civilization: A National Narrative with Global Ambitions,” in eds. Debajyoti Biswas, Panos Eliopoulos, and John Ryan, International Perspectives on Nationalism: Literature, Philosophy and Political Theory (Routledge Studies in Ethnicity and Nationalism, ed. Timofey Agarin) Routledge, December 2022.

Kalantzakos, Sophia. "Can Brussels and Beijing Get it Right? Twenty-first Century Ecological Geopolitics,” Springs: The Rachel Carson Center Review, Issue 1, 2022.

Kalantzakos, Sophia, Indra Overland and Roman Vakulchuk."Decarbonisation and Critical Materials in the Context of Fraught Geopolitics: Europe’s Distinctive Approach to a Net Zero Future," International Spectator, February 2023. 

Kalantzakos, Sophia, Critical Minerals, the Climate Crisis and the Tech Imperium (Cham, Switzerland: Springer, 2023), editor.

Kalantzakos, Sophia and Asteris Huliaras, “Opportunities to Cooperate on New Global Challenges: Introduction”, in Haastrup, Toni, Luís Mah, and Niall Duggan, eds. The Routledge Handbook of EU-Africa Relations. 1 edition. Abingdon, Oxon ; New York, NY: Routledge, 2020. 

Kalantzakos, Sophia. “The Race for Critical Minerals in an Era of Geopolitical Realignments,” The International Spectator, July 22, 2020, 1 -16.
https://doi.org/10.1080/03932729.2020.1786926

Kalantzakos, Sophia. “India’s Relations with the Gulf Cooperation Council,” in Asteris Huliaras and Sotiris Petropoulos, eds., India’s Relations with the European Union and the World, (Athens, Greece: Papazissi, 2020). 

Kapchan, Deborah A., and Driss Marjane. "Poetic Justice: An Anthology of Moroccan Contemporary Poetry." (2019).

Katz RV, AE Katz, RC Warren, MT Williams, H. Aqel, D. Ilin, R. McGowan.  “Film vs Text: what’s ‘the diff’ in teaching bioethics? The SOETUF Study Findings”. EDxEDNYC 2018 Professional Learning Conference, New York, NY

Katz, RV, AE Katz, RC Warren, H. Aqel, H, D. Ilin, R. McGowan. "Description of student expectations on the use of film vs text to teach bioethics: the Spheres of Ethics Teaching Using Film (SOETUF) College Study". Diversity & Equality in Health and Care Journal. 2018; 15(5):222-225.

Katz RV, AE Katz, RC Warren, MT Williams, H. Aqel, D. Ilin, R. McGowan. “Comparative use of Tuskegee Syphilis Study film vs text triggers to teach bioethics: the SOETUF College Study”. Diversity & Equality in Health and Care Journal (2018) 15(5): 199-206

Kennedy, Philip, Abu Nuwas: A Genius of Poetry (Oxford: Oneworld, 2005) (in the series Makers of the Muslim World, ed. Patricia Crone)

Kennedy, Philip.  The Wine Song in Classical Arabic Poetry: Abū Nuwās and the Literary Tradition, Oxford: Clarendon Press (1997).

Kennedy, Philip, Recognition. The Poetics of Narrative. Interdisciplinary Studies on Anagnorisis, eds. Philip F. Kennedy and Marilyn Lawrence (New York: Peter Lang, 2008) in the series Studies on Themes and Motifs in Literature (New York, 2008)

Kennedy, Philip, Scheherazade’s Children: Global Encounters with the Arabian Nights. Co-edited with Marina Warner. NYU Press (2013)

Kennedy, Philip, Recognition in the Arabic Tradition: Deliverance and Delusion (Reviewed, copy-edited, designed and in production with Edinburgh University Press in their new series Classical Arabic Literature.  Series editors Professors: Wen-chin Ouyang and Julia Bray. 122,000 words of main text. Due to appear in late September 2016)

Kesrouany, M., 2015. 'Stranded in Arabic: Robinson Crusoe in Beirut'. Comparative Literature Studies, 52(2), pp.289-317.

Kesrouany, Maya. 'Between Revision and Return: Emile Habiby’s Pessoptimistic Response to Postcolonial Theory'. In Interventions: Journal of Postcolonial Studies, Volume 20, Issue 2 [Postcolonial Studies and Arabic Literature] (2018): 210-228.

Kesrouany, Maya. ‘Mandūr, Muḥammad’. In Encyclopaedia of Islam, THREE, edited by Kate Fleet, Gudrun Krämer, Denis Matringe, John Nawas, and Everett Rowson. Accessed February 2, 2020. doi:http://dx.doi.org/10.1163/1573-3912_ei3_COM_36158.

Kesrouany, Maya and Michelle Hartman. "The Joke is on You: Teaching Emile Habiby’s The Secret Life of Sa’eed, the Pessoptomist in Translation." In Teaching Arabic Literature in Translation, pp. 118-131. Modern Language Association of America, 2018.

Kesrouany, Maya, Book Review of The Intellectual and the People in Egyptian Literature and Culture: Amāra and the 2011 Revolution by Ayman A. El-Desouky (New York: Palgrave Macmillan, 2014), Journal of the Society for Contemporary Thought and the Islamicate World (SCTIW Review), January 2016.

Kesrouany, Maya, Book Review of City of Beginnings: Poetic Modernism in Beirut by Robyn Creswell (Princeton, N.J.: Princeton University Press, 2019), forthcoming in Comparative Literature Studies.

Kesrouany, Maya. Prophetic Translation: The Making of Modern Egyptian Literature. Edinburgh University Press, 2018.

Khayyat, Munira. "“The Only Way Out Is Through”: Anthropology as Critical Praxis in Times of Crisis." In Crisis Under Critique: How People Assess, Transform, and Respond to Critical Situations, pp. 354-369. Columbia University Press, 2022.

Khayyat, Munira. "Resistant ecologies: The life of war in South Lebanon." American Ethnologist 50, no. 2 (2023): 181-195.

Khayyat, Munira. "War, from the South." Public Culture 35, no. 1 (2023): 113-134.

Khayyat, Munira, Yasmine Khayyat, and Rola Khayyat. "Pieces of Us: The Intimate as Imperial Archive." Journal of Middle East Women's Studies 14, no. 3 (2018): 268-291.

Khayyat, Munira. "Resistant ecologies: The life of war in South Lebanon." American Ethnologist 50, no. 2 (2023): 181-195.

Khayyat, Munira. A Landscape of War: Ecologies of Resistance and Survival in South Lebanon. Univ of California Press, 2022.

Kidd, F., “A bone pin from Kazakl’i-yatkan/Akcha-khan kala, Chorasmia.” Journal of Inner Asian Art and Archaeology 2: (2007), 21-27.

Kidd, F. , “The procession scene at Akchakhan-kala”. Parthica 14, (2012) 69-92.

Kidd, F., M. Negus-Cleary, V. N. Yagodin, A. Betts and E. Baker Brite, “Ancient Chorasmian mural art.” Bulletin of the Asia Institute 18:(2008) [2004] 69-95.

Kidd, F.  and A. Betts, “Entre le fleuve et la steppe: nouvelles perspectives sur le Khorezm ancien” in Comptes Rendus des Seances de l'Academie des Inscriptions et Belles Lettres, (2010), 637-686.

Kidd, F., “Costume from the Samarkand region of Sogdiana, 2nd-1st century BC – 4th century CE.” Bulletin of the Asia Institute 17: (2007) [2003] 35-70.

Kidd, F. “Rulership and sovereignty at Akchakhan-kala in Khorezm”.  Ancient Civilizations from Scythia to Siberia 24, 2018., 251-278.

Kidd, F. , “Complex connections: figurative art from Akchakhan-kala and the problematic question of relations between Khorezm and Parthia”. Topoi. Orient-Occident, 17, 1, (2011) 229-276.

Kidd, F.  and E. Baker Brite, “Colour in context: status indicators and elite dress in pre-Islamic Central Asia”. Arts Asiatiques 70, (2015) 33-48

Kidd, Fiona, M. Negus Cleary, and Elizabeth Baker Brite. "Public versus private: Perspectives on the communication of power in ancient Chorasmia." The Archaeology of Power and Politics in Eurasia: Regimes and Revolutions (2012): 91-121.

Kidd, F. and S. Stark, 2020, “Urbanism in Antique Sogdiana? A view from the Bukhara oasis”. In Christoph Baumer and Mirko Novák (eds.) Urban Cultures of Central Asia from the Bronze Age to the Karakhanids. Learnings and conclusions from new archaeological investigations and discoveries. Harrassowitz, Wiesbaden, 165-185.

Kidd, F. Кидд, Ф. “Глубокое неравенство в структурах знаний”. Вестник МИЦАИ, 29, 110-114. (“Central Asia – past, present, and future: a short response to “Masters” and “Natives”. Digging the Others’ Past, edited by Gorshenina, S., P. Bornet, M. E. Fuchs and C. Rapin”. Bulletin of the International Institute for Central Asian Studies 29, 110-114). 2019.

Kirasirova, Masha. "An Egyptian Communist Family Romance: Revolution and Gender in the Transnational Life of Charlotte Rosenthal." In The Wider Arc of Revolution, Part 1, edited by Choi Chatterjee, Steven G. Marks, Mary Neuburger, and Steven Sabol, 309–36. Bloomington, IN: Slavica Publishers, 2019.

Kirasirova, Masha, “Orients Compared: US and Soviet Imaginaries of the Modern Middle East,” in Michael Kemper, and Artemy M. Kalinovsky, eds. Reassessing Orientalism: Interlocking Orientologies during the Cold War. Routledge, 2015.

Kirasirova, Masha. “Building Anti-Colonial Utopia: The Politics of Space in Soviet Tashkent in the 'Long 1960s',” in The Routledge Handbook of the Global Sixties, eds. Chen Jian, Martin Klimke, et al. Routledge Press, 2018.

Kirasirova, Masha. "The" East" as a Category of Bolshevik Ideology and Comintern Administration: The Arab Section of the Communist University of the Toilers of the East." Kritika: Explorations in Russian and Eurasian History 18, no. 1 (2017): 7-34.

Kirasirova, Masha, Soviet Orientalism and Political Mobilization, Ibraaz: Contemporary Visual Culture in North Africa and the Middle East.

Kirasirova, Masha. "Sons of Muslims in Moscow: Soviet Central Asian Mediators to the Foreign East, " Ab Imperio 2011, no. 4 (2011): 106-132.

Kirasirova, Masha. "What Vladimir Putin Really Wants in the Middle East." Foreign Policy. Published online December 15, 2017.

Kirasirova, Masha. "Russia’s Foreign Policy in the Middle East." Mediterranean Politics. Published online: November 27, 2018.

Kirasirova, Masha. "My Enemy’s Enemy: Consequences of the CIA Operation against Abulqasim Lahuti, 1953-1954" Iranian Studies 50, no. 3 (2017): 439-465.

Klimke, M., & Scharloth, J. (Eds.). 1968. Handbuch zur Kultur-und Mediengeschichte der Studentenbewegung. Springer-Verlag. (new edition Bonn: Bundeszentrale für Politische Bildung, 2008).

Klimke, M., Kreis, R., & Ostermann, C. F. (Eds.). Trust, But Verify: The Politics of Uncertainty and the Transformation of the Cold War Order, 1969-1991. Stanford University Press (2016).

Klimke, Martin, and Joachim Scharloth. 1968 in Europe: A History of Protest and Activism, 1956–1977. Springer, 2008.

Klimke, Martin, Rolf Werenskjold and Henrik G. Bastiansen. Media and the Cold War, 1975-1991  Palgrave Macmillan, 2019

Klimke, Martin, Jacco Pekelder, and Joachim Scharloth, eds.  Between Prague Spring and French May: Opposition and Revolt in Europe, 1960-1980 Vol. 7. Berghahn Books, 2013.

