Publications
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Journals
(Peer-Reviewed)
Guedes, Carlos. "Real-time composition: Its applications and educational potential." Journal of Power Electronics 9, no. 2 (2019): 33-40.
Ganguli, Kaustuv, and Carlos Guedes. "An approach to adding knowledge constraints to a data-driven generative model for Carnatic rhythm sequence." Trends in Electrical Engineering 9, no. 3 (2019): 11-17.
Sioros, George, Matthew EP Davies, and Carlos Guedes. "A generative model for the characterization of musical rhythms." Journal of New Music Research 47, no. 2 (2018): 114-128.
Bernardes, Gilberto, Diogo Cocharro, Marcelo Caetano, Carlos Guedes, and Matthew EP Davies. "A multi-level tonal interval space for modelling pitch relatedness and musical consonance." Journal of New Music Research 45, no. 4 (2016): 281-294.
Bernardes, Gilberto, Diogo Cocharro, Carlos Guedes, and Matthew EP Davies. "Harmony generation driven by a perceptually motivated tonal interval space." Computers in Entertainment (CIE) 14, no. 2 (2016): 1-21.
Bello, Juan P., Robert Rowe, Carlos Guedes, and Godfried Toussaint. "Five perspectives on musical rhythm." Journal of New Music Research Special Issue: “Cross-Disciplinary and Multi-Cultural Perspectives on Musical Rhythm” 44, no. 1 (2015): 1-2.
Rebelo, Ana, Ichiro Fujinaga, Filipe Paszkiewicz, Andre RS Marcal, Carlos Guedes, and Jaime S. Cardoso. "Optical music recognition: state-of-the-art and open issues." International Journal of Multimedia Information Retrieval 1, no. 3 (2012): 173-190.
Naveda, Luiz, Fabien Gouyon, Carlos Guedes, and Marc Leman. "Microtiming patterns and interactions with musical properties in samba music." Journal of New Music Research 40, no. 3 (2011): 225-238.
Guedes, Carlos, and Pedro Rebelo. "Reflections on music programming for conferences: The case of smc 2009." Computer Music Journal 34, no. 3 (2010): 10-19.
dos Santos Cardoso, Jaime, Artur Capela, Ana Rebelo, Carlos Guedes, and Joaquim Pinto da Costa. "Staff detection with stable paths." IEEE Transactions on Pattern Analysis and Machine Intelligence 31, no. 6 (2009): 1134-1139.
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Book Chapters
Guedes, Carlos. Composing and improvising. In real time. in Music Technology with Swing. Lecture Notes in Computer Science (11265) (2018), pp. 445-453. New York: Springer.
Sioros, George. and Carlos Guedes. Syncopation as Transformation. in Music, Sound and Motion. Lecture Notes in Computer Science (8905) 2014, pp.635-658. New York: Springer.
Bernardes, Gilberto, Guedes, Carlos and Bruce Pennycook. EarGram: An Application for Interactive Exploration of Concatenative Sound Synthesis in Pure Data. in From Sounds to Music and Emotions. Lecture Notes in Computer Science (7900) 2013, pp.110-129. New York: Springer.
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Edited Volumes
Bello, Juan P., Rowe Rowe, Carlos Guedes, and Godfried Toussaint. (Eds). "Cross-disciplinary and Multi-cultural Perspectives on Musical Rhythm", Special Issue of the Journal for New Music Research 2015, 44/1
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Conference Proceedings
(Peer-Reviewed)
Ganguli, Kaustuv, Sertan Sentürk, and Carlos Guedes. Critiquing task- versus goal-oriented approaches: a case for makam recognition. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2022). Bengaloru, India.
Ganguli, Kaustuv, Akshay Anantapadmanabhan, and Carlos Guedes. An approach to adding knowledge constraints by fractal analysis on a generative model of Carnatic rhythm sequence. Accepted for publication in Analytical Approaches to World Music Conference (AAWM), Paris, France 2021.
Ganguli, Kaustuv, Gautam Lali, Akshay Anantapadmanabhan, and Carlos Guedes. A passive approach to evaluating Mridangam transcription via perceptual experiment. In International Conference of Music Perception and Cognition (ICMPC-ESCOM), Hyderabad, India. 2021.
