Hadjinicolaou, Yannis. Visual Engagements: Image Practices and Falconry. De Gruyter, 2020.
Hadjinicolaou, Yannis. Thinking Bodies – Shaping Hands: Handeling in Art and Theory of the Late Rembrandtists. Brill, 2019.
Hadjinicolaou, Yannis. “‘Ich zog mir einen Falken.’ Das ikonische Nachleben der Falknerei.” Pegasus. Berliner Beiträge zum Nachleben der Antike, Heft 18/19 (2018): 163-193.
Hadjinicolaou, Yannis. "‘Die Neue Sachlichkeit Rembrandts.’ Aby Warburg's Claudius Civilis." Journal of Art Historiography 19 (2018): 1-19.
Hadjinicolaou, Yannis. "Il Nuovo Louvre di Jean Nouvel ad Abu Dhabi.” L'Indice dei Libri del Mese 9 (2018): 37.
Hadjinicolaou, Yannis. "Kinetic Symbol: Falconry as Image Vehicle in the United Arab Emirates." In All Things Arabia, eds. Ileana Baird and Hülya Yağcıoğlu, 127-142. Brill, 2020.
Hadjinicolaou, Yannis. "J. F. Willumsen and El Greco. Collecting, Theory and Practice." In Echo Room. Thorvaldsen, Willumsen, Jorn and Their Collections (exhibition catalogue), ed. Anne Gregersen, 160-183. Hatje Cantz, 2018.
Hadjinicolaou, Yannis. "Contradictory Liveliness. Painting as Process in the Work of Arent de Gelder and Christopher Paudiß." In Spur der Arbeit. Oberfläche und Werkprozess, eds. Magdalena Bushart and Henrike Haug, 81-94. Böhlau Verlag, 2018.
Hadjinicolaou, Yannis. "Synagonismus." In 23 Manifeste zu Bildakt und Verkörperung, eds. Marion Lauschke and Pablo Schneider, 149-57. De Gruyter, 2018.
Hadjinicolaou, Yannis. “Blotches as Symbolic Articulation.” In Symbolic Articulation. Image, Word and Body between Action and Schema, ed. Sabine Marienberg, 173-204. De Gruyter, 2017.
Hadjinicolaou, Yannis. “Macht wie die des Königs. Zur politischen Ikonographie der Falknerei.” In Hunting Without Weapons: On the Pursuit of Images, ed. Maurice Saß, 87-106. De Gruyter, 2017.