Klimke, M.  The other alliance: student protest in West Germany and the United States in the global sixties. Princeton University Press (2011).

Marwa Koheji, "L’anthropologue qui prend la température du Golfe "[Interview]. La Libre Belgique. July 31, 2023.

Koheji, Marwa. "Architects in the Gulf are Imagining Life After Air-conditioning." New Lines Magazine, June 8, 2023.

Koheji, Marwa. “Thermal Comfort and (Im)Possible Futures: The Story of Air-Conditioning in Bahrain.” Essay. In Sweating Assets : On Climate Conditioning and Ecology. Bahrain Authority for Culture & Antiquities, 2023. 

Korf, Benedikt and Rambukwella, Harshana. "The cultural life of democracy." Geopolitics (2024, forthcoming).

Kukkonen, Taneli,  Ibn Tufayl: Living the Life of Reason. Oxford: Oneworld, 2014.

Kukkonen, Taneli,  “Al-Ghazâlî on Accidental Identity and the Attributes.” The Muslim World 101, no. 4 (October 2011): 658–679.

Kukkonen, Taneli,  “No Man Is an Island: Nature and Neo-Platonic Ethics in Hayy Ibn Yaqzân.” Journal of the History of Philosophy 46, no. 2 (April 2008): 187–204.

Kukkonen, Taneli,  “Alternatives to Alternatives: Approaches to Aristotle’s Arguments per impossibile.” Vivarium 40 no. 2 (2002): 137–73.

Kukkonen, Taneli,  “Possible Worlds in the Tahâfut al-falâsifa: Al-Ghazâlî on Creation and Contingency.” Journal of the History of Philosophy 38, no. 4 (October 2000): 479–502.

Kukkonen, Taneli, “Ibn Sīnā and the Early History of Thought Experiments.” Journal of the History of Philosophy 52, no. 3 (July 2014): 433–59.

Kukkonen, Taneli,  “Al-Ghazâlî on the Signification of Names.” Vivarium 48, nos. 1–2 (2010): 55–74.

Kukkonen, Taneli, “Aristotle’s World.” Oxford Studies in Ancient Philosophy 46 (2014): 311–52.

Kukkonen, Taneli,  “Al-Ghazâlî’s Skepticism Revisited.” In Rethinking the History of Skepticism, edited by H. Lagerlund. Leiden: E.J. Brill, 2010.

Kukkonen, Taneli, “Creation and Causation.” In The Cambridge History of Medieval Philosophy, edited by R. Pasnau. Cambridge: Cambridge University Press, 2009.

Kukkonen, Taneli,  “Eternity.” In Oxford Handbook of Medieval Philosophy, edited by John Marenbon. Oxford: Oxford University Press, 2012.

Kulshreshtha, Salila. "Removable heritage: Nalanda beyond the Mahavihara." In Decolonising Heritage in South Asia, pp. 129-155. Routledge India, 2018.

Kulshreshtha, Salila. From Temple to Museum: Colonial Collections and Uma Mahesvara Icons in the Middle Ganga Valley. Routledge,  Taylor, and Francis: London, New York., 2017.

Kwan, Jonathan. "Ceteris Paribus Hedges in Critical Principles." American Society for Aesthetics Graduate E-Journal 7, no. 2 (2015).

Kwan, Jonathan. "Self-Determination as the Ground and Constraint for the Right to Exclude: An Answer to the Boundary Problem." Social Theory and Practice 47, no. 2 (2021): 299-329.
https://doi.org/10.5840/soctheorpract2021413122.

Kwan, Jonathan. "Philosophy Through Ambiguity: Readings of Blade Runner." Film and Philosophy 21 (2017): 31-51.
https://doi.org/10.5840/filmphil2017214

Kwan, Jonathan. "Confucius on Balancing Generalism and Particularism in Ethics and Aesthetics." History of Philosophy Quarterly 38, no. 2 (2021): 99-117.
https://doi.org/10.5406/21521026.38.2.01

Kyrlitsias, Christos, Maria Christofi, Despina Michael-Grigoriou, Domna Banakou, and Andri Ioannou. "A Virtual Tour of a Hardly Accessible Archaeological Site: The Effect of Immersive Virtual Reality on User Experience, Learning, and Attitude Change." Frontiers in Computer Science 2 (2020): 23. https://doi.org/10.3389/fcomp.2020.00023

Kyrlitsias, Christos, Despina Michael-Grigoriou, Domna Banakou, and Maria Christofi. "Social conformity in immersive virtual environments: The impact of agents’ gaze behavior." Frontiers in Psychology 11 (2020): 2254. https://doi.org/10.3389/fpsyg.2020.02254

Lyngso, Niels. Pencil of Rays and Spiked Mace. Translated by Pardlo, Gregory. Toronto: BookThug. 2004.

Martin Klimke and Amanda Nichols, eds., “Global Legacies of Anti-Nuclear Activism: Intersectional Perspectives” (in progress)

Mikdadi, Salwa, In/Visible: Contemporary Art by Arab Americans, Exhibition Catalogue, Detroit: Arab American National Museum, 2005.

Mikdadi, Salwa, Palestine c/o Venice, Exhibition Catalog, Beirut: Mind the Gap, 2009.

Mikdadi, Salwa, Rhythm & Form: Reflections on Arabic Poetry, Lafayette, California: International Council of Women in the Arts, 1997.

Mikdadi, Salwa, Forces of Change: Artists of the Arab World, Washington, D.C.: National Museum of Women in the Arts and The International Council for Women in the Arts, 1994. 

Morton, Jennifer M., and Sarah K. Paul. "Grit." Ethics 129, no. 2 (2019): 175-203.

Müller, Henriette. 2022. “A Programmatic Introduction: Women’s Leadership in the European Union”, co-authored with Ingeborg Tömmel, in Henriette Müller and Ingeborg Tömmel (eds.), Women and Leadership in the European Union, Oxford University Press, pp. 1-16.

Müller, Henriette. 2022. Edited Volume: “Women and Leadership in the European Union,” Oxford: Oxford University Press (co-edited with Ingeborg Tömmel).

Müller, Henriette. 2020. Special Issue: “The Role of Leadership in EU Politics and Policy-Making”, in West European Politics (43:5) (co-edited with Femke A.W.J. van Esch).

Müller, Henriette. 2023. Special Issue: "Women Opposition Leaders: Pathways, Patterns and Performance", Politics & Governance (11:1) (co-edited with Sarah C. Dingler & Ludger Helms).

Müller, Henriette. 2021. “Leaders around the World: New Avenues for the Comparative Study of Political Leadership” in Yulia Tolstikov-Mast, Jennie Walker, and Franziska Bieri (eds.), Routledge Handbook of International and Cross-Cultural Leadership Research Processes, Routledge, pp. 86-97.

Müller, Henriette. 2019. “Between Leadership and Kinship: Women Empowerment in the GCC Countries,” co-authored with Rahma Abdulkadir, in Ina Kubbe and Aiysha Varraich (eds.), Corruption and Informal Practices in the Middle East, Routledge, pp. 188-206.

Müller, Henriette. 2017. "Setting Europe’s agenda: the Commission presidents and political leadership." Journal of European Integration 39(2): pp. 129-142.

Müller, Henriette. 2021. “Gender Equality and the European Commission,” co-authored with Miriam Hartlapp and Ingeborg Tömmel, in Gabriele Abels, Andrea Kriszan, Heather MacRae and Anna van der Vleuten (eds.), Routledge Handbook of Gender and EU Politics, pp. 133-145.

Müller, Henriette. 2022. “Chapter 16: The Leadership of Ursula von der Leyen as President of the European Commission,” co-authored with Ingeborg Tömmel, in Henriette Müller and Ingeborg Tömmel (eds.), Women and Leadership in the European Union, Oxford University Press, pp. 311-330.

Müller, Henriette. 2020. "The Politics of Women Empowerment: Female Leaders in the UAE,” co-authored with Rahma Abdulkadir. Hawwa: Journal of Women of the Middle East and the Islamic World 18(1): pp. 8-30.

Müller, Henriette. 2015. "Zwischen Potenzial und Performanz: Eine (Neu-) Bewertung der politischen Führung des EU-Kommissionspräsidenten." In Frankreich Jahrbuch 2014, Springer VS, Wiesbaden, pp. 123-145.

Müller, Henriette. 2022. “Chapter 7: Between Rhetoric and Leadership: A Comparison of Female Vice-Presidents of the European Commission (1999-2019)”, co-authored with Pamela Pansardi, in Henriette Müller and Ingeborg Tömmel (eds.), Women and Leadership in the European Union, Oxford University Press, pp. 129-149.

Müller, Henriette. 2020. "Collaborative leadership in EMU governance: a matter of cognitive proximity,” co-authored with Femke A.W.J. van Esch. West European Politics 43(5): 1117-1140.

Müller, Henriette. 2020. "The contested nature of political leadership in the European Union: conceptual and methodological cross-fertilisation,” co-authored with Femke A.W.J. van Esch. West European Politics 43(5): pp. 1051-1071.

Müller, Henriette. 2012. “The Point of No Return: Walter Hallstein and the EEC Commission between Institutional Ambitions and Political Constraints”, in: Les cahiers européens de Sciences Po (3/2012).

Müller, Henriette. 2022. “Chapter 1: Women and Leadership in the European Union: A Framework for Analysis”, co-authored with Ingeborg Tömmel, in Henriette Müller and Ingeborg Tömmel (eds.), Women and Leadership in the European Union, Oxford University Press, pp. 19-36.

Müller, Henriette. 2016. "Between potential, performance, and prospect: Revisiting the political leadership of the EU commission president." Politics and Governance 4(2): pp. 68-79.

Müller, Henriette. 2023. "Between Uniformity and Polarization: Women’s Empowerment in the Public Press of GCC States". Co-authored with Christin Camia, Politics & Gender, 19(1), pp. 166-194.

Müller, Henriette. 2023. "Women Opposition Leaders: Conceptual Issues and Empirical Agendas". Co-authored with Sarah C. Dingler and Ludger Helms, editorial of the special issue “Women Opposition Leaders: Pathways, Patterns and Performance,” in Politics & Governance, 11(1), pp. 80-84.

Müller, Henriette. 2023. "Women Leading the Opposition: Gender and Rhetoric in the European Parliament". Co-authored with Pamela Pansardi, part of the special issue “Women Opposition Leaders: Pathways, Patterns and Performance” in Politics & Governance, 11(1), pp. 164-176.

Müller, Henriette. 2024. "Between Cooperation and Rivalry: The Leadership of Charles Michel as President of the European Council." Co-authored with Ingeborg Tömmel, JCMS: Journal of Common Market Studies, 00: Annual Review, pp. 1-12.

Navaro, Yael, Zerrin Özlem Biner, Alice von Bieberstein, Seda Altuğ,  eds. "Chapter 7. Maskun: Two Landscapes of War" Reverberations: violence across time and space. University of Pennsylvania Press, 2021.

Naveda, Luis, Fabien Gouyon, Carlos Guedes,  and Marc Leman. Multidimensional microtiming in Samba music. Brazilian Symposium in Computer Music, 2009.

Naveda, Luiz, Fabien Gouyon, Carlos Guedes, and Marc Leman. "Microtiming patterns and interactions with musical properties in samba music." Journal of New Music Research 40, no. 3 (2011): 225-238.

Ndaliko, Chérie Rivers, and Samuel Anderson, eds. The Art of Emergency: Aesthetics and Aid in African Crises. Oxford University Press, 2020.

