Hudson, D. (2017). Vampires, Race, and Transnational Hollywoods. Traditions in American Cinema. Series eds. L. Badley and R.B. Palmer. Edinburgh: Edinburgh University Press. [link] [companion website]
Hudson, D. and P.R. Zimmermann (2015). Thinking through Digital Media: Transnational Environments and Locative Places. New York: Palgrave Macmillan. [link][companion website]
Hudson, D. (2020). “Interactive Documentary at the Intersection of Performance and Mediation: Navigating ‘Invisible’ Histories and ‘Inaudible’ Stories in the United States.” Studies in Documentary Film 14(2): 128–146 [link]
Hudson, D. (2019). “Songs from India and Zanzibar: Documenting the Gulf in Migration.” Studies in South Asian Film and Media 10(2): 91–112 [link]
Hudson, D. and P. R. Zimmermann (2019). “States of Environmentalist Media.” States of Media and Environment. Media and Environment 1(1) inaugural issue. [link]
Gershenson, O. and D. Hudson (2019). “Nightmares of a Nation: Israeli Horror-Satires: Rabies and Big Bad Wolves.” Journal of Cinema and Media Studies 59(1): 44–65. [link]
Hudson, D. and P. R. Zimmermann (2019). “Insurgent Habitats: On Media and Environment.” Film Quarterly 72(3), special issue on Cinema of Urgency: 38–41. [link]
Hudson, D. (2013). “‘Of Course There Are Werewolves and Vampires’: True Blood and the Right to Rights for Other Species.” American Quarterly 65(3), special issue on Species/Race/Sex, eds. C. Feccero and C.J. Kim: 661–683. [link]
Hudson, D. (2011). “Transpolitical Spaces within Transnational French Cinemas: Vampires and the Illusions of National Borders and Universal Citizenship.” French Cultural Studies 22(2): 111–126. [link]
Hudson, D. (2009). “Undesirable Bodies and Desirable Labor: Documenting the Globalization and Digitization of Transnational American Dreams in Indian Call Centers.” Cinema Journal 49(1): 82–102. [link]
Hudson D. and P.R. Zimmermann (2009). “Cinephilia, Technophilia, and Collaborative Remix Zones.” Screen 50(1), “Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary,” ed. Annette Kuhn: 135–146. [link]
Hudson D. and P.R. Zimmermann (2009). “Taking Things Apart: Migratory Archives, Locative Media, and Micropublics.” Afterimage 36(4): 14–19. [link]
O. Gershenson and D. Hudson (2008). “New Immigrant, Old Story: Framing Russians on the Israeli Screen.” Journal of Film and Video 60(3–4): 25–41.[link]
Hudson, D. (2008). “Undisclosed Recipients: Database Documentaries and the Internet,” an essay in dialogue with S.L. Tay, “Undisclosed Recipients: Documentary in an Era of Digital Convergence.” Studies in Documentary Film 2(1), ed. C. Hight: 79–98. [link]
O. Gershenson and D. Hudson (2007). “Absorbed by Love: Russian Immigrant Women in Israeli Film.” Journal of Modern Jewish Studies 6(3): 301–315. [link]
Hudson, D. (2006). “‘Just Play Yourself, “Maggie Cheung”’: Irma Vep, Unthinking National Cinemas, and Rethinking Transnational Stardom.” Screen 47(2): 213–232. [link]
Hudson, D. (2004). “Between Consumerism, Resistance, and Outreach: Online Vampire Subcultures.” Refractory: A Journal of Entertainment Media 6, “Fandom and Space.”[link]
Hudson, D. (2020). “Post-utopian Interventions by Students: Interactive Documentary and Micro-revolutions.” In: Utopia and Reality: Documentary, Activism and Imagined Worlds. Eds. S. Spiegel, A. Reiter, and M. Goldberg. Cardiff: Wales University Press: 207–232. [link]
Hudson, D. and P.R. Zimmermann (2019). “Writing about Digital and Interactive Media.” In: Writing About Screen Media. Ed. L. Patti. New York: Routledge: 131–136. [link]
Hudson, D. (2017). “Locating Emirati Filmmaking within Globalizing Media Ecologies.” In: Media in the Middle East: Activism, Politics, and Culture. Eds. N. Lenze, C. Schriwer, and Z.B.A. Jalil. New York: Palgrave Macmillan: 165–202.[link]
Hudson, D., C.C. Pederson, and P.R. Zimmermann (2016). “Iterações Ambientais: Habitats Digitais e a Construção de Mundos de Telas Múltiplas”. Portuguese translation by L.O. Nicolo. In: Cinemas em redes: Tecnologia, estética e política na era digital. Ed. G.Al. Sobrinho. São Paulo: Papirus Editora/SOCINE: Sociedade Brasileira de estudos de cinema e audiovisual: 31–50.[link]
Hudson, D. (2014). “Vampires and Transnational Horror.” In: A Companion to the Horror Film. Ed. H.M. Benshoff. West Sussex: Wiley-Blackwell: 463–482. [link]
Hudson, D. (2013). “Horrors of Anthropocentrism: ‘Improved Animals’ on the Islands of Dr. Moreau.” In: Transnational Horror across Visual Media: Fragmented Bodies. Eds. D. Och and K. Strayer. New York: Routledge: 209–227. [link]
Hudson, D. (2009). “Modernity as Crisis: Goeng si and Vampires in Hong Kong Cinema.” In: Draculas, Vampires, and Other Undead Forms: Essays on Gender, Race, and Culture. Eds. J.E. Browning and C.J. (Kay) Picart. Lanham. Scarecrow Press: 203–233. [link]
