• Book Chapters

    Hudson, D. (2017). “Locating Emirati Filmmaking within Globalizing Media Ecologies.” In: Media in the Middle East: Activism, Politics, and Culture. Eds. N. Lenze, C. Schriwer, and Z.B.A. Jalil. New York: Palgrave Macmillan: 165–202.

    Hudson, D., C.C. Pederson, and P.R. Zimmermann (2016). “Iterações Ambientais: Habitats Digitais e a Construção de Mundos de Telas Múltiplas” [“Environmental Iterations: Digital Habitats and the Making of Multiple Screen Worlds”]. Portuguese translation by L.O. Nicolo. In: Cinemas em redes: Tecnologia, estética e política na era digital. Ed. G.Al. Sobrinho. São Paulo: Papirus Editora/SOCINE: Sociedade Brasileira de estudos de cinema e audiovisual: 31–50.

    Hudson, D. (2014). “Vampires and Transnational Horror.” In: A Companion to the Horror Film. Ed. H.M. Benshoff. West Sussex: Wiley-Blackwell: 463–482.

    Hudson, D. (2013). “Horrors of Anthropocentrism: ‘Improved Animals’ on the Islands of Dr. Moreau.” In: Transnational Horror across Visual Media: Fragmented Bodies. Eds. D. Och and K. Strayer. New York: Routledge: 209–227.

    Hudson, D. (2009). “Modernity as Crisis: Goeng si and Vampires in Hong Kong Cinema.” In: Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race, and Culture. Eds. J.E. Browning and C.J. (Kay) Picart. Lanham. Scarecrow Press: 203–233.

    O. Gershenson and D. Hudson (2008). “Vliubleny po sobstvennomu zhelaniu: ‘russkie’ immigranty v israilskom kino” [“In Love Voluntarily: Russian Immigrants in Israeli Cinema”]. Russian translation  by P. Barskova. In: Israil Glazami “Russki” [Israel through “Russian” Eyes: Identities and Cultures]. Ed. E.E. Nosenko. Moscow: Institute of Oriental Studies and Russian Academy of Sciences: 377–398.

    Hudson, D. (2007). “Vampires of Color and the Performance of Multicultural Whiteness.” In: The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Ed. D. Bernardi. New York: Routledge: 127–156.