Orfali, Bilal W., and Maurice A. Pomerantz. "Assembling an Author: On The Making of al-Hamadhānī’s Maqāmāt." Concepts of Authorship in Pre-Modern Arabic Texts (2015): 107-28.

Scattered Subjects: The program includes three projects that get at different aspects of subjectivity and subjectness. I developed  "Invitation" and "Self Portrait in Place." in 2020-2021, in the midst of the COVID pandemic, while living in Paris." "One and Many" will be presented and remade at the Museum of Riverside in  California in March 2022.
Website: https://www.scatteredsubjects.com/

Ossman, Susan Marie. "An exhibition in fieldwork form." HAU: Journal of Ethnographic Theory 11, no. 3 (2021): 1070-1084.

Ossman, Susan. Picturing Casablanca: Portraits of power in a modern city. Univ of California Press, 1994.

Ossman, Susan. Three Faces of Beauty: Casablanca, Paris, Cairo. Duke University Press, 2002.

Ossman, Susan. Moving matters: Paths of serial migration. Stanford University Press, 2013.

Ossman, Susan. Shifting worlds, shaping fieldwork: A memoir of anthropology and art. Routledge, 2021.

Pardlo, Gregory. Air Traffic: A Memoir of Ambition and Manhood in America. Vintage, 2019.

Pardlo, Gregory. Digest. Four Way Books, 2016.

Pardlo, Gregory. Totem. Philadelphia: American Poetry Review. 2007.

Pardlo, Gregory. Spectral Evidence: Poems. Knopf, 2024.

Paul, Sarah K. "Diachronic Incontinence is a Problem in Moral Philosophy" Inquiry 57, no. 3 (2014): 337-355.

Paul, Sarah K. "Embarking on a Crime" (2014).

Paul, Sarah K. "The Transparency of Intention" Philosophical Studies 172, no. 6 (2015): 1529-1548.

Paul, Sarah K., and Jennifer M. Morton. "Believing in others." philosophical topics special issue on Can Beliefs Wrong? 46, no. 1 (2018): 75-95.

Paul, Sarah K. "Doxastic Self-Control." (2015).

Paul, Sarah K. "II—What Should ‘Impostor Syndrome’Be?." In Aristotelian Society Supplementary Volume, vol. 93, no. 1, pp. 227-245. Oxford University Press, 2019.

Paul, Sarah K. "The Courage of Conviction" Canadian Journal of Philosophy 45, no. 5-6 (2015): 647-669.

Penha, Rui, Paulo Rodrigues, Fabien Gouyon, , Luis Martins, Carlos Guedes,  and Álvaro Barbosa. Studio Report: Digitópia at Casa da Música. Proceedings of the International Computer Music Conference 2008 (ICMC 2008), Belfast, Ireland.

Perullo, Alex, and Andrew J. Eisenberg. 2014. “Musical Property Rights Regimes in Tanzania and Kenya After Trips.” In Sage Handbook of Intellectual Property, edited by Matthew David, and Deborah Halbert, 148–63. Sage.

Pettigrew, Erin. "Authoritarian Africa beyond Guantanamo: Freedom in Captivity." in African Studies Review 63, n.2 (2020), 411-416.  doi:10.1017/asr.2020.13

Pettigrew, Erin. “Histories of Race, Enslavement, and Abolition in the Middle East.” Mediterranean Politics (2019).

Pettigrew, Erin and Camille Evrard. “Chronologie Mauritanie 2016-2018.” L’Année du Maghreb 21, n.2 (December 2019): 320-323.

Pettigrew, Erin and Evrard, Camille. "Du baptême du nouvel aéroport de Nouakchott à la réforme constitutionnelle (fin 2015-2018). Politiques de l’histoire en Mauritanie." L’Année du Maghreb 21 (2019): 295-319.

Pettigrew, Erin. “Working with African Arabic Script Manuscripts : A Workshop Report”, Islamic Africa 9, no. 1 (2018): 107-11. 

Pettigrew, Erin. "Colonizing the Mahadra: Language, Identity, and Power in Mauritania Under French Control." Ufahamu: A Journal of African Studies 33, no. 2-3 (2007).

Pettigrew, Erin. "The heart of the matter: interpreting bloodsucking accusations in Mauritania." The Journal of African History 57, no. 3 (2016): 417-435.

Pettigrew, Erin. “The History of Islam in Mauritania.” In Oxford Research Encyclopedia of African History. Oxford University Press. Article published December 2019. doi: http://dx.doi.org/10.1093/acrefore/9780190277734.013.628.

Pettigrew, Erin, “Politics and Affiliations of Enchantment among the Ahel Guennar of Southern Mauritania,” in Politiques de la culture et cultures du politique dans l’ouest saharien, eds. Sébastien Boulay and Francisco Freire (Editions de l’Etrave, 2017): 293-318.

Pettigrew, Erin, Jorge Brites, Camille Evrard, and Paul Melly. "La Mauritanie de Ghazouani : l’illusion de l’alternance," L’Année du Maghreb, no. 26 (2021), 271-298.

Pettigrew, Erin, "Post-esclavage et mobilisation de descendants d’esclaves en Mauritanie, 1970 à nos jours" in Les mondes de l'esclavage: une histoire comparée, edited by Paulin Ismard, Benedetta Rossi, et Cécile Vidal (Paris: Seuil, 2021), 363-372.

Pettigrew, Erin. Invoking the Invisible in the Sahara: Islam, Spiritual Mediation, and Social Change. Vol. 159. Cambridge University Press, 2023.

Peutz, Nathalie. Marina de Regt, Pioneers or Pawns? Women Health Workers and the Politics of Development in Yemen. Journal of Middle East Women’s Studies 5(1) (2009): 105-108.

Peutz, Nathalie. Laurent Bonnefoy, Salafism in Yemen. In Arabian Humanities. International Journal of Archaeology and Social Sciences in the Arabian Peninsula 1 (online).

Peutz, Nathalie. “Markazi: A Camp at a Crossroads.” Europe Now. Council for European Studies (CES), Issue 25 (2019).

Peutz, Nathalie. “Perspectives from the Margins of Arabia,” in “Theorizing the Arabian Peninsula,” eds. Rosie Bsheer and John Warner, JADMAG Pedagogy Publications 1 (1) (2013): 25–29. Tadween Publishing.

Peutz, Nathalie. “Nathalie Peutz on AIYS [American Institute for Yemeni Studies].” AIYS at 40 Years. Yemen Webdate Blog. September 4, 2018.

Peutz, Nathalie. “The importance of listening.” A comment on Heath Cabot’s “The Business of Anthropology and the European Refugee Regime,” American Ethnologist 46 (3) (2019): 276–77.

Peutz, Nathalie. “Teaching the Middle East after the Arab Uprisings: A Roundtable [with John M. Willis, Sumita Pahwa, Pete Moore, Heather Ferguson, and Jessica Winegar].” JadMag: The     Pedagogy Edition 7 (2) (2019): 31–38.

Peutz, Nathalie, Theorizing the Arabian Peninsula Roundtable: Perspectives from the Margins of Arabia. Jadaliyya (online). April 22, 2013.

Peutz, Nathalie. "Signpost in Somaliland’s Quest for Sovereignty. " Middle East Report Online, September 28, 2005.

Peutz, Nathalie. "Revolution in Soqotra: a Perspective from Yemen’s Periphery." Middle East Report 263 (2012): 14-20.

Peutz, Nathalie. "Embarking on an Anthropology of Removal, with “CA* Commentary” and a “Reply by the Author.”" Current Anthropology 47(2) (2006): 217-241.

Peutz, Nathalie. "Bedouin “Abjection”: World Heritage, Worldliness, and Worthiness at the Margins of Arabia." American Ethnologist 38, no. 2 (2011): 338-360.

Peutz, Nathalie. “The Fault of Our Grandfathers”: Yemen's Third-Generation Migrants Seeking Refuge from Displacement." International Journal of Middle East Studies, 51, no. 3 (2019): 357-376. doi:10.1017/S0020743819000370

Peutz, Nathalie. "Out-laws: Deportees, Desire, and “The Law.." International migration 45, no. 3 (2007): 182-191.

Peutz, Nathalie M. "Reorienting Heritage: Poetic Exchanges between Suqutra and the Gulf" Revue des Mondes Musulmans et de la Méditerranée 121-122 (2008): 163-182.

Peutz, Nathalie. "Heritage in (the) Ruins." (Roundtable Contribution and Editor: "Heritage in Crisis.") International Journal of Middle East Studies 49, no. 4 (2017), 721-728.

Peutz, Nathalie. "“Shall I Tell You What Soqotra Once Was?”: World Heritage and Sovereign Nostalgia in Yemen’s Soqotra Archipelago" Transcontinentales. Sociétés, idéologies, système mondial 10/11 (2011).
Translated into French as “‘Voulez-vous que je vous raconte la Socotra d’autrefois?’ Patrimoine mondial et nostalgia souveraine dans l’archipel de Socotra au Yémen.” Trans. Aziliz Gouez.

Peutz, Nathalie. "Targeted Women and Barred Development in Soqotra, Yemen" Arabian Humanities. Revue internationale d’archéologie et de sciences sociales sur la péninsule Arabique/International Journal of Archaeology and Social Sciences in the Arabian Peninsula 1 (2013).

Peutz, Nathalie. “Criminal Alien” Deportees in Somaliland: An Ethnography of Removal. In The Deportation Regime: Sovereignty, Space, and the Freedom of Movement, edited by Nicholas De Genova and Nathalie Peutz. Durham: Duke University Press (2010), pp. 371-409.

Peutz, Nathalie. Of Goats and Foreigners: Research Lessons on Soqotra Island, Yemen. In Dispatches from the Field: Neophyte Anthropologists in a Changing World, edited by Andrew Gardner and David Hoffman. Long Grove,IL: Waveland Press (2006), pp. 79-97.

Peutz, Nathalie. Introduction (with Nicholas De Genova). The Deportation Regime: Sovereignty, Space, and the Freedom of Movement, edited by Nicholas De Genova and Nathalie Peutz. Durham: Duke University Press (2010), pp. 1-19.

Peutz, Nathalie. Islands of Heritage: Conservation and Transformation in Yemen. Stanford, Calif.: Stanford University Press, 2018. Winner: 2019 MES Book Award, conferred by the Middle East Section of the American Anthropological Association; Honorable Mention, 2019 AGAPS Book conferred by the Association for Gulf and Arabian Studies.

Pomerantz, M.,  Tales from the Crypt: On Some Uncharted Voyages of Sindbad the Sailor. Narrative Culture 2(2), 250-269. (2015)

Pomerantz, M., The Play of Genres: A Maqāma of ‘Ease after Hardship’ from the 8th/14th century and its Literary Context. In The Heritage of Arabo-Islamic Learning: Studies in Honor of Wadad Kadi, edited by . Brill: Leiden, 461-482. (2015)

Pomerantz, M., A Political Biography of al-Ṣāḥib b. ʿAbbād (d. 385/995). Journal of the American Oriental Society, 134 (1),  1-24. (2014) 

Pomerantz, M., and Orfali, B. A Lost Maqāma of Badīʿ al-Zamān al-Hamadhānī?, Arabica, 60, 245-271. (2013)

Pomerantz, M., and Orfali, B.Three Maqāmāt Attributed to Badīʿ al-Zamān al-Hamadhānī (d. 398/1008). Journal of Abbasid Studies 2(1),  38-60.  (2015)

Pomerantz, M., A Maqāma collection by a Mamlūk Historian:al-Maqāmāt al-Jalālīya by al-Ḥasan b. Abī Muḥammad al-Ṣafadī (fl. 8th/14th c.). Arabica, 61, 631-666. (2014) 

Pomerantz, Maurice, Licit Magic: The Life and Letters of Al-Ṣāḥib b. ʿAbbād, d. 385/995, Leiden: Brill (2013).

