Team

Salwa Mikdadi

al Mawrid Director and Principal Investigator

Salwa Mikdadi is a Professor of Practice of Art History at NYU Abu Dhabi. Her research and interest in Arab art spans over fifty years focusing on modern and contemporary art of the Arab world, the history of Arab art institutions, gender politics in art, and the relationship between museums and society. Before joining NYUAD, she taught at Sorbonne-Paris Abu Dhabi and served as Head of the Arts and Culture Program at the Emirates Foundation. She has curated numerous exhibitions including the first Palestine exhibition at the Venice Biennial (2009), A Century in Flux: Highlights from the Barjeel Collection (Sharjah Art Museum, 2018), and Forces of Change: Artists of the Arab World (USA 1994-5). She is the editor of several books and catalogs: Elias Zayat: Cities and Legends, Palestine c/o Venice, Visual Reflections on Arabic Poetry, In/Visible: Arab American Artists, New Visions: Arab Contemporary Art of the 21st Century.


May Al-Dabbagh

al Mawrid Co-Principal Investigator

May al-Dabbagh is an Assistant Professor of Social Research and Public Policy (NYUAD). She conducts research on gender and globalization using a combination of social psychology, public
policy, and post-colonial feminist lenses. Her current book project, The Messy Middle, is an ethnography of serial migration in Dubai focusing on motherhood, work, and movement. She has received fellowships from the Center of Advanced Study in the Behavioral Sciences (Stanford), The Women and Public Policy Program (Harvard), and The Global Institute for Advanced Study and Tisch School of the Arts (NYU).

At al Mawrid, she runs Haraka: Experimental Lab for Arab Art and Social Thought which focuses on contemporary art in the Gulf/Khaleej and bridges the social sciences and arts at NYUAD.

Al-Dabbagh holds a BA from Harvard University and a PhD from the University of Oxford.

For more information see: www.mayaldabbagh.org


Shamoon Zamir

al Mawrid Co-Principal Investigator

Shamoon Zamir is an Associate Professor of Literature & Art History, NYU Abu Dhabi. Zamir works in and across the areas of literature, photography, art, and intellectual history. Dark Voices, his study of the African American writer W.E.B. Du Bois explored literature’s dialogues with philosophy and sociology, and The Gift of the Face explores the relationship of aesthetics and ethics in the work of the photographer Edward S. Curtis and examines the ways in which image and text, art and science, pictorialist photography, and anthropology come together in Curtis’s portraits of Native Americans. Photography and Citizenship is a book-length examination (in progress) of the famous ‘Family of Man’ exhibition from the 1950s and its global reception in the context of the Cold War. Helen Levitt: New York 1939 is a reading of a single photograph. Zamir has also translated short stories from Urdu. Zamir studied at the University of London and has taught at the University of Chicago, York University, and the University of London before joining NYUAD.


Ala Younis

Research Scholar

Ala Younis is an artist focusing on research, film, and publishing projects. Younis’s projects look into how the archive plays on predilections and how its mishaps manipulate the imagination. She curated several shows including Kuwait’s first pavilion at the Venice Biennale (2013). She is co-Head of Berlinale’s Forum Expanded, co-Artistic Director of Singapore Biennale 2022, and a member of the Akademie der Künste der Welt (Cologne). She co-founded the independent publishing initiative, Kayfa ta, which researches and publishes on and through independent endeavors. Among the publications, Younis edited Tin Soldiers (2012), Territorial Subjects: Twenty Years of YAYA (Qattan Foundation, 2019), and Abdul Hay Mosallam Zarara (Sharjah Art Foundation, 2020). She co-edited How to maneuver: Shapeshifting texts and other publishing tactics (Kayfa ta and Warehouse421, 2020), and Time Is Out Of Joint (Sharjah Art Foundation, 2016).  She led the online workshops Superheat (2020) for Studio-X / Columbia Global Center and unprepared (2021) for Qattan Foundation. Her work and writings are published in numerous publications including e-flux, Nafas Art, Mizna Journal, Ibraaz, Creative Time, Camera Austria, Divan Journal, and Flash Art.  Younis holds a BSc. in Architecture from the University of Jordan (1997) and MRes in Visual Cultures from Goldsmiths, University of London (2016).

