Arfara, Katia. Théâtralités contemporaines: entre les arts plastiques et les arts de la scène. Bern: Peter Lang 2011.
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Arfara, Katia, Aneta Mancewicz, and Ralf Remshardt, eds. Intermedial Performance and Politics in the Public Sphere. New York and London: Palgrave Macmillan 2018.
Arfara, Katia. "Scènes en transition: Balkans et Grèce." Special issue. Théâtre/Public, n° 222, October /December (2016).
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Arfara, Katia. “Shared Spaces: X Apartments and the Precarious Condition of Togetherness”. In Being-With in Contemporary Performance Art, edited by Eliane Beaufils and Eva Holling, 17-32. Berlin: Neofelis Verlag GmbH, 2018.
Arfara, Katia. “The Politics of the Digital Public Sphere: On Rabih Mroué’s The Pixelated Revolution”. In Intermedial Performance and Politics in the Public Sphere, edited by Katia Arfara, Aneta Mancewicz and Ralf Remshardt, 173-189. Avant-Gardes in Performance. New York and London: Palgrave Macmillan 2018.
Arfara, Katia. “The Work of Art in the Age of its Intermedial Reproducibility: Rimini Protokoll’s Mnemopark”. In Bastard or Playmate? On Adapting Theatre, Mutating Media and the Contemporary Performing Arts, edited by Robrecht Vanderbeeken, Christel Stalpaert, Boris Debackere and David Depestel, 144-152. Theater Topics 5. Amsterdam: Amsterdam University Press 2012.
Arfara, Katia. “La Socìetas Raffaello Sanzio, Purgatory (2008)”. In Mapping Intermediality in Performance, edited by Sarah Bay-Cheng, Chiel Kattenbelt, Andy Lavender, Robin Nelson, 109-114. Amsterdam: Amsterdam University Press, Media Matters 2010.
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Arfara, Katia.“Denaturalizing Time: On Kris Verdonck’s Performative Installation End”. Theatre Research International, Cambridge University Press, vol. 39, no 1 (March): 47-56, 2014.
Arfara, Katia. “Teatro en estado latente: Crítica radical de las lecciones performativas de Rabih Mroué”. Investigación Teatral, Cuerpo Académico Consolidado – Teatro de la Universidad Veracruzana, vol. 4, no 6: 43-54, 2014.
Arfara, Katia. “Reframing the Real: The Blitz Theatre Group and the Awareness of Time”. The Geographies of Contemporary Greek Theatre: About Utopias, Dystopias and Heterotopias. GRAMMA. Journal of Theory and Criticism, vol. 22 (2): 147-161, 2014.
Arfara, Katia. “Le naturalisme détourné: Le Wooster Group face au répertoire classique”. L'Annuaire Théâtral. Revue québécoise d'études théâtrales, no 53-54 (Spring/Autumn): 105-117, 2013.
Arfara, Katia. “Aspects of a new dramaturgy of the spectator: Rimini Protokoll’s Breaking news”, Performance Research, special issue “On dramaturgy”, 14. 3 (September): 112-118, 2009.