Pomerantz, Maurice, and Aram Shahin,  The Heritage of Arabo-Islamic Learning: Studies in Honor of Wadad Kadi . Leiden: Brill (2015).

Mendis, D. and Harshana Rambukwella. “Sri Lankan Englishes”, in The Routledge book of world Englishes, ed., Andy Kirkpatrick. London: Routledge.(2010).

Rambukwella, Harshana. “Standard Language, cricket, nationalism and the tyrannies of writing”, in Tyrannies of writing: Ideologies of the written word.” ed., Constanze Weth and Kasper Juffermans. London: Bloomsbury. (2018)

Rambukwella, Harshana. “The representational burden of ethno-nationalist violence in Sri Lanka” in Violence in South Asia: Contemporary perspectives, ed., Pavan Kumar Malreddy, Anindya Sekhar Purakayastha, Birte Heideman. New York: Routledge.(2020)

Rambukwella, Harshana. “What got left behind: The limits of leftist engagements with art and culture in post-colonial Sri Lanka” in Forms of the left: Aesthetics, networks and connected histories, ed., Lotte Hoek and Sanjukta Sunderason. London: Bloomsbury (2021).

Rambukwella, Harshana. "Postcolonial nativism? Exploring the postsecularist critique of history on Sri Lanka." boundary 2: an international journal of literature and culture 45, no. 4 (2018): 103-126.

Rambukwella, Harshana. "The politics of language scholarship: there are no truly global concerns." International Journal of the Sociology of Language 2021, no. 267-268 (2021): 253-257.

Rambukwella, Harshana. "Locations of authenticity: SWRD Bandaranaike of Sri Lanka and the search for indigeneity." The Journal of Asian Studies 76, no. 2 (2017): 383-400.

Rambukwella, Harshana Sassanka. "Violent places: The politics of ‘framing’postcolonial violence." Postcolonial Text 17, no. 2 & 3 (2022).

Rambukwella, Harshana. "On hybridity, the politics of knowledge production and critical language studies." Language, Culture and Society 1, no. 1 (2019): 126-131.

Rambukwella, Harshana. The politics and poetics of authenticity: A cultural genealogy of Sinhala nationalism. UCL Press, 2018.

Rambukwella, Harshana. “The cultural politics of Sinhala nationalism” in Routledge Handbook on Contemporary Sri Lanka, ed., Kanchana Ruwanpura and Amjad Mohamed-Saleem. London: Routledge. (2024, forthcoming). 

Rambukwella, Harshana. “Chinthanaya: An alternative epistemology?,” in  Decolonial Keywords: South Asian Thoughts and Attitudes, ed., Renny Thomas and Sasanka Perera. London Bloomsbury. (2024, forthcoming). 

Rambukwella, Harshana, “Imagining democracy: Literary representations of democracy in 1970s Sri Lankan Sinhala and English fiction,” in Democracy and Democratisation in Sri Lanka: Paths, Trends and Imaginations (Volumes I and II), ed., Jayadeva Uyangoda. Colombo, Sri Lanka: Bandaranaike Center for International Studies. (2023).

Rambukwella, Harshana. "The Cultural Life of Democracy: Notes on Popular Sovereignty, Culture and Arts in Sri Lanka’s Aragalaya," South Asian Review of English (SARE), Special Issue: “Global Sri Lankan Literature and Culture,” ed., Maryse Jayasuriya and Dinidu Karunanayake. (2024, forthcoming).

Ray, Himanshu Prabha, Salila Kulshreshtha, and Uthara Suvrathan, eds. The Routledge Handbook of Hindu Temples: Materiality, Social History, and Practice. Taylor & Francis, 2022.

Rebelo, Ana, Filipe Paszkiewicz, Carlos Guedes, André Marcal, and Jaime Cardoso, J. A Method for Music Symbols Extraction based on Musical Rules. Proceedings of the BRIDGES 2011 - Mathematics, Music, Art, Architecture, Culture Conference. Coimbra, Portugal 2011.

Rebelo, Ana, Atur Capela, J. Costa, Carlos Guedes, Eurico Carrapatoso,  and Jaime Cardoso. A Shortest Path Approach for Staff Line Detection. Proceedings of the Third International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (AXMEDIS 2007), Barcelona, Spain 2007.

Rebelo, Ana, Ichiro Fujinaga, Filipe Paszkiewicz, Andre RS Marcal, Carlos Guedes, and Jaime S. Cardoso. "Optical music recognition: state-of-the-art and open issues." International Journal of Multimedia Information Retrieval 1, no. 3 (2012): 173-190.

Richards, Earl Jeffrey, David Joseph Wrisley, and Liliane Dulac. "The Different Styles of Christine de Pizan. An Initial Stylometric Analysis." Le Moyen Français 78 (2016): 187-206.

Sawhney, Rashmi Devi. The vanishing point: Moving images after video. New Delhi: Tulika Books, 2022. 

SenGupta, Gunja, ""A Model New England State": Northeastern Antislavery in Territorial Kansas, 1854-1860." Civil War History 39, no. 1 (1993): 31-46.

Gunja SenGupta, "Women's Issues in India," Commerce Journal, April 2, 1997

SenGupta, Gunja, "Black and" Dangerous"?: African American Working Poor Perspectives on Juvenile Reform and Welfare in Victorian New York, 1840-1890." The Journal of Negro History 86, no. 2 (2001): 99-131.

SenGupta, Gunja, "Bleeding Kansas." Kansas History 24, no. Winter (2001): 318-341. Lead article in award-winning Review Essay series honored by American Association of State and Local History.

SenGupta, Gunja, "Servants for Freedom: Christian Abolitionists in Territorial Kansas, 1854–1858." Kansas History 16, no. 3 (1993): 200.

SenGupta, Gunja, "Africans, the Libyan Sibyl, and the Greek  Slave" in Transition 132. 60th Anniversary issue, “Black in the Mediterranean Blue,” guest-edited by Wole Soyinka. (2021): 188-201.

Sengupta, Gunja, "Elites, subalterns, and American identities: a case study of African-American benevolence." The American Historical Review 109, no. 4 (2004): 1104-1139.

Gunja SenGupta, "Pan-Mongolism to Anti-Racist Internationalism: Perspectives from U. S. History," in Ideologies of Race: Imperial Russia and the Soviet Union in Global Context, ed. David Rainbow, (Montreal, McGill-Queen's Press-MQUP, 2019), 312-338.

Gunja SenGupta, "Angelina and Sarah Grimke," and "Alice Paul" in Reader's guide to American history, Parish, Peter J., under contract, Routledge, 2013. 

Gunja SenGupta, “Migration as a Woman’s Right: Stories from Comparative and Transnational Slavery Histories in the Atlantic and Indian Ocean Worlds,” in Women and slavery: Africa, the Indian Ocean world, and the medieval North Atlantic, eds Campbell, Gwyn, Suzanne Miers, and Joseph Calder Miller, Vol. 1. (Cambridge: Open Book Publishers, 2019), 561-580.

SenGupta, Gunja, "34. Sankofa and the Art of Archiving Black Atlantic Migrations." Women and Migration (s) II (2022): 259.

Gunja SenGupta, "Women's Prison Association," "Incidents in the Life of a Slave Girl," and "Mammy" in Encyclopedia of women in American history, ed Appleby, Joyce, Eileen Chang, and Neva Goodwin. Routledge, 2015.

SenGupta, Gunja. For God and Mammon: Evangelicals and Entrepreneurs, Masters and Slaves in Territorial Kansas, 1854-1860. University of Georgia Press, 1996.

SenGupta, Gunja. From Slavery to Poverty: The Racial Origins of Welfare in New York, 1840-1918. NYU Press, 2009.

SenGupta, Gunja, and Awam Amkpa. Sojourners, Sultans, and Slaves: America and the Indian Ocean in the Age of Abolition and Empire. Univ of California Press, 2023.

Shehadeh, Hanine. "Palestine in the cloud: The construction of a digital floating homeland." Humanities 12, no. 4 (2023): 75.

Siebert, Charles, "The Dark Side of Zootopia"  New York Times, November 18, 2014

Siebert, Charles, "Letter of Recommendation: Frans Masereel’s ‘The City’" New York Times, May 1, 2015

Siebert, Charles , "Should a Chimp Be Able to Sue Its Owner?" New York Times, April 23, 2014

Siebert, Charles "Letter of Recommendation: The Thorne Miniature Rooms" New York Times, September 17, 2015

Siebert, Charles, "Rory McIlroy Has the Best Swing in Golf" New York Times, March 28, 2015

Siebert, Charles "What does a Parrot know about PTSD?" New York Times,  January 28, 2016.

Siebert, Charles, Angus: A Memoir  Crown (2000)

Siebert, Charles, A Man After His Own Heart: A True Story. Crown (2004)

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Siebert, Charles,  The Secret World of Whales, Chronicle Books (2011).

Siebert, Charles, The Wauchula Woods Accord: Toward a New Understanding of Animals Scribner (2009).

Siebert, Charles, Rough Beasts: The Zanesville Zoo Massacre, One Year Later, Byliner (2012).

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Silverstein, Matthew,  “Reasoning in Stages.” Ethics 124, no. 1 (October 2013): 101–13. (Co-authored with Nishi Shah.)

Silverstein, Matthew,“Ethics and Practical Reasoning.” Ethics 127, no. 4 (January 2017): 353–82.

Silverstein, Matthew,  “The Shmagency Question.” Philosophical Studies 172, no. 5 (May 2015): 1127–42.

Silverstein, Matthew,  “Teleology and Normativity.” Oxford Studies in Metaethics 11 (2016): 214–240.

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Silverstein, Matthew,  “The Standards of Practical Reasoning.” Critical Notice of Reasons without Rationalism, by Kieran Setiya. Philosophical Quarterly 60, no. 240 (July 2010): 671–8.

Silverstein, Matthew, “Inescapability and Normativity.” Journal of Ethics and Social Philosophy 6, no. 3 (December 2012): 1–26.

Silverstein, Matthew, “Agency and Normativity Self-Governance.” Australasian Journal of Philosophy 95, no. 3 (2017): 517–28.

Sioros, George. and Carlos Guedes. Syncopation as Transformation. in Music, Sound and Motion. Lecture Notes in Computer Science (8905) 2014, pp.635-658. New York: Springer.

Sioros, George and Carlos Guedes. Generation and control of automatic rhythmic performances in Max/MSP. Simpósio de Informática (INFORUM 2011). Coimbra, Portugal 2011.

Sioros, George and Carlos Guedes. Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator. Proceedings of the 11th International Conference on New Interfaces for Musical Expression (NIME 2011). Oslo, Norway (2011).

Sioros George and Carlos Guedes. Complexity-driven recombination of MIDI loops. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2011). Miami, USA 2011.

Sioros, George and Carlos Guedes. A formal approach for high-level automatic rhythm generation. Proceedings of the BRIDGES 2011 - Mathematics, Music, Art, Architecture, Culture Conference. Coimbra, Portugal 2011.

Sioros, George and Carlos Guedes. Transforming musical rhythms: meter and syncopation. Proceedings of the Simpósio de Informática (INFORUM 2014). 2014.

Sioros, George, Marius Miron, Diogo Cocharro, Carlos Guedes, and Fabien  Gouyon. Syncopalooza: Manipulating the Syncopation in Rhythmic Performances. Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2013), Marseille, France 2013.

Sioros, George, Andre Holzapfel, and Carlos Guedes. On measuring syncopation to drive an interactive music system. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2012). Porto, Portugal 2012.

Sioros, George, Matthew EP Davies, and Carlos Guedes. "A generative model for the characterization of musical rhythms." Journal of New Music Research 47, no. 2 (2018): 114-128.

