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Stemmrich, Gregor (2013). Piet Mondrian – Barnett Newman – Dan Flavin. Painting as Medium and Model. Exh. cat. Piet Mondrian – Barnett Newman – Dan Flavin, Kunstmuseum Basel, 15-26.
Stemmrich, Gregor (2012). Hypertrophies, Trophies, and Tropes of the Everyday: Claes Oldenburg’s New Definitions of Sculpture. Exh. cat. Claes Oldenburg: the Sixties. MUMOK Wien, 156-213.
Stemmrich, Gregor (2012). Minimal Art and Minimalism: The Influence of Concrete Art, Neoconcretism, and Minimal Art on Tendencies in German Art in the 1960s. Exh. cat. Minimalism in Germany. The Sixties, ed. by Renate Wiehager, Ostfildern: Hatje Cantz, 67-76
Stemmrich, Gregor (2011). What’s in a name? Zum Orpheus-Mythos in der Kunst Cy Twomblys. Die Erfahrung des Orpheus, ed. by Armen Avanessian, Gabriele Brandstetter, Franck Hofmann, München: Fink, 97-114
Stemmrich, Gregor (2008). Dan Graham. Friedrich Christian Flick Collection, Artist’s Monographs, Vol. 8, Cologne: DuMont