Ganguli, Kaustuv, Akashay Anantapadmanabhan, and Carlos Guedes. Questioning the fundamental problem-definition of mridangam transcription. Proceedings of the 2nd International Conference on Timbre (Timbre 2020), Thessaloniki, Greece 2020.
Ganguli, Kautuv, Sertan Sentürk, Aandrew Eisenberg, and Carlos Guedes. Computational approaches to aid ethnographic research on Maqam melodies. Accepted for publication in First (1st) Symposium of the ICTM Study Group on Sound, Movement, and the Sciences (SoMoS), Stockholm, Sweden. 2020.
Ganguli, Kaustuv, Christos Plachouras, Sertan Sentürk, Andrew Eisenberg, and Carlos Guedes. Mapping Timbre Space in Regional Music Collections using Harmonic-Percussive Source Separation (HPSS) Decomposition. Proceedings of the 2nd International Conference on Timbre (Timbre 2020), Thessaloniki, Greece. 2020.
Ganguli, Kaustuv, Oscar Gomez, Leonid Kuzmenko, and Carlos Guedes. Developing immersive VR experience for visualizing cross-cultural relationships in music. In 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW) (pp. 401-406). IEEE. 2020.
Gomez, Oscar, Kaustuv Ganguli, Leonid Kuzmenko, and Carlos Guedes. Exploring Music Collections: An Interactive, Dimensionality Reduction Approach to Visualizing Songbanks. Proceedings of the 25th International Conference on Intelligent User Interfaces Companion. IUI 2020. Association for Computing Machinery, p. 138-139 2 p. (International Conference on Intelligent User Interfaces, Proceedings IUI), Cagliary, Italy. 2020.
Trochidis, Konstantinos, Beth Russell, Andrew Eisenberg, Kaustuv Ganguli, , Oscar Gomez, Christos Plachouras, Carlos Guedes, and Virginia Danielson. Mapping the Sounds of the Swahili coast and the Arab Mashriq: Music research at the intersection of computational analysis and cultural heritage preservation. Proceedings of the Digital Libraries for Musicology Workshop (DLfM), November 9, 2019, The Hague, Netherlands. 2019.
Ganguli, Kaustuv, Akshay Anantapadmanabhan, and Carlos Guedes. Fractal Modeling of Carnatic Rhythm Sequence: Case-study on a Generative Model. Proceedings of the International Society of Music Information Retrieval Conference (ISMIR 2019), Delft, The Netherlands. 2019.
Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan. Challenges in computational modelling and generation of Carnatic percussion music. Challenges in Carnatic Music generation. Proceedings of the 5th International Conference of Analytical Approaches to World Music, Thessaloniki, Greece. 2018.
Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan. Modeling Carnatic Rhythm Generation: A Data-Driven approach based on Rhythmic Analysis. Proceedings of the 15th Sound & Music Computing Conference, Limassol, Cyprus, 2018
Guedes, Carlos. Real-Time Composition, why it still matters?: A look at recent developments and potentially new and interesting applications. Proceedings of the 2017 International Computer Music Conference. 2017.
Guedes, Carlos, Konstantinos Trochidis, and Akshay Anantapadmanabhan. CAMeL: Carnatic Percussion Music Generation Using N-Gram and Clustering Approaches. Abstract of presentation at the 16th Rhythm Production and Perception Workshop. 2017.
Bernardes, G., M. Davies, and C. Guedes. Automatic musical key estimation with adaptive mode bias. Proceedings of the 42nd IEEE International Conference on Acoustics, Speech and Signal Processing. (2017).
Trochidis, Konstantinos, Carlos Guedes, Andre Holzapfel, Akshay Anantapadmanabham, and Andrija Klaric. Analysis by synthesis of rhythm in South Indian art percussion performances by means of statistical analysis. Proceedings of the Fourth Conference on Analytical Approaches to World Music 2016 (AAWM 2016). 2016.
Trochidis, Konstantinos, Carlos Guedes. Rhythmic Analysis of Carnatic Style Percussive Music Using an Adaptive Time Domain Decomposition Method Proceedings of the Fourth Conference on Analytical Approaches to World Music 2016 (AAWM 2016). 2016.