Gershenson, O. and D. Hudson (2008). “Vliubleny po sobstvennomu zhelaniu: ‘russkie’ immigranty v israilskom kino.” Russian translation by P. Barskova. In: Israil Glazami ‘Russki’. Ed. E.E. Nosenko. Moscow: Institute of Oriental Studies and Russian Academy of Sciences: 377–398. [link]
Hudson, D. (2007). “Vampires of Color and the Performance of Multicultural Whiteness.” In: The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Ed. D. Bernardi. New York: Routledge: 127–156. [link]
Hudson, D. and P.R. Zimmermann (2020). “First Wave COVID-19 Playlist: Satire.” Media Playlists, Centre for Screen Cultures, University of St. Andrews [link]
Hudson, D. and P.R. Zimmermann (2020). “First Wave COVID-19 Playlist: Music.” Media Playlists, Centre for Screen Cultures, University of St. Andrews [link]
Hudson, D. and P.R. Zimmermann (2020). “First Wave COVID-19 Playlist: Information.” Media Playlists, Centre for Screen Cultures, University of St. Andrews [link]
Hudson, D. and P.R. Zimmermann (2020). “Digital and Interactive Media Projects that Think Through the Environment.” Media Playlists, Centre for Screen Cultures, University of St. Andrews [link]
Hudson, D. (2018). “What is Open Space New Media Documentary?: A Conversation with Authors Helen De Michiel and Patricia R. Zimmermann.” Immerse 19, lead story. [link]
Hudson, D. (2017). “My First Flaherty.” Flaherty Stories: Voices from the Robert Flaherty Film Seminar. [link]
Hudson, D. and C.C. Pederson (2017). “New Media, Collaboration, and the Anthropocene.” 20 on 20: Essays in Celebration of FLEFF. Eds. S. Tropiano and P.R. Zimmermann. Twentieth Anniversary Finger Lakes Environmental Film Festival. [link]
Hudson, D. and P.R. Zimmermann (2015). “Precious Images,” expanded essay on Chuck Workman’s Precious Images (USA 1986). National Film Preservation Board of the National Film Registry, Library of Congress. [link]
Hudson, D. (2013). Supplementary web materials for “Beyond the Page” related to article for American Quarterly special issue on Species/Race/Sex. Eds. C. Feccero and C.J. Kim. [link]
Hudson, D. (2012). “Surveillance and Disinformation, Hacked: Nadia El Fani’s Bedwin Hacker.” Flow 15(12). [link]
Hudson, D. (2012). “Biometrics and Machinima, Reanimated: Jacqueline Goss’s Stranger Comes to Town.” Flow 15(07). [link]
Hudson, D. (2011). “Race and Labor, Unplugged: Alex Rivera’s Sleep Dealer.” Flow 15(04). [link]
Hudson, D. and S.L. Tay (2009–2010). “Digital Spaces: Speculations on Digital Art and Viral Spaces.” Blog posts on new media art and environmentalism. Finger Lakes Environmental Film Festival. [link]
Hudson, D. (2017). Review of i-docs: The Evolving Practice of Interactive Media, eds. J. Aston, S. Gaudenzi, and M. Rose (Wallflower, 2018), Post-Script 36(2–3): 126–129.
Hudson, D. (2015). “Leila Sansour’s Open Bethlehem: Making Palestine Legible and Bethlehem Accessible.” Review of Open Bethlehem (Palestine 2014; dir. Leila Sansour). Jadaliyya. [link]
Hudson, D. (2015). Report on Transnational Cinema/Media Studies Conference, NYUAD Institute, United Arab Emirates. Transnational Cinemas 6(1): 84–96. [link]
Hudson, D. (2013). Review of Lamma Shoftak/When I Saw You (Jordan-Palestine-UAE-Greece 2012; dir. Annemarie Jacir). Jadaliyya;[link] republished in Ahram Online [link].
Hudson, D. (2010). “Review of African Film and Literature: Adapting Violence to the Screen by L. Dovey (Columbia UP, 2009).” African Studies Review 53(1): 235–237.[link]
Hudson, D. (2010). Report on 5o Congreso Internacional de Teoría y Análisis Cinematográfico, Morelia, Michoacán, México. Scope: An Online Journal of Film & TV Studies 16.[link]
Hudson, D. (2009). “Digital Performances.” Review of Lossless: Rebecca Baron and Doug Goodwin at the Carpenter Center for the Visual Arts, Harvard University. Afterimage 36(5): 22–23. [link]
Hudson, D. (2008). “Migrations and Mediations.” Report on The Age of Migration, 54th annual Robert Flaherty Film Seminar, Colgate University. Afterimage 36(2): 2. [link]
Hudson, D. (2007). “Deterritorializing Cinema Studies.” Report on South of the Other, the 53rd annual Robert Flaherty Film Seminar, Vassar College. Afterimage web version. [link]
Hudson, D. (2006). “Grounding Internet Theory.” Review of Who Controls the Internet?: Illusions of a Borderless World by J. Goldsmith and T. Wu (Oxford UP, 2006). Afterimage 34(3): 48–49.
Hudson, D. (2005). “Privileged Play Spaces.” Review of Interactive Realism: The Poetics of Cyberspace by D. Downes (McGill-Queen’s UP, 2005). Afterimage 33(3): 53–54.
Hudson, D. (2005). “Future Perfection.” Report on Future Perfect: Contemporary Chinese Art and the Question of the Archive, an international workshop on art and curating at Cornell University. Afterimage 33(3): 7–8.
