Hudson, D. (2022). “Untangling Fact, Fiction, Fantasy—and Outright Lies: Compilation Films as Archival Piracy.” Social Research 89(4) special issue on Photography and Film as Evidence, ed. P. Kottman, 1055–1083 [link]
Hudson, D. (2022). “#OscarMustFall: On Refusing to Give Power to Unjust Definitions of ‘Merit’.” Jump Cut 61 [link]
Yunis, Alia, and Dale Hudson. "Introduction: Film and Visual Media in the Gulf." Middle East Journal of Culture and Communication 14, no. 1-2 (2021): 5-22.[link]
Hudson, D. and P. R. Zimmermann (2021). “Media during the COVID-19 Pandemic: Big and High, Small and Low.” Jump Cut 60. [link]
Hudson, D. (2021). “Mapping Palestine/Israel through Interactive Documentary,” Journal of Palestine Studies 50(1): 51–76. [link]
Hudson, D. (2020). “UAE Filmmaking beyond Arabization, Cosmopolitanism, and Exceptionalism.” Arabian Humanities 14 special issue “La culture pop dans la péninsule Arabique,” Ed. F. Lagrange and C. Chaveneau: 1–27. [link]
Hudson, D. (2020). “Toward a Cinema of Contact Zones: Intersecting Globalizations, Dubai, and City of Life.” Afterimage 47(4): 26–49. [link]
Hudson, D. (2020). “Interactive Documentary at the Intersection of Performance and Mediation: Navigating ‘Invisible’ Histories and ‘Inaudible’ Stories in the United States.” Studies in Documentary Film 14(2): 128–146. [link]
Hudson, D. (2019). “Songs from India and Zanzibar: Documenting the Gulf in Migration.” Studies in South Asian Film and Media 10(2): 91–112. [link]
Hudson, D. and P. R. Zimmermann (2019). “States of Environmentalist Media.” States of Media and Environment. Media and Environment 1(1) inaugural issue. [link]
Gershenson, O. and D. Hudson (2019). “Nightmares of a Nation: Israeli Horror-Satires: Rabies and Big Bad Wolves.” Journal of Cinema and Media Studies 59(1): 44–65. [link]
Hudson, D. and P. R. Zimmermann (2019). “Insurgent Habitats: On Media and Environment.” Film Quarterly 72(3), special issue on Cinema of Urgency: 38–41. [link]
Hudson, D. (2013). “‘Of Course There Are Werewolves and Vampires’: True Blood and the Right to Rights for Other Species.” American Quarterly 65(3), special issue on Species/Race/Sex, Ed. C. Feccero and C.J. Kim: 661–683. [link]
Hudson, D. (2011). “Transpolitical Spaces within Transnational French Cinemas: Vampires and the Illusions of National Borders and Universal Citizenship.” French Cultural Studies 22(2): 111–126. [link]
Hudson, D. (2009). “Undesirable Bodies and Desirable Labor: Documenting the Globalization and Digitization of Transnational American Dreams in Indian Call Centers.” Cinema Journal 49(1): 82–102. [link]
Hudson D. and P.R. Zimmermann (2009). “Cinephilia, Technophilia, and Collaborative Remix Zones.” Screen 50(1), “Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary,” ed. A. Kuhn: 135–146. [link]
Hudson D. and P.R. Zimmermann (2009). “Taking Things Apart: Migratory Archives, Locative Media, and Micropublics.” Afterimage 36(4): 14–19. [link]
O. Gershenson and D. Hudson (2008). “New Immigrant, Old Story: Framing Russians on the Israeli Screen.” Journal of Film and Video 60(3–4): 25–41.[link]
Hudson, D. (2008). “Undisclosed Recipients: Database Documentaries and the Internet,” an essay in dialogue with S.L. Tay, “Undisclosed Recipients: Documentary in an Era of Digital Convergence.” Studies in Documentary Film 2(1), ed. C. Hight: 79–98. [link]
O. Gershenson and D. Hudson (2007). “Absorbed by Love: Russian Immigrant Women in Israeli Film.” Journal of Modern Jewish Studies 6(3): 301–315. [link]
Hudson, D. (2006). “‘Just Play Yourself, “Maggie Cheung”’: Irma Vep, Unthinking National Cinemas, and Rethinking Transnational Stardom.” Screen 47(2): 213–232. [link]
Hudson, D. (2004). “Between Consumerism, Resistance, and Outreach: Online Vampire Subcultures.” Refractory: A Journal of Entertainment Media 6, “Fandom and Space.”