Trochidis, Konstantinos, Carlos Guedes, Akshay Anantapadmanabhan, and Andrija Klaric. CAMeL: Carnatic Percussion Music Generation Using N-Gram Models. Proceedings of the Sound and Music Computing 2016 (SMC 2016), Hamburg. 2016.
Bernardes, Gilberto, Diogo Cocharro, Carlos Guedes, and Matthew Davies. Conchord: An Application for Generating Musical Harmony by Navigating in a Perceptually Motivated Tonal Interval Space. Proceedings of the International Symposium of Computer Music Multidisciplinary Research 2015 (CMMR 2015) 2015.
Dias, Rui, Carlos Guedes, and Telmo Marques. A computer-mediated interface for Jazz piano comping. Proceedings of the Joint International Computer Music and Sound and Music Computing Conference (ICMC 2014-SMC 2014). 2014.
Sioros, George and Carlos Guedes. Transforming musical rhythms: meter and syncopation. Proceedings of the Simpósio de Informática (INFORUM 2014). 2014.
Dias, Rui and Carlos Guedes. A Contour-based Jazz Walking Bass Generator. Proceedings of the Sound and Music Computing Conference (SMC 2013). Stockholm, Sweden 2013.
Sioros, George, Marius Miron, Diogo Cocharro, Carlos Guedes, and Fabien Gouyon. Syncopalooza: Manipulating the Syncopation in Rhythmic Performances. Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2013), Marseille, France 2013.
Sioros, George, Andre Holzapfel, and Carlos Guedes. On measuring syncopation to drive an interactive music system. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2012). Porto, Portugal 2012.
Bernardes, Gilberto, Carlos Guedes, and Bruce Pennycook. EarGram: an Application for Interactive Exploration of Large Databases of Audio Snippets for Creative Purposes. Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2012), London, England 2012.
Dias, Rui, Telmo Marques, George Sioros, and Carlos Guedes. GimmeDaBlues: An intelligent Jazz/Blues player and comping generator for iOS.” Proceedings of the Conference on Computer Music Modeling and Retrieval (CMMR 2012), London, England 2012.
Sioros George and Carlos Guedes. Complexity-driven recombination of MIDI loops. Proceedings of the Conference of the International Society for Music Information Retrieval (ISMIR 2011). Miami, USA 2011.
Sioros, George and Carlos Guedes. Generation and control of automatic rhythmic performances in Max/MSP. Simpósio de Informática (INFORUM 2011). Coimbra, Portugal 2011.
Dias, Rui, Telmpo Marques, George Sioros, and Carlos Guedes. Gimme 'Da Blues: A Jazz/Blues Player and Automatic Comping Generator For iOS Multitouch Devices.” Simpósio de Informática (INFORUM 2011), Coimbra, Portugal 2011.
Sioros, George and Carlos Guedes. A formal approach for high-level automatic rhythm generation. Proceedings of the BRIDGES 2011 - Mathematics, Music, Art, Architecture, Culture Conference. Coimbra, Portugal 2011.
Sioros, George and Carlos Guedes. Automatic Rhythmic Performance in Max/MSP: the kin.rhythmicator. Proceedings of the 11th International Conference on New Interfaces for Musical Expression (NIME 2011). Oslo, Norway (2011).
Rebelo, Ana, Filipe Paszkiewicz, Carlos Guedes, André Marcal, and Jaime Cardoso, J. A Method for Music Symbols Extraction based on Musical Rules. Proceedings of the BRIDGES 2011 - Mathematics, Music, Art, Architecture, Culture Conference. Coimbra, Portugal 2011.
Bernardes, Gilberto, Carlos Guedes, and Bruce Pennycook. Style emulation of drum patterns by means of evolutionary methods and statistical analysis. Proceedings of the Sound and Music Computing Conference (SMC 2010). Barcelona, Spain 2010.
Baltazar, André, Carlos Guedes, Bruce Pennycook, and Fabien Gouyon. A real-time human body skeletonization algorithm for max/msp/Jitter. Proceedings of International Computer Music Conference (ICMC 2010), Stony Brook, NY 2010.
Naveda, Luis, Fabien Gouyon, Carlos Guedes, and Marc Leman. Multidimensional microtiming in Samba music. Brazilian Symposium in Computer Music, 2009.