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Soyinka, Wole. Beyond Aesthetics: Use, Abuse, and Dissonance in African Art Traditions. Yale University Press, 2020.

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Soyinka, Wole. The burden of memory, the muse of forgiveness. Oxford University Press, 1998.

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Stearns, Justin K., Entry on “Contagion” for the Encyclopedia of Islam, 3rd edition (2010), 180-82.

Stearns, Justin K., Entries for al-Hasan al-Yusi and Ibn al-Banna in Dictionary of African Biography (2011).

Stearns, Justin K., “Enduring the Plague: Ethical behavior in the fatwas of an 8th/14th century mufti and theologian,” in Muslim Medical Ethics: From Theory to Practice, eds. Jonathan Brockopp and Thomas Eich (Columbia: University of South Carolina Press, 2008), 38-54.

Stearns, Justin K., “The Legal Status of Science in the Muslim World in the Early Modern Period: an initial consideration of fatwas from three Maghribi sources,” in Ahmed, Sadeghi, Bonner (eds.), The Islamic Scholarly Tradition: Studies in Islamic History, Law, and Thought in Honor of Professor Michael Allan Cook on His Seventieth Birthday (Leiden: Brill, 2011), 265-90.

Stearns, Justin K., “Two Passages in Ibn al-Khatib’s Account of the Kings of Christian Iberia,” Al-Qantara, v. 25 (2004), 157-82.

Stearns, Justin K., “Writing the History of the Natural Sciences in the pre-modern Muslim world: Historiography, Religion, and the Importance of the Early Modern Period,” History Compass, v. 9 (2011), 923-51.

Stearns, Justin K., “New Directions in the Study of Religious Responses to the Black Death,” History Compass, v. 7 (2009), 1-13.

Stearns, Justin K.,  “The Frontier of Gottfried Liedl: Situating the origins of European modernity in Naṣrid Granada,” Journal of Medieval Iberian Studies, v. 3 (2011), 247-62.

Stearns, Justin K., “Representing and Remembering al-Andalus: Some Historical Considerations Regarding the End of Time and the Making of Nostalgia,” Medieval Encounters, v. 15 (2009), 355-74.

Stearns, Justin K., “Contagion in Theology and Law: Ethical considerations in the writings of two 14th century scholars of Nasrid Granada,” Islamic Law and Society, v. 14 (2007), 109-29.

Stearns, Justin K., “‘All Beneficial Knowledge is Revealed’: The Rational Sciences in the Maghrib in the age of al-Yusi (d. 1102/1691),” Islamic Law and Society, v. 21 (2014), 49-80.

Stearns, Justin K.,  Review of Los Almohades: Problemas y Perspectivas (eds. Cressier, Fierro, Molina) in International Journal of Middle East Studies, v. 40 (2008), 491-93.

Stearns, Justin K., Review of Samer Akkach, Letters of A Sufi Scholar: The Correspondence of ‘Abd al-Ghani al- Nabulusi, in Review of Middle East Studies, v. 44 (2010), 62-63.

Stearns, Justin K.,  Joint review of Yasin Dutton, Original Islam: Malik and the Madhhab of Madina and Rüdiger Lohlker, Islamisches Völkerrecht: Studien am Beispiel Granada in al-Qantara, v. 30 (2009), 664-70.

Stearns, Justin K.,  Review of Rüdiger Lohlker, Islamisches Völkerrecht: Studien am Beispiel Granada, in International Journal of Middle East Studies, v. 41 (2009), 169-71.

Stearns, Justin K., Review of Ahmad Dallal, Islam, Science, and the Challenge of History, in the Journal of the American Oriental Society, v. 131 (2011), 45-48.

Stearns, Justin K.,  and William C. Jordan, Review of Stuart Borsch, The Black Death in Egypt and England: A Comparative Study in Speculum, v. 81 (2006), 1163-65.

Stearns, Justin K.,  Review of R. Kevin Jaques, Authority, Conflict, and the Transmission of Diversity in Medieval Islamic Law, in Review of Middle East Studies, v. 44 (2010), 94-97.

Stearns, Justin K., Review of Avner Ben-Zaken, Cross-Cultural Exchanges in the Eastern Mediterranean, 1560-1660, in the International Journal of Middle East Studies, v. 43 (2011), 760-63.

Stearns, Justin K. Infectious Ideas: Contagion in Premodern Islamic and Christian Thought in the Western Mediterranean. Baltimore: Johns Hopkins press, 2011.

Stemmrich, Gregor (2011). What’s in a name? Zum Orpheus-Mythos in der Kunst Cy Twomblys. Die Erfahrung des Orpheus, ed. by Armen Avanessian, Gabriele Brandstetter, Franck Hofmann, München: Fink, 97-114

Stemmrich, Gregor (2013). Piet Mondrian – Barnett Newman – Dan Flavin. Painting as Medium and Model. Exh. cat. Piet Mondrian – Barnett Newman – Dan Flavin, Kunstmuseum Basel, 15-26.

Stemmrich, Gregor (2012). Minimal Art and Minimalism: The Influence of Concrete Art, Neoconcretism, and Minimal Art on Tendencies in German Art in the 1960s. Exh. cat. Minimalism in Germany. The Sixties, ed. by Renate Wiehager, Ostfildern: Hatje Cantz, 67-76

Stemmrich, Gregor (2012). Hypertrophies, Trophies, and Tropes of the Everyday: Claes Oldenburg’s New Definitions of Sculpture. Exh. cat. Claes Oldenburg: the Sixties. MUMOK Wien, 156-213.

Stemmrich, Gregor (2008). Dan Graham. Friedrich Christian Flick Collection, Artist’s Monographs, Vol. 8, Cologne: DuMont

Stokes, Corinne. "One House, Many Strings". Shawati' Magazine, Issue 35, (2016).

Swislocki, Mark. "The Honey Nectar Peach and the Idea of Shanghai in Late Imperial China," Late Imperial China 29, no. 1 (2008): 1-40.

Swislocki, Mark. "Imagining Irreconcilability: Cultural Differentiation through Human-Animal Relations in Late Qing Shanghai." Positions: East Asia Cultures Critique 20.4 (Fall 2012): 1159-1189

Swislocki, Mark. "Nutritional Governmentality: Food and the Politics of Health in Late Imperial and Republican China" Radical History Review 2011, no. 110 (2011): 9-35.

Swislocki, Mark. "Seeing the Forest for the Village, Nation, and Province: Forestry Policy and Environmental Management in Early-Twentieth-Century Yunnan." Twentieth-Century China 39, no. 3 (2014): 195-215.

Swislocki, Mark. Culinary Nostalgia: Regional Food Culture and the Urban Experience in Shanghai, Stanford University Press, 2008.

Syjuco, Miguel, "The Wrong Way to Fight Drug War," The New York Times, August 8, 2018

Syjuco, Miguel, "Why Filipinos Ar Voting For A New 'Dictator'," The New York Times, May 6, 2016.

Syjuco, Miguel, "This Is Why Philippine President Rodrigo Duterte Will Get Away With Murder" Time Magazine,  August 16, 2016.

Syjuco, Miguel, "Building A Foundation Of Dissent Vs Marcos Dynasty," Rappler,  June 27, 2016.

Syjuco, Miguel, "Is Populism a Problem?" OpenDemocracy, November 20, 2017

Syjuco, Miguel, "Duterte's Enablers" The New York Times, September 20, 2017.

Syjuco, Miguel, "Tim Hortons Should Fit Right In To The Brand-Glazed Philippines" The Globe and Mail, August 19, 2016

Syjuco, Miguel, "Art and literature are vital to democracy - here’s why" World Economic Forum, May 10, 2017.

Syjuco, Miguel, "The Bumbling Corruption of Rodrigo Duterte," The New York Times, May 23, 2018.

Syjuco, Miguel, "I Thought Democracy Had Failed Filipinos, But It Is We Who Have Failed It" The Guardian, October 21, 2017.

Syjuco, Miguel, "Heed Duterte's Call: Protest Hero's Burial For Marcos" Rappler, August 9, 2016

Syjuco, Miguel, "How to Get Ahead in Politics in the Philippines," The New York Times, August 8, 2017.

Syjuco, Miguel, "Fake News Floods the Philippines," The New York Times, October 24, 2017.

‘Automobilities in the Global South’ with Murtaza Vali and Oil Cultures in the Middle East and Latin America collective (OCMELA) in Ann Szefer-Karlsen and Helga Nyman (eds) Experiences of Oil (Stavanger: Museums Forlaget, 2022), pp. 51-71.

Tajadura-Jiménez, Ana, Domna Banakou, Nadia Bianchi-Berthouze, and Mel Slater. "Embodiment in a child-like talking virtual body influences object size perception, self-identification, and subsequent real speaking." Scientific reports 7, no. 1 (2017): 1-12. https://doi.org/10.1038/s41598-017-09497-3

Teece, Denise-Marie. "Through the Renaissance Frame: Carpets and the Beginnings of “Islamic Art” George Washington University & The Textile Museum (Washington, D.C.): The Textile Museum Journal, Volume 44, 2017

Teece, Denise-Marie,  “Patchwork for a Prince: Exploring Persian Poetry Anthology British Library Or. 13193” Invited Contributor to British Library’s official webpage: https://blogs.bl.uk/asian-and-african/2021/02/patchwork-for-a-prince-exploring-persian-anthology-british-library-or13193.html, Feb. 2021

Teece, Denise-Marie., 2018. "Arabic Inscriptions in the Service of the Church: An Italian Textile Evoking an Early Christian Past?". Brill: The Nomadic Object: The Challenge of World for Early Modern Religious Art, a volume of Intersections: Interdisciplinary Studies in Early Modern Culture, (K.A.E. Enenkel, ed.), 2018

Teece, Denise-Marie. ""Compassionate Companion, Familiar Friend”: The Turin Safīna (Biblioteca Reale Ms. Or. 101) and Its Significance." Brill/MIT/Harvard: Muqarnas: An Annual on the Visual Cultures of the Islamic World. (Gulru Necipoglu, editor), Volume 36, November 2019

Thiollet, Helene, and Laure Assaf. "Cosmopolitanism in exclusionary contexts." Population, Space and Place (2020): e2358.

Thomas, D., and F. Kidd. “On the margins: enduring pre-modern water management strategies in and around the Registan desert, Afghanistan”. Journal of Field Archaeology 2017, 42, 1, 29-42.

Trochidis, Konstantinos, Carlos Guedes. Rhythmic Analysis of Carnatic Style Percussive Music Using an Adaptive Time Domain Decomposition Method Proceedings of the Fourth Conference on Analytical Approaches to World Music 2016 (AAWM 2016). 2016.

Trochidis, Konstantinos, Beth Russell, Andrew Eisenberg, Kaustuv Ganguli, , Oscar Gomez,  Christos Plachouras, Carlos Guedes, and Virginia Danielson.  Mapping the Sounds of the Swahili coast and the Arab Mashriq: Music research at the intersection of computational analysis and cultural heritage preservation. Proceedings of the Digital Libraries for Musicology Workshop (DLfM), November 9, 2019, The Hague, Netherlands. 2019.

Trochidis, Konstantinos, Carlos Guedes, Akshay Anantapadmanabhan, and Andrija Klaric. CAMeL: Carnatic Percussion Music Generation Using N-Gram Models. Proceedings of the Sound and Music Computing 2016 (SMC 2016), Hamburg. 2016.

Trochidis, Konstantinos, Carlos Guedes, Andre Holzapfel, Akshay Anantapadmanabham, and Andrija Klaric. Analysis by synthesis of rhythm in South Indian art percussion performances by means of statistical analysis. Proceedings of the Fourth Conference on Analytical Approaches to World Music 2016 (AAWM 2016). 2016.