For more information see: www.alayounis.art; www.kayfa-ta.com


Ban Kattan

Research Associate

Ban Kattan is a research associate at Haraka: Experimental Lab for Arab Art and Social Thought. Her areas of interest cover issues of human and institutional capacity building, sustainable development, gender equality, as well as Arab art and culture. Ban holds a BS in business administration from the American University of Sharjah, a BA in gender and women studies from York University, Canada, and a MA in art in development studies from York University focusing on organization capacity building through knowledge transfer. Ban specializes in translation practices for art and culture organizations in the Middle East and is certified by the Association of Translators and Interpreters of Ontario, Canada.


Dina Taha

Research Assistant

Dina Taha conducts research at the intersection of art and architecture. She is interested in how understandings of time informs the perception and representation of the built environment, particularly through the utilization of sculpture and public monuments as temporal anchors from which history is repeatedly reconstructed and referenced. Prior to joining NYUAD, Dina held research positions at Yale University. In 2019 and 2020 she worked with Professor Kishwar Rizvi on the “Visual Resources of the Middle East” (VRME) project—an open-source digital database on visual material from the region. She is also interested in the mediation and abstraction of the city through photography. Her work was most recently exhibited in “Holter Stills” curated by 404 in Cairo. Dina holds a Bachelor of Science in Architectural Engineering from the American University in Cairo and a Master of Environmental Design from the Yale School of Architecture. 


Jonathan Burr

Archivist

Since 2016, Jonathan Burr has worked on a variety of collections in al Mawrid’s Akkasah Photography Archive, including the digitization of the Samir Farid collection, a collection of negatives created on the sets of Egyptian films from throughout the 20th century. His professional interests lie primarily in digitization and online access to digital research materials, especially endangered archives that have become inaccessible, overlooked, or are in immediate danger of physical deterioration. Jonathan holds a BA in American Studies from the University of Maryland College Park and is currently studying for a master’s degree in Archives and Records Management at the University of Dundee.


Jasmine Soliman

Archivist

Jasmine started her work on the Akkasah Photography Archive (now part of al Mawrid) in 2016. Prior to that, she worked as an archivist at the German Archaeological Institute in Cairo, beginning in 2013, and formerly was a business development professional working largely in the Middle East. Her work focuses on collection appraisal and management, cataloging and descriptive vocabularies, website UX/UI design, and social media outreach. She collaborates with the al Mawrid team to oversee the physical and digital collections, and works closely with the NYU Digital Library Technology Services Team and the website teams at NYU Shanghai and Abu Dhabi, as well as with the general public as they use the collections. She has presented her work at MELCOM, UNC Center for Middle East and Islamic Studies, Sharjah Art Foundation and The British Library. She also manages the website RepCinema.com which highlights repertory cinema screenings in the UAE and London.

She tweets at @JIsoliman and @Akkasah_NYUAD


Ibrahim Mohamed Ali

Assistant Archivist

Ibrahim Mohamed Ali worked as a documentation and preservation specialist on many archival collections, including the Ministry of Antiquities glass negative archives project, and the Attaya Gaddis studio archive project. Since 2010, he has worked as a conservator at the Grand Egyptian Museum Conservation Center. He completed internships on photograph preservation at the Metropolitan Museum of Art, the National Gallery of Art, and the Smithsonian National Museum of American History. From 2011 to 2017, he attended the Middle East Photograph Preservation Initiative (MEPPI) workshops. He taught courses and conducted lectures in photograph preservation in Egypt and Japan. Ali holds an MA in Museum Studies from The George Washington University and a BA in Conservation from Cairo University. He is currently studying for a Ph.D. in Conservation Science at the Tokyo University of the Arts, Japan.


Maha Moussa

Administrative Coordinator

Maha Moussa has over twenty-five years of experience in project and office management. She worked as an executive assistant at the board level and has coordinated several projects with diplomatic missions.

She holds a BA in Business Administration from the American University of Beirut with certifications in Project Management Professional (PMP) and Chartered Institute of Personnel and Development (CIPD).


Contributors

Name Title
Aikaterini (Katia) Arfara Assistant Professor of Performance, Theater Studies, NYUAD
Mehri Khalil, PhD External Engagement Researcher, Egypt
Amina Menia External Engagement Researcher, Algeria
Abdullah Al-Mutairi External Engagement Researcher, Kuwait
Yassmeen Tukan External Engagement Researcher, Jordan