Cardoso, Jaime, Artur Capela, Ana Rebelo, and Carlos Guedes. A Connected Path Approach for Staff Detection on a Music Score. Proceedings from the 2008 IEEE International Conference on Image Processing (ICIP 2008), San Diego, USA
Capela, Artur, Jaime Cardoso, , Ana Rebelo, and Carlos Guedes. Integrated Recognition System for Music Scores. Proceedings of the International Computer Music Conference 2008 (ICMC 2008), Belfast, Ireland.
Penha, Rui, Paulo Rodrigues, Fabien Gouyon, , Luis Martins, Carlos Guedes, and Álvaro Barbosa. Studio Report: Digitópia at Casa da Música. Proceedings of the International Computer Music Conference 2008 (ICMC 2008), Belfast, Ireland.
Guedes, Carlos. Translating Dance Movement into Musical Rhythm in Real Time: New Possibilities for Computer-Mediated Collaboration in Interactive Dance Performance. Proceedings of The International Computer Music Conference (ICMC 2007) Copenhagen, Denmark 2007.
Guedes, Carlos. Establishing a Musical Channel of Communication between Dancers and Musicians in Computer-Mediated Collaborations in Dance Performance. Proceedings of the 2007 Conference on New Interfaces for Musical Expression (NIME07), New York, NY, USA pp. 417-418 2007.
Guedes, Carlos and Rui Dias. The Program in Electronic Music Composition and Musical Production at the School of the Arts of the Polytechnic Institute of Castelo Branco. Proceedings from the Sound and Music Computing 2007(SMC 2007). pp. 378-381 and Proceedings of The International Computer Music Conference (ICMC 2007) Copenhagen, Denmark. 2007.
Guedes, Carlos and Kirk Woolford. Controlling Aural and Visual Particle Systems through Human Movement. Proceedings from the Sound and Music Computing 2007(SMC 2007), Lefkada, Greece. pp. 200-203 and Proceedings of The International Computer Music Conference (ICMC 2007), Copenhagen, Denmark 2007.
Woolford, Kirk and Carlos Guedes. Particulate Matters: Generating Particle Flows from Human Movement. Proceedings from the ACM Multimedia Conference 2007, Augsburg, Germany 2007.
Rebelo, Ana, Atur Capela, J. Costa, Carlos Guedes, Eurico Carrapatoso, and Jaime Cardoso. A Shortest Path Approach for Staff Line Detection. Proceedings of the Third International Conference on Automated Production of Cross Media Content for Multi-channel Distribution (AXMEDIS 2007), Barcelona, Spain 2007.
Guedes, Carlos. Extracting Musically-Relevant Rhythmic Information from Dance Movement by Applying Pitch-Tracking Techniques to a Video Signal. Sound and Music Computing Conference 2006 Proceedings, pp. 25-33 (2006).
Guedes, Carlos. The m-objects: A Small Library for Musical Rhythm Generation and Musical Tempo Control from Dance Movement in Real Time.” Proceedings from the International Computer Music Conference, International Computer Music Association, 2005, pp. 794-797 (2005)
Guedes, Carlos. Controlling Musical Tempo from Dance Movement in Real-Time: A Possible Approach.” Proceedings from the International Computer Music Conference, International Computer Music Association, 2003, pp. 453-457 (2003)
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Discography
Chess. (2021). Shadows and reflections [CD]. [Nikolaj Hess: piano; Carlos Guedes: live electronics]. Copenhagen: Gateway records
SSS-Q + Carlos Guedes. (2021). Becoming space [online edition].
Guedes, Carlos (2017). Phobia robotica. Piece for dysfunctional robotic orquestra in Disposifónicos: Acumuladores de objectos sonantes. (2019) [LP]. Porto: Sonoscopia
Guedes, Carlos (2015). Canon a 4 con uccelli obbligati in Disposifónicos: Acumuladores de objectos sonantes. (2019) [LP]. Porto: Sonoscopia
Guedes, Carlos (2019). Unsolvable problems [CD]. [music for big band and for big bang and string quartet]. Porto: Improbable Records
SSS-Q + Carlos Guedes. (2017). SSS- Q+Carlos Guedes [LP]. Porto: Wasserbassin.
Guedes, Carlos (2015). Happy Miso 25! In Cadavres Exquis: Portuguese Composers of the 21st century [CD]. Lisbon: Miso records