Ul-hassan, I., Idrees, M., Naikoo, G., Rashan, L., Elhissi, A., Zimmerle, W., And Ahmed, W. 2018. "Recent Advances In Applications Of Active Constituents Of Selected Medicinal Plants Of Dhofar, Sultanate Of Oman." Asian Journal Of Pharmaceutical And Clinical Research Vol. 11 Issue 4 (April): 28-37.

Unnikrishnan, Deepak. "The classroom and the ear: How the pandemic forced a writer to come out about his hearing disorder." Scroll.in. September 24, 2020.

Unnikrishnan, Deepak. Temporary People. Brooklyn: Restless Books, 2017.

Unnikrishnan, Deepak. Coffee Stains in a Camel’s Teacup. Colombo: Vijitha Yapa Publications, 2004.

Unnikrishnan, Deepak. “Untitled. Unreliable, Unconfirmed.” Cabinet of Imaginary Laws, eds. Peter Goodrich and Thanos Zartaloudis. Routledge, 2021.

Unnikrishnan, Deepak. “Gulf Return” & “Water.” Guernica Magazine. November 2014.

Unnikrishnan, Deepak. “Pravasis”, “Pravasis?” & “Nalinakshi.” The Penguin Book of Migration Literature: Departures, Arrivals, Generations, Returns, ed. Dohra Ahmad. New York: Penguin Classics, 2019.

Unnikrishnan, Deepak. “Sarama.” The Apex Book of World Speculative Fiction: Volume 4, ed. Mahvesh Murad. Lexington, KY: Apex Books, 2015.

Unnikrishnan, Deepak. “Birds.” Berlin Quarterly. Berlin: June 2017. 

Unnikrishnan, Deepak. “When Men Glow in Sharjah.” Building Sharjah, eds. Sultan Sooud Al Qassemi and Todd Reisz. Birkhäuser / De Gruyter, 2021.

Unnikrishnan, Deepak. "Foreword." Balkrishna Doshi – Mother Tongue, photography exhibit by Danko Stjepanović, Oris House of Architecture, June 18, 2019, Zagreb, Croatia. 

Unnikrishnan, Deepak. “Pravasis.” Album: More Arriving, collaboration with Sarathy Korwar. July 2019, The Leaf Label, UK.

Unnikrishnan, Deepak. “I Come to Your Country, Name Me.” Group Show: 1497, curated by Lantian Xie. Green Art Gallery, January 18, 2016, Dubai.

Unnikrishnan, Deepak. “Euology 1-4”, “Whaat is Plan”, “Bullet Points About Pady Sopnams”, “Gulf Return.” Rock, Paper, Scissors: Positions in Play. The National Pavilion of the UAE, Venice Biennale, 2017.

Unnikrishnan, Deepak. "Cat." Gross Ideas: Tales of Tomorrow’s Architecture. Oslo Architecture Triennale, 2019.

Unnikrishnan, Deepak. “An Arabikatha.” THE STATE Volume IV: Dubai. Dubai: April 2013.

Unnikrishnan, Deepak. “Abu Dhabi: the city where citizenship is not an option.” The Guardian. December 13, 2017.

Unnikrishnan, Deepak. “Gulf Return.” Himal Southasian, Vol. 23. Kathmandu: December 2010. 

Unnikrishnan, Deepak. “The hidden cost of migrant labor.” Foreign Affairs. February 7, 2020.

Unnikrishnan, Deepak. “Gulf Return.” The Wigleaf Top 50 (Very) Short Fictions of 2015, ed. Roxane Gay. June 11, 2015.

Valentin, Andreas. "Fazendo arte e cinema (ou “quasi-cinema”) com Hélio Oiticica." ARS (São Paulo) 15 (2017): 217-231.

Valentin, Andreas. "Hélio Oiticica, do samba ao rock: um relato pessoal." Revista Concinnitas 21, no. 38 (2020): 48-71.

Valentin, Andreas. "Light and Form: Brazilian and German Photography in the 1950s." Konsthistorisk tidskrift/Journal of Art History 85, no. 2 (2016): 159-180.

The Kroehle-Huebner Photo Collection, in “Exploring the Archive: Historical Photography from Latin America / The Collection of the Ethnologisches Museum Berlin”. Manuela Fischer, Michael Kraus (eds.) Köln: Böhlau Verlag, 2015.

Valentin, Andreas. Call me Helium; Rio de Janeiro: A. Valentin (2014).

Valentin, Andreas.  A fotografia amazônica de George Huebner. Rio de Janeiro: Nau Editora (2012).

Valentin, Andreas. BerlinRio: Spuren und Erinnerungen. Berlin: Haus am Kleistpark (2018).

Woolford, Kirk and Carlos Guedes. Particulate Matters: Generating Particle Flows from Human Movement. Proceedings from the ACM Multimedia Conference 2007, Augsburg, Germany 2007.

Wrisley, David Joseph. "Locating Medieval French, or Why We Collect and Visualize the Geographic Information of Texts." Speculum 92, no. S1 (2017): S145-S169.

Wrisley, David Joseph. "Modeling the Transmission of al-Mubashshir Ibn Fātik’s Mukhtār al-Ḥikam in Medieval Europe: Some Initial Data-Driven Explorations." The Journal of Religion, Media and Digital Culture 5, no. 1 (2016): 228-257.

Wrisley, David Joseph. "Metafiction Meets Migration: Art from the Archives in Rabee Jaber’s Amerika." Mashriq&Mahjar 1, no. 2 (2013): 99-119.

Wrisley, D. J. Spatial Humanities: An Agenda for Pre-Modern Humanities Research. Porphyra (2014) 22: 96-107.

Yagodin, V., A. Betts, F. Kidd, E. Baker Brite, Sh. Amirov, V. N. Yagodin and G. Fray, (2009), “Karakalpak-Australian Excavations in Ancient Chorasmia. An Interim Report on the Kazakly-yatkan Wall Paintings: the ‘portrait’ gallery.” Journal of Inner Asian Art and Archaeology 4: 7-42.

Yousefzadeh, Mahnaz. Florence's Embassy to the Sultan of Egypt. Palgrave Macmillan, 2019.

Yousefzadeh, Mahnaz. City and Nation in the Italian Unification: The National Festivals of Dante Alighieri. Springer, 2011.

Yousefzadeh, Mahnaz, "Burrato of Bargello", in ReSignifications : European Blackamoors, Africana readings edited by Awam Amkpa. 2016.

Yousefzadeh, Mahnaz. "The sea of Oman: Ferdinand i, GB Vecchietti, and the armour of Shah'Abbās I." Rivista degli Studi Orientali 90, no. 1-4 (2018): 51-74.

Yunis, Alia, and Dale Hudson. "Introduction: Film and Visual Media in the Gulf." Middle East Journal of Culture and Communication 14, no. 1-2 (2021): 5-22.[link]

Zimmerle, William. “Tall Dhiban Report” (in Archaeology in Jordan, 2007 Season. eds. Stephen H. Savage, et al.) The American Journal of Archaeology 112:3, 2008: 509-528.

Zimmerle, William. “The 2004 Season at Dhiban (Jordan): Prospection, Preservation, and Planning” (coauthored w/ B. Routledge, Porter, Steen, Parlsow, & de Jong). Annual Department of Antiquities of Jordan, 2005. 

Zimmerle, William. “The Impact of Neo-Assyrian Imperialism on Iron Age Jordan” W.F. Albright Newsletter Fellow’s Report, Jerusalem: 2011. 

Zimmerle, William Gerard. "Ethnographic light on the form, function, and decoration of'Arabian-style'cuboid incense burners from first-millennium BC Nippur." In Proceedings of the Seminar for Arabian Studies, pp. 337-351. Archaeopress, 2014.

Zimmerle, William. “Evidence for the Arabian Spice Trade in the Southern Levant: Incense Altars and Alabaster Jars from the Axial Age (8th-4th Century B.C.E.)” W.F. Albright Newsletter Fellow's Report, Jerusalem: 2012. 

Zimmerle, William. “The 2005 Season at Tall Dhiban” (coauthored w/ B. Routledge, Porter, Steen) Annual Department of Antiquities of Jordan, 2010.

Zimmerle, William G. "From History to Heritage: The Arabian Incense Burner." in The Gulf in World History: Arabia at the Crossroads. 2018. Ed. by A. Fromherz. Edinburgh: University of Edinburgh Press, 2018

Zimmerle, William. "Orontes" Encyclopedia of Ancient History. 2012. Edited by R. S. Bagnall. New York: John Wiley & Sons:4940.

Zimmerle, William. "Camel" Encyclopedia of Ancient History, 2012. Edited by R. S. Bagnall, et al. New York: John Wiley & Sons:1281-1282.

Zimmerle, William. "Ashdod" Encyclopedia of Ancient History, 2012. Edited by R. S. Bagnall. New York: John Wiley & Sons:816-817.

Zimmerle, William. "Red Sea" Encyclopedia of Ancient History. 2012. Edited by R. S. Bagnall. New York: John Wiley & Sons:5752-5753.

Zimmerle, William. "Perfumes and Unguents." Encyclopedia of Ancient History. 2012. Edited by R. S. Bagnall. New York: John Wiley & Sons:5151–5152.

Zimmerle, William. "Ethiopia." Encyclopedia of Ancient History. 2012. Edited by R. S. Bagnall. New York: John Wiley & Sons:1-2.

Zimmerle, William. "Ezekiel" Encyclopedia of Ancient History. 2012. Edited by R. S. Bagnall. New York: John Wiley & Sons:2607-2608.

Zimmerle, William G. "Crafting Cuboid Incense Burners in the Land of Frankincense: The Dhofar Ethnoarchaeology Preservation Project". 2017. English/Arabic. Washington: Sultan Qaboos Cultural Center/Liberty House Press. ISBN: 978-0997271317

Zimmerle, William. "Cultural Treasures from the Cave Shelters of Dhofar: Photographs and Texts from the Rock Art Heritage of Southern Oman." (2017). English/Arabic. Washington: Sultan Qaboos Cultural Center/Liberty Press. ISBN: 9780997271324.

W. Zimmerle, "Incense Burners-A Special Study," in Final Report of Excavations on the Hill of the Ophel by R.A.S. Macalister and J. Garrow Duncan 1923–1925 by G. Gilmour. Catalogue and Examination of the Finds in the Collections of the Palestine Exploration Fund, 2024.

W. Zimmerle, "Canaanite Deities," "Peraea Transjordan," "Egyptian Deities," "Mesopotamian Deities," "Mesopotamian Creation Myths," "Exodus," "Patriarchal Travel Narratives," Classical Traditions 1000 BCE - 300 CE: World History Encyclopedia. Santa Barbara: ABC Clio, 2008.

Zimmerle, W.G.. "Terracotta Cuboid Incense Burners and their Aromatics as Evidence for the 'Seafaring Merchants of Ur' in the 1st Millennium BCE," in Archaeology from Every Angle. Papers in Honor of Richard Zettler. University of Pennsylvania, Philadelphia: Penn Museum Publications, 2024 (Chapter 17).

W. Zimmerle, Liaqat Ali, Matthew O'Connor and Muhammad Shiraz Ali. July 2024. "Incense Burners--A Special Study. Addendum: Sample Extraction and Scientific Analysis," in Final Report of the 1923-1925 R.A.S. Macalister’s Palestine Exploration Fund. edited by G. Gilmour. London: The Palestine Exploration Publications XIX, Chapter 6: 293 - 296.

