THE ARTS CENTER

Middle East Premiere

Shakespeare Theatre Company - Noura

By Heather Raffo | Directed by Joanna Settle

Thursday & Friday, May 10 & 11 @ 8pm | Saturday, May 12 @ 3pm

The Red Theatre

Past Event

What does “home” mean?

Hot off the acclaimed premiere in Washington DC and written and directed by the creators of Nine Parts of Desire. Noura is a beautifully constructed play that speaks to life as an expatriate and questions what “home” means. It explores our notions of identity and changing cultural standards through a portrait of Iraqi immigrants in New York. As Noura and her husband Tariq prepare to celebrate a traditional Christmas, she looks forward to welcoming a special guest – Maryam, a young Iraqi refugee. But the girl’s arrival creates unforeseen circumstances.

Watch the trailer

Award-winning playwright and performer Heather Raffo (Nine Parts of Desire) draws on personal stories of Arab American women responding to A Doll’s House, Henrik Ibsen’s classic drama of one mother’s struggle to balance her duty with her identity. Noura’s Middle East premiere follows its world-premiere production at Washington DC’s Shakespeare Theater Company in February 2018.

“Raffo’s script bounces effortlessly between humor and strained arguments. It’s one of the most realistic plays I’ve seen in the last few years” – DC Metro Theater Arts

Don’t miss the MENA premiere of this Shakespeare Theatre Company production, in association with Octopus Theatricals, prior to its transfer to NY’s acclaimed Playwrights Horizons.

Heather Raffo is the solo performer and writer of the Off Broadway hit, 9 Parts of Desire which details the lives of nine Iraqi women. For her creation and performance of 9 Parts and its national and international tour, Heather garnered many awards including a Lucille Lortel Award, and the prestigious Susan Smith Blackburn and Marian Seldes- Garson Kanin playwriting awards, as well as Helen Hayes, Outer Critics Circle and Drama League nominations, for outstanding performance.

Heather first performed 9 Parts of Desire in August 2003 at the Traverse Theatre, Edinburgh. It later moved to the Bush Theatre in London’s Off-West End where critics hailed it as one of the five best plays in London in late 2003. It’s Off Broadway premiere was at the Manhattan Ensemble Theatre, where the show ran for nine months and was a critics pick (of the New York Times, Time Out and Village Voice) for over twenty four weeks in a row. In 2009, Heather created a concert version of the play for The Kennedy Center with renowned Iraqi maqam musician, Amir ElSaffar.

9 Parts of Desire has been performed all over the U.S. and was one of the top five produced plays of the 2007-2008 American theater season. It has had international productions/translations in Brazil, Greece, Sweden, Turkey, Malta, France, Iraq, Egypt, Israel, Scotland, England and Canada. Publications are by Northwestern University Press and Dramatists Play Service as well as a number of anthologies.
Currently, Heather is developing a libretto for an opera commissioned by the Annenberg Foundation and City Opera Vancouver. The opera details the life of a US Marine who served in Fallujah in 2004 and relates the haunting experiences of identity and belonging for both veterans and their families as well as Iraqis.

Heather’s recent acting credits include: The feature film Vino Veritas, dir. Sarah Knight; Food and Fadwa, (world premiere New York Theater Workshop); In Darfur (world premiere The Public Theater, Delacourt); Palace of the End (Drama League Nomination -Epic Theater Center); Seven (Skirball Center, London’s House of Lords, Aspen Ideas Festival); The French Lieutenant’s Woman (world premiere Fulton Opera House); Over The River and Through the Woods (John Houseman); Off Broadway/National Tour of Macbeth (Lady Macbeth), The Merry Wives of Windsor (Mistress Page) and The Rivals all with The Acting Company. Regionally with the Old Globe Theater: Romeo and Juliet (dir. Daniel Sullivan); Othello (dir. Jack O’Brien); As You Like It (dir. Stephen Wadsworth); Macbeth (dir. Nicky Martin).

