Stories of Reinvention.
Experience theater at its best in this new work designed for audiences young and old. Brought to you by Brooklyn based artists, Kaneza Schaal & Christopher Myers, journey with four young people as they leave their worlds behind and begin fresh. Combining simple storytelling with interactive video technology, CARTOGRAPHY engages you from start to finish. Performed by a diverse company of actors from El Salvador, Syria, Lebanon, and Rwanda, this is theater for our times, theater for all ages, theater at its most relevant.
The story raises the questions: What are the journeys you have made? What maps guided you through?
Watch the trailer here
“A wonder of theater-making, Cartography is a production full of cracking story-telling with booming contemporary musical interludes between scenes.” – DC Metro
Be engaged with dazzling visual tools like map-making along with performance elements such as filmmaking and dancing. Sculptures create an array of visual journeys; sound sensors respond to actors’ voices, activating a virtual storm; and cellphones are used to mark memories and distances traveled.
Developed in part at NYU Abu Dhabi, including the work of NYUAD Interactive Media graduates.
“Young people are at the forefront of this historical moment.” – Kaneza Schaal
The audience is invited to examine their own lives and the maps we have yet to draw.
Get a behind the scene look at the creation of the work.
Biographies
Kaneza Schaal (Co-Creator) is a New York City based theater artist. Her recent work JACK & showed in BAM’s 2018 Next Wave Festival, Museum of Contemporary Art Chicago, and with its co-commissioners Walker Arts Center, REDCAT, On The Boards, Center for Contemporary Art Cincinnati and Portland Institute for Contemporary Art. Schaal received a 2018 Ford Foundation Art For Justice Bearing Witness award, 2017 MAP Fund award, 2016 Creative Capital Award, 2008 Princess Grace George C. Wolfe Award, and was an Aetna New Voices Fellow at Hartford Stage. Her last project GO FORTH premiered at Performance Space 122’s COIL Festival and then showed at the Genocide Memorial Amphitheater in Kigali, Rwanda; LMCC’s River-to-River Festival; Contemporary Arts Center New Orleans; Cairo International Contemporary Theater Festival in Egypt; and at her alma mater Wesleyan University, CT. Schaal’s work with The Wooster Group, Elevator Repair Service, Richard Maxwell/New York City Players, Claude Wampler, Jim Findlay, and Dean Moss has brought her to venues including Centre Pompidou, Royal Lyceum Theater Edinburgh, The Whitney Museum, and MoMA. Schaal is an Arts-in-Education advocate and has collaborated nationally and internationally with recent teen immigrants and asylum seekers; on intergenerational exchange between elders and teens; and on workshops and talks at Princeton University, Yale University, Emerson College and her alma mater Wesleyan University, CT.
Christopher Myers (Co-Creator) is an artist and writer who lives in New York. While he is widely acclaimed for his work with literature for young people, he is also an accomplished fine artist who has lectured and exhibited internationally. His practice can be divided into two categories, interventions in historical narratives and work crafted with artisans from around the globe. Christopher’s work has been exhibited at PS1/MoMA, and included as part of Greater New York, the Art Institute of Chicago, the Prospect Biennial in New Orleans and Contrasts Gallery in Shanghai. Myers has curated shows in Vietnam, designed theater that has travelled from PS122 in New York City to the Genocide Memorial Theater in Kigali, Rwanda and collaborated with Hank Willis Thomas on a short film Am I Going Too Fast which premiered at Sundance. Myers participated in the Whitney Independent Studio Program and recently opened his solo exhibition Let the Mermaids Flirt with Me at Fort Gansevoort Gallery in Manhattan.
Creative Team and Collaborators
Kaneza Schaal, Christopher Myers, Jane Jung, Victoria Nassif, Cheyanne Williams, Vuyolwethu Sotashe, Eden Zane, Malaika Uwamohoro, Abrielle Kuo, Raquel Palmas, Kamal Nassif, Joshue Ott, Mateo Juvera Molina, Andrija Klaric, Grace Huang, Pierre Depaz, Tommy Kreigsmann, and ArKtype.
Cartography was made possible by a generous grant from The Joyce Foundation, and is a co-commission of The John F. Kennedy Center for the Performing Arts, The Arts Center at NYU Abu Dhabi, and Playhouse Square, Cleveland, OH, with developmental support provided by Young People’s Theatre, Toronto, Canada and the Center for the Arts, Wesleyan University in Middletown, CT. Developed as part of New Victory Lab Works at The New Victory Theater in New York City, at The Performing Garage as part of The Performing Garage Presents Residency Program, and workshopped and presented as a rehearsed reading in April 2018 at the John F. Kennedy Center for the Performing Arts as part of New Visions/New Voices 2018.