Zimmerle, William G. with Liaqat Ali, Matthew O'Connor, and M. Shiraz Al. July 2024.“Incense Burner TWL Reg. No. 195,” in Petra's Temple of the Winged Lions: Excavation and Conservation Projects 1973 - 2005 and 2009 - 2021, Vol. 2: The Finds and Community Engagement. edited by P. Paul Creasman, Noreen Doyle, and China Shelton. Amman, Jordan-Alexandria, VA: The American Center of Research, 2024, Chapter 9, pp. 485-498.

dos Santos Cardoso, Jaime, Artur Capela, Ana Rebelo, Carlos Guedes, and Joaquim Pinto da Costa. "Staff detection with stable paths." IEEE Transactions on Pattern Analysis and Machine Intelligence 31, no. 6 (2009): 1134-1139.

Faculti (2019). “Vampires, Race, and Transnational Hollywoods,” video interview on Vampires, Race, and Transnational Hollywoods, Faculti [link]

Watson, R. (2019). “Interview with Dale Hudson and Patricia R. Zimmermann,” Studies in Documentary Film 13(3): 250–267 [link]

Baltazar, André, Carlos Guedes, Bruce Pennycook, and Fabien Gouyon. A real-time human body skeletonization algorithm for max/msp/Jitter. Proceedings of International Computer Music Conference (ICMC 2010), Stony Brook, NY 2010.

Bello, Juan P., Robert Rowe, Carlos Guedes, and Godfried Toussaint. "Five perspectives on musical rhythm." Journal of New Music Research Special Issue: “Cross-Disciplinary and Multi-Cultural Perspectives on Musical Rhythm” 44, no. 1 (2015): 1-2.

Bello, Juan P., Rowe Rowe, Carlos Guedes, and Godfried Toussaint. (Eds). "Cross-disciplinary and Multi-cultural Perspectives on Musical Rhythm", Special Issue of the Journal for New Music Research 2015, 44/1

Bernardes, Gilberto, Guedes, Carlos and Bruce Pennycook. EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data. in From Sounds to Music and Emotions. Lecture Notes in Computer Science (7900) 2013, pp.110-129. New York: Springer.

Bernardes, Gilberto,  Carlos Guedes, and Bruce Pennycook. Style emulation of drum patterns by means of evolutionary methods and statistical analysis. Proceedings of the Sound and Music Computing Conference (SMC 2010). Barcelona, Spain 2010.

Bernardes, Gilberto, Carlos Guedes, and Bruce Pennycook. EarGram: an Application for Interactive Exploration of Large Databases of Audio Snippets for Creative Purposes. Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2012), London, England 2012.

Bernardes, G., M. Davies, and C. Guedes. Automatic musical key estimation with adaptive mode bias. Proceedings of the 42nd IEEE International Conference on Acoustics, Speech and Signal Processing. (2017).

Bernardes, Gilberto, Diogo Cocharro, Marcelo Caetano, Carlos Guedes, and Matthew EP Davies. "A multi-level tonal interval space for modelling pitch relatedness and musical consonance." Journal of New Music Research 45, no. 4 (2016): 281-294.

Bernardes, Gilberto, Diogo Cocharro, Carlos Guedes, and Matthew EP Davies. "Harmony generation driven by a perceptually motivated tonal interval space." Computers in Entertainment (CIE) 14, no. 2 (2016): 1-21.

Bravo, Gwyneth. Requiems to ‘Memory Spaces’: Music, Trauma, and Commemoration, Post 1945.
This book examines symphonic and choral works commemorating traumas of the 20th and 21st centuries, as a framework for exploring the complex interplay between memory and history in the analysis of several works. 
(in discussion with press - prospectus and first chapter submitted in 2024.)

Bravo, Gwyneth.  “Hilda Klestadt-Jonas” in Arbeitsgruppe Exilmusik am Musikwissenschaftlichen Institut (ed.) in: Lebenswege von Musikerrinen im Dritten Reich und im Exil"  (Hamburg: von Bockel Verlag, 2000), pp. 254-280.

Bravo, Gwyneth and Brian S. Locke. “Mortal Encounters, Immortal Rendezvous: Literary-Musical Counterpointsbetween Erwin Schulhoff’s Flammen and Karel Josef Beneš’s Don Juan” (co-author Brian Locke) in New Paths in Opera: Martinů, Burian, Hába, Schulhoff, Ullmann, edited by Kelly St. Pierre and Helena Spurná, 127-173. Vienna: Hollitzer Wissenschaftsverlag, 2022. [30,000 words] Publication August 2022. https://www.hollitzer.at/buch/new-paths-in-opera.

Radio Interview, Abu Dhabi Classics FM, Radio Interview with Gwyneth Bravo, Anniversary Edition of the Birth of Leonard Bernstein (Abu Dhabi, UAE, August 25, 2016)

Radio Interview, Abu Dhabi Classic FM, Radio Interview with Gwyneth Bravo and Narek Hakhnazyaran (Abu Dhabi, UAE, December 9, 2015)

Bravo, Gwyneth. “Recovered Voices” in NYUAD Arts and Humanities Year in Review, 2018 [200 words]

Bravo, Gwyneth. "(Re)orchestrating Histories: An Interview with Cambodian Composer Him Sophy” in Music in Times of Crisis: Conflicts and Wars, Swiss Journal for Musicology, New Series 39 (2022-12-29): [4,500 words], DOI: 10.36950/sjm.39.8 Universität Bern Open Publishing, 2022. DOI: 10.36950/sjm.39 ISBN (elektronische Version) 978-3-03917-063-0. e-ISSN: 2235-7475. Edited by Margret Scharrer, Vincenzina C. Ottomano, Laura Moeckli, and Lea Hagmann. Production and typesetting: Helen Gebhart.

Co-producer, The Promise. 
Collaboratively produced a video emphasizing the 17 sustainable development goals. Worked alongside Paul Sidlo and in association with EMN8 Media Productions. Location: Abu Dhabi, May 2023. https://www.youtube.com/watch?v=G1BIWjpGvLI

Bravo, Gwyneth. “Pratt, Awadagin.” Grove Music Online. [450 words]:  In contract December 2023; completed May 2024; forthcoming September, 2024.
https://www.oxfordmusiconline.com/grovemusic/

Fire Dance. Compact disco of cello and Celtic harp music with Christine Bonner, harp (Rainbow Music, 2001)

An Evening in Spain and Latin America. Compact disc of cello and guitar music with David Chapman, guitar (Sacramento, 1997)

Bravo, Gwyneth. "Him, Sophy." Grove Music Online. 24 Jan. 2024. [450 words]: published: January 24, 2024. 
https://www.oxfordmusiconline.com/grovemusic/
https://doi.org/10.1093/omo/9781561592630.013.90000382064

Capela, Artur, Jaime Cardoso, , Ana Rebelo, and Carlos Guedes. Integrated Recognition System for Music Scores. Proceedings of the International Computer Music Conference 2008 (ICMC 2008), Belfast, Ireland.

Cardoso, Jaime, Artur Capela, Ana Rebelo, and Carlos Guedes. A Connected Path Approach for Staff Detection on a Music Score. Proceedings from the 2008 IEEE International Conference on Image Processing (ICIP 2008), San Diego, USA

De Beukelaer, Christiaan, and Andrew J Eisenberg. 2018. “Mobilising African Music: How Mobile Telecommunications and Technology Firms Are Transforming African Music Sectors.” Journal of African Cultural Studies. Published online 26 Nov. 2018. DOI: 10.1080/13696815.2018.1546569.

Dias, Rui and Carlos Guedes. A Contour-based Jazz Walking Bass Generator. Proceedings of the Sound and Music Computing Conference (SMC 2013). Stockholm, Sweden 2013.

Dias, Rui, Telmo Marques, George Sioros, and Carlos Guedes. GimmeDaBlues: An intelligent Jazz/Blues player and comping generator for iOS.” Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2012), London, England 2012.

Dias, Rui, Carlos Guedes, and Telmo Marques. A computer-mediated interface for Jazz piano comping. Proceedings of the Joint International Computer Music and Sound and Music Computing Conference  (ICMC 2014-SMC 2014). 2014.

Dias, Rui, Telmpo Marques, George Sioros,  and Carlos Guedes. Gimme 'Da Blues: A Jazz/Blues Player and Automatic Comping Generator For iOS Multitouch Devices.” Simpósio de Informática (INFORUM 2011), Coimbra, Portugal 2011.

Eisenberg, Andrew J. and Bill Odidi. 2018. “The Mombasa Years of Andrew ‘Madebe’ Burchell” [two-part blog post for Afropop Worldwide]. Oct. 23/24.

Eisenberg, Andrew J. 2016. “A Tribute to Kenyan Taarab Legend Zein l’Abdin” [blog post], Music in Africa. July 26.

Music in Africa. 2016. “Digital Technology and the Music Recording Industry in Kenya” [blog post], Music in Africa. July 11. 

Eisenberg, Andrew J. 2018. “The Kenyan Song You Need to Know,” Explore Parts Unknown [website for CNN’s “Anthony Bourdain Parts Unknown”]. Sept. 26.

Eisenberg, Andrew J. 2016. “Zein l’Abdin Ahmed is the Coastal Lute Player Who Popularised Taarab” [obituary], Daily Nation (Kenya), November 4.

Eisenberg, Andrew J. 2017. “Taarab.” In Shades of Benga: The Story of Popular Music in Kenya, edited by Ketebul Music, 287–307. Nairobi, Kenya: Ketebul Music.

Eisenberg, Andrew J. 2017. “The Swahili Art of Indian Taarab: A Poetics of Vocality and Ethnicity on the Kenyan Coast.” Comparative Studies of South Asia, Africa and the Middle East 37 (2): 336–54.

Eisenberg, Andrew J., Alex Perullo, Ryan Skinner, and Gavin Steingo. 2017. “Popular Music,” In Oxford Bibliographies in African Studies, ed. Thomas Spear. New York: Oxford University Press.

Eisenberg, Andrew J. 2015. “Traditional Music,” In Oxford Bibliographies in African Studies, ed. Thomas Spear. New York: Oxford University Press.

Eisenberg, Andrew J. 2013. “Islam, Sound, and Space: Acoustemology and Muslim Citizenship on the Kenyan Coast.” In Music, Sound, and Space: Transformations of Public and Private Experience, edited by Georgina Born, 186–202. Cambridge: Cambridge University Press.

Eisenberg, Andrew J. 2010. “Toward an Acoustemology of Muslim Citizenship in Kenya.” Anthropology News Dec. 51 (9): 6.

Eisenberg, Andrew J. 2015. “Space.” In Keywords in Sound, edited by David Novak, and Matt Sakakeeny, 193–207. Durham: Duke University Press.

Eisenberg, Andrew J. "A Feeling for the Boundaries." Sounding the Indian Ocean: Musical Circulations in the Afro-Asiatic Seascape (2023): 54.

Eisenberg, Andrew J. "Hip-Hop and Cultural Citizenship on Kenya's ‘Swahili Coast’." Africa 82, no. 4 (2012): 556-578.

Eisenberg, Andrew J. 2024. Sounds of Other Shores: The Musical Poetics of Identity on Kenya's Swahili Coast. Middletown, CT: Wesleyan University Press.

Ganguli, Kaustuv, Gautam Lali, Akshay Anantapadmanabhan, and Carlos Guedes. A passive approach to evaluating Mridangam transcription via perceptual experiment. In International Conference of Music Perception and Cognition (ICMPC-ESCOM), Hyderabad, India. 2021.

Ganguli, Kaustuv, Oscar Gomez, Leonid Kuzmenko, and Carlos Guedes. Developing immersive VR experience for visualizing cross-cultural relationships in music. In 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW) (pp. 401-406). IEEE. 2020.