Raffo served as 2010-2011 Artist in Residence at Vassar College, sponsored by the Mellon Foundation. She enjoys an ongoing residency in the Department of Performing Arts at Georgetown University. She has taught and performed at dozens of universities and arts centers both in the United States and internationally engaging students about the politics and arts of Iraq and about her own experience as an Iraqi-American playwright and actress.

Raffo received her bachelor of arts in English from the University of Michigan and her masters of fine arts in acting performance from the University of San Diego. She also studied at the Royal Academy of Dramatic Art, London.
Originally from Michigan, Heather currently lives in New York. Her father is from Iraq and her mother American.

Joanna Settle joined the NYUAD theater program as Associate Arts Professor of Theater in September 1, 2017, bringing 20 years of education experience as well as her extensive career as a theater director to the position.

Settle recently directed the world premiere of Stew and Heidi Rodewald’s new musical The Total Bent in a twice-extended run at New York’s Public Theater. Other Public Theater credits include, Winter Miller’s In Darfur and the Finale of Suzan-Lori Park’s 365 Plays/365 Days. She also directed the world premiere of Heather Raffo’s celebrated Nine Parts of Desire at Manhattan Ensemble Theater, and for subsequent productions at theaters and art museums around the US.

She has two prominent world premieres set for the stage in 2018, including_ Noura_ by Heather Raffo, a new play about an Iraqi immigrant family living in New York that will premiere at the Shakespeare Theater Company in Washington D.C. in February 2018, and a new opera with Opera Philadelphia set to premiere September 2018.

Settle served as the Artistic Director of Chicago’s Division 13 Productions from 1998 to 2004 and directed and adapted 15 of D13’s 17 projects, including BLOOD LINE: The Oedipus/Antigone Story, two plays by Sophocles, Macbett by Ionesco, and several Samuel Beckett shorts including Cascando and Play. She served as Artistic Director of Shakespeare on the Sound 2009 to 2012, where she directed free outdoor Shakespeare productions of A Midsummer Night’s Dream, Othello, Much Ado About Nothing, and Romeo and Juliet for audiences of up to 2,000 people per night.

Nabil Elouahabi – After a successful run at the Lansburgh Theatre in Washington, D.C. and as part of Women’s Voices Theater Festival from the Shakespeare Theatre Company, Nabil Elouahabi is currently reprising his role of Tariq/Tim in Noura. His other theatre credits include Oslo at the Harold Pinter Theatre, Oil at the Almeida alongside Anne-Marie Duff, A Tale of Two Cities at Regent’s Park Open Air Theatre, Another World: Losing Our Children to Islamic State at the National Theatre; Fireworks at the Royal Court; I Call My Brothers and The Nightmares Of Carlos Fuentes at the Arcola; Love Your Soldiers at the Crucible, Sheffield; Crossing Jerusalem and The Great GameAfghanistan at the Tricycle and on tour in the USA. Television includes: Dark State, The Night Of, The Missing, 24: Live Another Day, Top Boy, Mad Dogs, Generation Kill, The Path To 9/11 and EastEnders. Film credits include Zero Dark Thirty, Charlie Wilson’s War, In This World, Ali G Indahouse and The Sum of all Fears.


Off The Stage events

Writing Workshop with Heather Raffo

  • Learn how to bring your story to life
  • Sunday, May 13 @ 6:30pm
  • Click here to register.

  • Shakespeare Theatre Company production of
  • Noura
  • (Middle East Premiere)
  • By Heather Raffo
  • Directed by Joanna Settle
  • Produced in association with Octopus Theatricals

“Director Joanna Settle has shaped the raw talent of her actors into well-paced scenes that never miss a beat. Every movement and every line feel intentional.” – DC Metro Theater Arts

See the Library Guide click here .

“We’re not Iraqi anymore. A lot of this play is the loss of that.” – Heather Raffo

“I suggest that our value to national culture might lie in how open with each other we can be.” – Joanna Settle

Noura…is a political show that could not be more timely in 2018. But the show never buckles under the immense weight of the pain Iraqi refugees have carried. They have faced war, and prejudice, and death, and battles to citizenship in countries all over the world. Noura pulses with this pain as its lifeblood and uses it to connect with the audience. The audience can’t help but feel something.” – DC Metro Theater Arts