Ganguli, Kautuv, Sertan Sentürk, Aandrew Eisenberg, and Carlos Guedes. Computational approaches to aid ethnographic research on Maqam melodies. Accepted for publication in First (1st) Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS), Stockholm, Sweden. 2020.

Ganguli, Kaustuv, Christos Plachouras, Sertan Sentürk, Andrew Eisenberg, and Carlos Guedes. Mapping Timbre Space in Regional Music Collections using Harmonic-Percussive Source Separation (HPSS) Decomposition. Proceedings of the 2nd International Conference on Timbre (Timbre 2020), Thessaloniki, Greece. 2020.

Ganguli, Kaustuv, Akshay Anantapadmanabhan, and Carlos Guedes. Fractal Modeling of Carnatic Rhythm Sequence: Case-study on a Generative Model. Proceedings of the International Society of Music Information Retrieval Conference (ISMIR 2019), Delft, The Netherlands. 2019.

Ganguli, Kaustuv, Akashay Anantapadmanabhan, and Carlos Guedes. Questioning the fundamental problem-definition of mridangam transcription. Proceedings of the 2nd International Conference on Timbre (Timbre 2020), Thessaloniki, Greece 2020.

Ganguli, Kaustuv, Akshay Anantapadmanabhan, and Carlos Guedes.  An approach to adding knowledge constraints by fractal analysis on a generative model of Carnatic rhythm sequence. Accepted for publication in Analytical Approaches to World Music Conference (AAWM), Paris, France 2021.

Ganguli, Kaustuv, Sertan Sentürk, and Carlos Guedes. Critiquing task- versus goal-oriented approaches: a case for makam recognition. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2022). Bengaloru, India.

Ganguli, Kaustuv, and Carlos Guedes. "An approach to adding knowledge constraints to a data-driven generative model for Carnatic rhythm sequence." Trends in Electrical Engineering 9, no. 3 (2019): 11-17.

Gomez, Oscar, Kaustuv Ganguli, Leonid Kuzmenko, and Carlos Guedes. Exploring Music Collections: An Interactive, Dimensionality Reduction Approach to Visualizing Songbanks. Proceedings of the 25th International Conference on Intelligent User Interfaces Companion. IUI 2020. Association for Computing Machinery, p. 138-139 2 p. (International Conference on Intelligent User Interfaces, Proceedings IUI), Cagliary, Italy. 2020.

Guedes, Carlos. Composing and improvising. In real time. in Music Technology with Swing. Lecture Notes in Computer Science (11265) (2018), pp. 445-453. New York: Springer.

Guedes, Carlos (2015). Canon a 4 con uccelli obbligati in Disposifónicos: Acumuladores de objectos sonantes. (2019) [LP]. Porto: Sonoscopia

SSS-Q + Carlos Guedes. (2017). SSS- Q+Carlos Guedes [LP]. Porto: Wasserbassin.

Guedes, Carlos (2015). Happy Miso 25! In Cadavres Exquis: Portuguese Composers of the 21st century [CD].  Lisbon: Miso records

Guedes, Carlos (2019). Unsolvable problems [CD]. [music for big band and for big bang and string quartet]. Porto: Improbable Records

Guedes, Carlos (2017). Phobia robotica. Piece for dysfunctional robotic orquestra in Disposifónicos: Acumuladores de objectos sonantes. (2019) [LP]. Porto: Sonoscopia

SSS-Q + Carlos Guedes. (2021). Becoming space [online edition].  

Chess. (2021). Shadows and reflections [CD]. [Nikolaj Hess: piano; Carlos Guedes: live electronics]. Copenhagen: Gateway records

Guedes, Carlos and Rui Dias. The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco. Proceedings from the Sound and Music Computing 2007(SMC 2007). pp. 378-381 and Proceedings of  The International Computer Music Conference (ICMC 2007) Copenhagen, Denmark. 2007.

Guedes, Carlos. Translating Dance Movement into Musical Rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance. Proceedings of The International Computer Music Conference (ICMC 2007) Copenhagen, Denmark 2007.

Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan.  Challenges in computational modelling and generation of Carnatic percussion music. Challenges in Carnatic Music generation. Proceedings of the 5th International Conference of Analytical Approaches to World Music, Thessaloniki, Greece. 2018.

Guedes, Carlos. The m-objects: A Small Library for Musical Rhythm Generation and Musical Tempo Control from Dance Movement in Real Time.” Proceedings from the International Computer Music Conference, International Computer Music Association, 2005, pp. 794-797 (2005)

Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan. Modeling Carnatic Rhythm Generation: A Data-Driven approach based on Rhythmic Analysis. Proceedings of the 15th Sound & Music Computing Conference, Limassol, Cyprus, 2018

Guedes, Carlos. Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance. Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME07), New York, NY, USA pp. 417-418 2007.

Bernardes, Gilberto, Diogo Cocharro, Carlos Guedes, and Matthew Davies. Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space. Proceedings of the International Symposium of Computer Music Multidisciplinary Research 2015 (CMMR 2015) 2015.

Guedes, Carlos and Kirk Woolford. Controlling Aural and Visual Particle Systems through Human Movement. Proceedings from the Sound and Music Computing 2007(SMC 2007), Lefkada, Greece. pp. 200-203 and Proceedings of The International Computer Music Conference (ICMC 2007), Copenhagen, Denmark 2007.

Guedes, Carlos. Real-Time Composition, why it still matters?: A look at recent developments and potentially new and interesting applications. Proceedings of the 2017 International Computer Music Conference. 2017.

Guedes, Carlos. Extracting Musically-Relevant Rhythmic Information from Dance Movement by Applying Pitch-Tracking Techniques to a Video Signal. Sound and Music Computing Conference 2006 Proceedings, pp. 25-33 (2006).

Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan. CAMeL: Carnatic Percussion Music Generation Using N-Gram and Clustering Approaches. Abstract of presentation at the 16th Rhythm Production and Perception Workshop. 2017.

Guedes, Carlos.  Controlling Musical Tempo from Dance Movement in Real-Time: A Possible Approach.” Proceedings from the International Computer Music Conference, International Computer Music Association, 2003, pp. 453-457 (2003)

Guedes, Carlos, and Pedro Rebelo. "Reflections on music programming for conferences: The case of smc 2009." Computer Music Journal 34, no. 3 (2010): 10-19.

Guedes, Carlos. "Real-time composition: Its applications and educational potential." Journal of Power Electronics 9, no. 2 (2019): 33-40.

Kapchan, Deborah A., and Driss Marjane. "Poetic Justice: An Anthology of Moroccan Contemporary Poetry." (2019).

Naveda, Luis, Fabien Gouyon, Carlos Guedes,  and Marc Leman. Multidimensional microtiming in Samba music. Brazilian Symposium in Computer Music, 2009.

Naveda, Luiz, Fabien Gouyon, Carlos Guedes, and Marc Leman. "Microtiming patterns and interactions with musical properties in samba music." Journal of New Music Research 40, no. 3 (2011): 225-238.

Penha, Rui, Paulo Rodrigues, Fabien Gouyon, , Luis Martins, Carlos Guedes,  and Álvaro Barbosa. Studio Report: Digitópia at Casa da Música. Proceedings of the International Computer Music Conference 2008 (ICMC 2008), Belfast, Ireland.

Perullo, Alex, and Andrew J. Eisenberg. 2014. “Musical Property Rights Regimes in Tanzania and Kenya After Trips.” In Sage Handbook of Intellectual Property, edited by Matthew David, and Deborah Halbert, 148–63. Sage.

Rebelo, Ana, Filipe Paszkiewicz, Carlos Guedes, André Marcal, and Jaime Cardoso, J. A Method for Music Symbols Extraction based on Musical Rules. Proceedings of the BRIDGES 2011 - Mathematics, Music, Art, Architecture, Culture Conference. Coimbra, Portugal 2011.

Rebelo, Ana, Atur Capela, J. Costa, Carlos Guedes, Eurico Carrapatoso,  and Jaime Cardoso. A Shortest Path Approach for Staff Line Detection. Proceedings of the Third International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (AXMEDIS 2007), Barcelona, Spain 2007.

Rebelo, Ana, Ichiro Fujinaga, Filipe Paszkiewicz, Andre RS Marcal, Carlos Guedes, and Jaime S. Cardoso. "Optical music recognition: state-of-the-art and open issues." International Journal of Multimedia Information Retrieval 1, no. 3 (2012): 173-190.

Sioros, George. and Carlos Guedes. Syncopation as Transformation. in Music, Sound and Motion. Lecture Notes in Computer Science (8905) 2014, pp.635-658. New York: Springer.

Sioros, George and Carlos Guedes. Generation and control of automatic rhythmic performances in Max/MSP. Simpósio de Informática (INFORUM 2011). Coimbra, Portugal 2011.

Sioros, George and Carlos Guedes. Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator. Proceedings of the 11th International Conference on New Interfaces for Musical Expression (NIME 2011). Oslo, Norway (2011).

Sioros George and Carlos Guedes. Complexity-driven recombination of MIDI loops. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2011). Miami, USA 2011.

Sioros, George and Carlos Guedes. A formal approach for high-level automatic rhythm generation. Proceedings of the BRIDGES 2011 - Mathematics, Music, Art, Architecture, Culture Conference. Coimbra, Portugal 2011.

Sioros, George and Carlos Guedes. Transforming musical rhythms: meter and syncopation. Proceedings of the Simpósio de Informática (INFORUM 2014). 2014.

Sioros, George, Marius Miron, Diogo Cocharro, Carlos Guedes, and Fabien  Gouyon. Syncopalooza: Manipulating the Syncopation in Rhythmic Performances. Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2013), Marseille, France 2013.

Sioros, George, Andre Holzapfel, and Carlos Guedes. On measuring syncopation to drive an interactive music system. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2012). Porto, Portugal 2012.

Sioros, George, Matthew EP Davies, and Carlos Guedes. "A generative model for the characterization of musical rhythms." Journal of New Music Research 47, no. 2 (2018): 114-128.

Trochidis, Konstantinos, Carlos Guedes. Rhythmic Analysis of Carnatic Style Percussive Music Using an Adaptive Time Domain Decomposition Method Proceedings of the Fourth Conference on Analytical Approaches to World Music 2016 (AAWM 2016). 2016.

Trochidis, Konstantinos, Beth Russell, Andrew Eisenberg, Kaustuv Ganguli, , Oscar Gomez,  Christos Plachouras, Carlos Guedes, and Virginia Danielson.  Mapping the Sounds of the Swahili coast and the Arab Mashriq: Music research at the intersection of computational analysis and cultural heritage preservation. Proceedings of the Digital Libraries for Musicology Workshop (DLfM), November 9, 2019, The Hague, Netherlands. 2019.

Trochidis, Konstantinos, Carlos Guedes, Akshay Anantapadmanabhan, and Andrija Klaric. CAMeL: Carnatic Percussion Music Generation Using N-Gram Models. Proceedings of the Sound and Music Computing 2016 (SMC 2016), Hamburg. 2016.

Trochidis, Konstantinos, Carlos Guedes, Andre Holzapfel, Akshay Anantapadmanabham, and Andrija Klaric. Analysis by synthesis of rhythm in South Indian art percussion performances by means of statistical analysis. Proceedings of the Fourth Conference on Analytical Approaches to World Music 2016 (AAWM 2016). 2016.

Woolford, Kirk and Carlos Guedes. Particulate Matters: Generating Particle Flows from Human Movement. Proceedings from the ACM Multimedia Conference 2007, Augsburg, Germany 2007.

dos Santos Cardoso, Jaime, Artur Capela, Ana Rebelo, Carlos Guedes, and Joaquim Pinto da Costa. "Staff detection with stable paths." IEEE Transactions on Pattern Analysis and Machine Intelligence 31, no. 6 (2009): 1134-1139.